﻿<?xml version="1.0" encoding="utf-8" standalone="yes"?>
<album>
  <review>Cold Snap has a stronger R&amp;B direction than Collins's previous Alligator releases, most notably in the presence of a slicker production. That approach doesn't suit him particularly well -- he's at his best when he's just playing the blues, not when he's trying to sing. Nevertheless, he turns out a number of gripping solos, and that is what prevents Cold Snap from being too much of a disappointment.</review>
  <outline>Cold Snap has a stronger R&amp;B direction than Collins's previous Alligator releases, most notably in the presence of a slicker production. That approach doesn't suit him particularly well -- he's at his best when he's just playing the blues, not when he's trying to sing. Nevertheless, he turns out a number of gripping solos, and that is what prevents Cold Snap from being too much of a disappointment.</outline>
  <lockdata>false</lockdata>
  <dateadded>2025-11-07 17:53:27</dateadded>
  <title>Cold Snap</title>
  <year>1986</year>
  <premiered>1986-01-01</premiered>
  <releasedate>1986-01-01</releasedate>
  <runtime>43</runtime>
  <genre>Blues</genre>
  <genre>Chicago Blues</genre>
  <genre>Texas Blues</genre>
  <studio />
  <audiodbartistid>116631</audiodbartistid>
  <audiodbalbumid>2143850</audiodbalbumid>
  <musicbrainzalbumid>72662524-138d-4cf3-a709-2633ab374768</musicbrainzalbumid>
  <musicbrainzalbumartistid>73b8dddb-ec29-4d11-b449-d97fde73f07b</musicbrainzalbumartistid>
  <musicbrainzreleasegroupid>b85d9da6-8014-3995-9ad5-06f5270e80a7</musicbrainzreleasegroupid>
  <art>
    <poster>/media/data/media7/Music/Albert Collins/Cold Snap/folder.jpg</poster>
    <fanart>/media/data/media7/Music/Albert Collins/Cold Snap/backdrop1.jpg</fanart>
  </art>
  <artist>Albert Collins</artist>
  <albumartist>Albert Collins</albumartist>
  <track>
    <disc>1</disc>
    <position>1</position>
    <title>Cash Talkin' (The Workingman's Blues)</title>
    <duration>04:31</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>2</position>
    <title>Bending Like a Willow Tree</title>
    <duration>04:23</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>3</position>
    <title>A Good Fool Is Hard to Find</title>
    <duration>04:17</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>4</position>
    <title>Lights Are On but Nobody's Home</title>
    <duration>06:58</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>5</position>
    <title>I Ain't Drunk</title>
    <duration>04:08</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>6</position>
    <title>Hooked on You</title>
    <duration>04:26</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>7</position>
    <title>Too Many Dirty Dishes</title>
    <duration>06:53</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>8</position>
    <title>Snatchin' It Back</title>
    <duration>03:34</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>9</position>
    <title>Fake I.D.</title>
    <duration>03:46</duration>
  </track>
  <artistdesc>Albert Gene Drewery, known as Albert Collins and the Ice Man (October 1, 1932 – November 24, 1993), was an American electric blues guitarist and singer with a distinctive guitar style. He was noted for his powerful playing and his use of altered tunings and a capo. His long association with the Fender Telecaster led to the title "The Master of the Telecaster".

</artistdesc>
  <label>Mobile Fidelity Sound Lab</label>
</album>