false 2023-07-11 13:24:44 Jazz Moods: Jazz & The Sunday Times 1999 1999-06-22 1999-06-22 59 Jazz Vocal Jazz Post-Bop Swing Hard Bop Avant-Garde Jazz Bebop Bossa Nova Cool Jazz Instrumental Jazz Samba-Jazz c63e6841-c7a5-4ad4-9c63-a5118e8d8a1e 89ad4ac3-39f7-470e-963a-56509c546377 4f81f9c5-f116-3170-a820-e018a44bbd51 /media/data/media5/Music/Various Artists/Jazz Moods - Jazz & The Sunday Times (1999)/folder.jpg Various Artists AlbumArtist Scott Hamilton Artist /config/metadata/People/S/Scott Hamilton/folder.jpg Stan Getz Artist /config/metadata/People/S/Stan Getz/folder.jpg Alan Broadbent Artist The Art Farmer Quartet Artist Ernestine Anderson Artist Gary Burton & Friends Artist The Gene Harris Quartet Artist Emily Remler Artist Susannah McCorkle Artist Clark Terry Sextet Artist Susannah McCorkle Ernestine Anderson The Art Farmer Quartet Clark Terry Sextet Scott Hamilton The Gene Harris Quartet Emily Remler Stan Getz Alan Broadbent Gary Burton & Friends Various Artists 1 Blue Skies 06:37 2 Come Sunday 04:27 3 Tenderly 05:50 4 Wonder Why 06:01 5 Love Walked In 03:37 6 Nice 'n' Easy 07:24 7 Embraceable You 05:06 8 Warm Valley 07:53 9 Softly as in a Morning Sunrise 08:12 10 In a Mellow Tone 03:46 A compilation album comprises tracks which are compiled from other recordings, usually previously released, but sometimes unreleased. The tracks may be from one or several performers; if from several performers there may be a theme, topic or genre which links the tracks. When the tracks are by the same recording artist, the album may be referred to as a retrospective album. Compilation albums may employ traditional product bundling strategies. For multi-artist compilations, royalties are usually pro-rated. In most cases, each artist's per-record royalty rate (typically 12–14% in 1999) is divided by the number of artists on the album. However, some record companies opt to simplify the equation and pay a rounded-off rate, either as a percentage or as a set amount, regardless of the total number of artists on the record. As of 1999, these rates were around 1/2% to 1% or 15–16 cents per record. When a compilation album includes a track from a different record company, the royalties are split between the artist and the original record company.