Laura Branigan's third album capitalized on the Euro-dance-pop and affecting ballads that made her an international star while allowing her to grow as a vocalist. Her collections, always uneven in terms of material, benefit mostly from her stellar voice, and this is no exception."The Lucky One" and "Heart" start slow and build to a crescendo, perfectly showcasing her range without being obvious. The title track, about finding sex in the seamy side of town, sparked a bit of a controversy, but ended up being her second biggest hit. The song itself works, but Branigan was never a sex bomb, so the fact that she pulls it off is indicative of her power as a performer. "Ti Amo" is the album's theatrical ballad, which works well with breathy, dramatic vocals. She even pulls off a graceful cover of "Will You Still Love Me Tomorrow" that is clear and simple, while "Breaking Out" and "Take Me" are perfect examples of synthesizer-driven '80s dance ditties. The only slow moments come with "Silent Partners" and "With Every Beat of My Heart," and that's not because they're ballads. The production bogs them down, and the lyrics are so pedestrian, you won't find yourself moved by them except to skip to the next song.Laura Branigan's third album capitalized on the Euro-dance-pop and affecting ballads that made her an international star while allowing her to grow as a vocalist. Her collections, always uneven in terms of material, benefit mostly from her stellar voice, and this is no exception."The Lucky One" and "Heart" start slow and build to a crescendo, perfectly showcasing her range without being obvious. The title track, about finding sex in the seamy side of town, sparked a bit of a controversy, but ended up being her second biggest hit. The song itself works, but Branigan was never a sex bomb, so the fact that she pulls it off is indicative of her power as a performer. "Ti Amo" is the album's theatrical ballad, which works well with breathy, dramatic vocals. She even pulls off a graceful cover of "Will You Still Love Me Tomorrow" that is clear and simple, while "Breaking Out" and "Take Me" are perfect examples of synthesizer-driven '80s dance ditties. The only slow moments come with "Silent Partners" and "With Every Beat of My Heart," and that's not because they're ballads. The production bogs them down, and the lyrics are so pedestrian, you won't find yourself moved by them except to skip to the next song.false2024-01-06 00:54:44Self Control8.519841984-04-011984-04-0140DanceDiscoElectronicPopPop RockRockSynth-Pop1172602147749e4e7541e-541f-4f4b-be69-3c5a6dae5d90917976a6-75b1-46af-b57b-71f13de2042270706fd9-e724-37ed-8be5-243ff0dc5ab1/media/data/media7/Music/Laura Branigan/Self Control (1984)/folder.jpgLaura BraniganAlbumArtistLaura BraniganArtistLaura BraniganLaura BraniganLaura Ann Branigan (July 3, 1952 – August 26, 2004) was an American singer. Her signature song, the platinum-certified 1982 single "Gloria", stayed on the U.S. Billboard Hot 100 for 36 weeks, then a record for a female artist, peaking at No. 2. It also reached number one in Australia and Canada. Branigan's "Gloria" was a cover of a song written by Italian singer-songwriters Giancarlo Bigazzi and Umberto Tozzi. In 1984, she reached number one in Canada and Germany and No. 4 in the U.S. with "Self Control" a cover of Italian singer and songwriter Raf from the same year. Both "Gloria" and "Self Control" were successful in the United Kingdom, making the Top 10 in the UK Singles Chart.
Seeing her greatest level of success in the 1980s, Branigan's other singles included the Top 10 hit "Solitaire" (1983), the U.S. Adult Contemporary Chart number one "How Am I Supposed to Live Without You" (1983), the Australian No. 2 hit "Ti amo" (1984) a cover of 1977 single by Umberto Tozzi, her return to the top 40 "The Power of Love" (1987), and "Shattered Glass" (1987), which reached the top 15 of the U.S. dance chart. Her most successful studio album was 1984's platinum-selling Self Control. She also contributed songs to motion picture and television soundtracks, including the Grammy- and Academy Award–winning Flashdance soundtrack (1983), the Ghostbusters soundtrack (1984), and Miami Vice (1984). In 1984, she won the Tokyo Music Festival with the song "The Lucky One".
Her chart success began to wane as the decade closed and after her last two studio albums Laura Branigan (1990) and Over My Heart (1993) garnered little attention, she generally retired from public life for the rest of the 1990s. She returned to performing in the early 2000s, most notably appearing as Janis Joplin in the off-Broadway musical Love, Janis. As she was recording new music and preparing a comeback to the music industry, she died at her home in August 2004 from a previously undiagnosed cerebral aneurysm.
Branigan and her music saw renewed popularity and public interest in 2019 in the U.S. after "Gloria" was adopted by the NHL's St. Louis Blues as their unofficial victory song while they completed a historic mid-season turnaround to win their first Stanley Cup in franchise history, leading to the song entering ice hockey lore as an "unlikely championship anthem". Branigan's legacy manager and representative Kathy Golik embraced the trend and traveled to St. Louis to publicly represent Branigan among the Blues fanbase during the 2019 Stanley Cup Playoffs, later stating her belief that Branigan and "Gloria" "will forever be intertwined" with the Blues and the city of St. Louis.
Branigan's 1984 song Self Control regained popularity as part of the soundtrack of the 2002 video game, Grand Theft Auto: Vice City. The video game, which continues to have a cult legacy, has helped making it Branigan's most streamed song on Spotify and YouTube.