false 2026-01-10 00:52:10 1998 1998-01-01 1998-01-01 69 Acid Jazz Deep House Electronic 2ff83063-9898-4986-98b9-3bcfb62098bb 89ad4ac3-39f7-470e-963a-56509c546377 8ae7624b-fca8-4232-ac54-cfcfd5796fc3 /media/data/media5/Music/Various Artists/The Jazz House Independent 2nd Issue/folder.jpg Be Noir Belladonna Don Carlos Key Tronics Ensemble Moz-Art & Master Freez Omniverse Polix Sambo Tequeno The Funk Relation The Groove Regatta The Loop Experience Various Artists 1 1 06:19 1 2 06:33 1 3 04:59 1 4 05:28 1 5 05:19 1 6 08:34 1 7 05:29 1 8 05:47 1 9 05:23 1 10 05:28 1 11 04:28 1 12 05:31 A compilation album comprises tracks which are compiled from other recordings, usually previously released, but sometimes unreleased. The tracks may be from one or several performers; if from several performers there may be a theme, topic or genre which links the tracks. When the tracks are by the same recording artist, the album may be referred to as a retrospective album. Compilation albums may employ traditional product bundling strategies. For multi-artist compilations, royalties are usually pro-rated. In most cases, each artist's per-record royalty rate (typically 12–14% in 1999) is divided by the number of artists on the album. However, some record companies opt to simplify the equation and pay a rounded-off rate, either as a percentage or as a set amount, regardless of the total number of artists on the record. As of 1999, these rates were around 1/2% to 1% or 15–16 cents per record. When a compilation album includes a track from a different record company, the royalties are split between the artist and the original record company. Irma Records