There’s not much of a precedent for music about settlers on Mars discovering a portal to hell, so it must have seemed like quite a unique task for Mick Gordon as he set out to compose original music for Doom. His intense, sprawling creation is the perfect complement to the soul-crushing first-person shooter, offering gripping heavy metal guitar riffs (“Rip & Tear”), relentlessly pounding drums (“Bfg Division”) and terrifying industrial synths (“Hellwalker”). The world evoked through these tracks is a horrifying projection—one that we should never hope to experience. There’s not much of a precedent for music about settlers on Mars discovering a portal to hell, so it must have seemed like quite a unique task for Mick Gordon as he set out to compose original music for Doom. His intense, sprawling creation is the perfect complement to the soul-crushing first-person shooter, offering gripping heavy metal guitar riffs (“Rip & Tear”), relentlessly pounding drums (“Bfg Division”) and terrifying industrial synths (“Hellwalker”). The world evoked through these tracks is a horrifying projection—one that we should never hope to experience. false 2025-11-07 17:43:03 2016 2016-01-01 2016-01-01 128 Dark Ambient;Electronic;Experimental;Heavy Metal;Industrial;Industrial Metal;Metal;Rock 146502 2279411 f303630d-9a60-4251-9d2c-4fbe0b0b2752 01a36baf-fa2d-4659-8bc2-dbfb5ffed791 f40630d4-f52d-403f-81a2-c6904e8acc99 /media/data/media8/Music/Mick Gordon/DOOM (Original Game Soundtrack)/cover.jpg Mick Gordon Mick Gordon 1 1 00:44 1 2 04:17 1 3 01:10 1 4 07:41 1 5 00:50 1 6 05:05 1 7 02:23 1 8 07:02 1 9 01:44 1 10 02:06 1 11 08:26 1 12 01:56 1 13 02:34 1 14 07:11 1 15 02:16 1 16 04:40 1 17 06:09 1 18 04:10 1 19 06:18 1 20 03:36 1 21 02:16 1 22 06:44 1 23 02:50 1 24 03:04 1 25 03:49 1 26 07:15 1 27 03:39 1 28 08:03 1 29 01:38 1 30 06:37 1 31 01:47