﻿<?xml version="1.0" encoding="utf-8" standalone="yes"?>
<album>
  <review />
  <outline />
  <lockdata>false</lockdata>
  <dateadded>2026-01-10 00:52:04</dateadded>
  <title>Ultimate Seventies: 1977</title>
  <year>2003</year>
  <premiered>2003-01-01</premiered>
  <releasedate>2003-01-01</releasedate>
  <runtime>65</runtime>
  <genre>Classic Rock</genre>
  <genre>Country</genre>
  <genre>Funk</genre>
  <genre>Pop</genre>
  <genre>Rock</genre>
  <genre>Soul</genre>
  <studio />
  <musicbrainzalbumid>5ecbbe75-98ac-4b35-8cd1-fc32e7be55fd</musicbrainzalbumid>
  <musicbrainzalbumartistid>89ad4ac3-39f7-470e-963a-56509c546377</musicbrainzalbumartistid>
  <musicbrainzreleasegroupid>06f561e3-e9b7-393a-99b7-d6273519943f</musicbrainzreleasegroupid>
  <art>
    <poster>/media/data/media5/Music/Various Artists/Ultimate Seventies_ 1977/folder.jpg</poster>
  </art>
  <artist>10cc</artist>
  <artist>Al Stewart</artist>
  <artist>Atlanta Rhythm Section</artist>
  <artist>Daryl Hall and John Oates</artist>
  <artist>Earth, Wind and Fire</artist>
  <artist>Fleetwood Mac</artist>
  <artist>Glen Campbell</artist>
  <artist>James Taylor</artist>
  <artist>Linda Ronstadt</artist>
  <artist>Manfred Mann’s Earth Band</artist>
  <artist>Marvin Gaye</artist>
  <artist>Paul Simon</artist>
  <artist>Peter Frampton</artist>
  <artist>Steve Miller</artist>
  <artist>The Bee Gees</artist>
  <artist>The Marshall Tucker Band</artist>
  <albumartist>Various Artists</albumartist>
  <track>
    <disc>1</disc>
    <position>1</position>
    <title>Got to Give It Up, Part 1</title>
    <duration>04:14</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>2</position>
    <title>Serpentine Fire</title>
    <duration>03:52</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>3</position>
    <title>Dreams</title>
    <duration>04:15</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>5</position>
    <title>Blinded by the Light</title>
    <duration>03:49</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>6</position>
    <title>Fly Like an Eagle</title>
    <duration>03:02</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>7</position>
    <title>Southern Nights</title>
    <duration>02:59</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>8</position>
    <title>Heard It in a Love Song</title>
    <duration>03:29</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>9</position>
    <title>Blue Bayou</title>
    <duration>03:53</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>10</position>
    <title>How Deep Is Your Love</title>
    <duration>03:38</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>11</position>
    <title>Handy Man</title>
    <duration>03:17</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>12</position>
    <title>Rich Girl</title>
    <duration>02:22</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>13</position>
    <title>The Things We Do for Love</title>
    <duration>03:32</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>14</position>
    <title>Year of the Cat</title>
    <duration>04:36</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>15</position>
    <title>It’s So Easy</title>
    <duration>02:27</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>17</position>
    <title>I’m in You</title>
    <duration>04:10</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>18</position>
    <title>So In to You</title>
    <duration>03:17</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>19</position>
    <title>Stayin’ Alive</title>
    <duration>03:42</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>20</position>
    <title>Slip Slidin’ Away</title>
    <duration>04:43</duration>
  </track>
  <artistdesc>A compilation album comprises tracks which are compiled from other recordings, usually previously released, but sometimes unreleased. The tracks may be from one or several performers; if from several performers there may be a theme, topic or genre which links the tracks. When the tracks are by the same recording artist, the album may be referred to as a retrospective album. Compilation albums may employ traditional product bundling strategies. For multi-artist compilations, royalties are usually pro-rated. In most cases, each artist's per-record royalty rate (typically 12–14% in 1999) is divided by the number of artists on the album. However, some record companies opt to simplify the equation and pay a rounded-off rate, either as a percentage or as a set amount, regardless of the total number of artists on the record. As of 1999, these rates were around 1/2% to 1% or 15–16 cents per record. When a compilation album includes a track from a different record company, the royalties are split between the artist and the original record company.</artistdesc>
  <label>Time–Life MusicWarner Special ProductsWarner Special Products</label>
</album>