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<album>
  <review />
  <outline />
  <lockdata>false</lockdata>
  <dateadded>2026-01-10 00:52:12</dateadded>
  <title>Cream Classics, Vol 2</title>
  <year>1992</year>
  <premiered>1992-01-01</premiered>
  <releasedate>1992-01-01</releasedate>
  <runtime>229</runtime>
  <genre>Acid House</genre>
  <genre>Acid Jazz</genre>
  <genre>Ambient</genre>
  <genre>Bossa Nova</genre>
  <genre>Cool Jazz</genre>
  <genre>Deep House</genre>
  <genre>Disco</genre>
  <genre>Downtempo</genre>
  <genre>Electro</genre>
  <genre>Electronic</genre>
  <genre>Euro House</genre>
  <genre>Funk</genre>
  <genre>Garage House</genre>
  <genre>House</genre>
  <genre>Jazz</genre>
  <genre>Latin</genre>
  <genre>Pop</genre>
  <genre>R&amp;B</genre>
  <genre>Soul</genre>
  <genre>Soul Jazz</genre>
  <genre>Techno</genre>
  <genre>Trip Hop</genre>
  <studio />
  <musicbrainzalbumid>e5d725c0-3127-457e-a098-fc143bc32c1a</musicbrainzalbumid>
  <musicbrainzalbumartistid>89ad4ac3-39f7-470e-963a-56509c546377</musicbrainzalbumartistid>
  <musicbrainzreleasegroupid>5990859b-b57a-31a7-976f-d6d89d8254f7</musicbrainzreleasegroupid>
  <art>
    <poster>/media/data/media5/Music/Various Artists/Cream Classics, Vol 2/folder.jpg</poster>
  </art>
  <artist>2 Men 4 Soul</artist>
  <artist>A Guy Called Gerald</artist>
  <artist>Aaron Tesser &amp; The New Jazz Affair</artist>
  <artist>Aly‐Us</artist>
  <artist>Armand van Helden</artist>
  <artist>Basement Jaxx</artist>
  <artist>Bossa Nostra</artist>
  <artist>Brothers in Rhythm</artist>
  <artist>CeCe Peniston</artist>
  <artist>Chubby Chunks</artist>
  <artist>DJ Duke</artist>
  <artist>Gazzara</artist>
  <artist>Honeymunch</artist>
  <artist>Inner City</artist>
  <artist>Isaac Hayes</artist>
  <artist>Italian Secret Service</artist>
  <artist>Jerome Van Rossum feat. Paula Ralph</artist>
  <artist>Jestofunk feat. Fred Wesley</artist>
  <artist>Kariya</artist>
  <artist>Kym Sims</artist>
  <artist>L.T.J. Sound Machine</artist>
  <artist>Legato</artist>
  <artist>Live Tropical Fish</artist>
  <artist>Man Sueto</artist>
  <artist>Max Sedgley</artist>
  <artist>Michael Allen</artist>
  <artist>Moby</artist>
  <artist>Nu Colours</artist>
  <artist>Nuyorican Soul</artist>
  <artist>Ohm Guru</artist>
  <artist>Orbital</artist>
  <artist>Papik</artist>
  <artist>Robert Miles</artist>
  <artist>Sam Paglia</artist>
  <artist>Sandy B</artist>
  <artist>Sarah Jane Morris</artist>
  <artist>Seven Grand Housing Authority</artist>
  <artist>Soul Jazz Unit</artist>
  <artist>Soul Quality Quartet</artist>
  <artist>Sounds of Blackness</artist>
  <artist>The Black Mighty Orchestra</artist>
  <artist>The Doobie Brothers</artist>
  <artist>The Goodmen</artist>
  <artist>The Sonic Family</artist>
  <artist>Toni Braxton</artist>
  <artist>Voo Doo Phunk</artist>
  <artist>Way Out West</artist>
  <artist>X‐Press 2</artist>
  <albumartist>Honeymunch</albumartist>
  <albumartist>Man Sueto</albumartist>
  <albumartist>Max Sedgley</albumartist>
  <albumartist>Papik</albumartist>
  <albumartist>Sarah Jane Morris</albumartist>
  <albumartist>Soul Quality Quartet</albumartist>
  <albumartist>The Black Mighty Orchestra</albumartist>
  <albumartist>Various Artists</albumartist>
  <track>
    <disc>1</disc>
    <position>1</position>
    <title>Finally</title>
    <duration>04:24</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>1</position>
    <title>Happy (Make You Happy)</title>
    <duration>05:57</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>1</position>
    <title>The Ghetto</title>
    <duration>07:06</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>2</position>
    <title>Spread Your Sax</title>
    <duration>05:15</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>3</position>
    <title>Kontaminazione</title>
    <duration>07:48</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>4</position>
    <title>Amor Ideal</title>
    <duration>04:26</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>4</position>
    <title>Man Sueto Theme</title>
    <duration>03:00</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>4</position>
    <title>Recordalectro</title>
    <duration>04:21</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>5</position>
    <title>Ever Gonna Make It</title>
    <duration>05:01</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>5</position>
    <title>Too Blind to See It</title>
    <duration>04:41</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>6</position>
    <title>Airplane</title>
    <duration>05:44</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>6</position>
    <title>Saturday Morning TV</title>
    <duration>04:19</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>6</position>
    <title>Start All Over Again</title>
    <duration>05:36</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>7</position>
    <title>If You Suck My Soul</title>
    <duration>06:34</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>7</position>
    <title>Little Darling</title>
    <duration>05:18</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>8</position>
    <title>Come Down</title>
    <duration>04:13</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>8</position>
    <title>Funky Superfly</title>
    <duration>05:21</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>8</position>
    <title>The Question?</title>
    <duration>03:39</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>9</position>
    <title>Never Stop Dreamin’</title>
    <duration>06:07</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>9</position>
    <title>Un‐Break My Heart</title>
    <duration>03:58</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>10</position>
    <title>Tokio Station</title>
    <duration>05:06</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>11</position>
    <title>Desire</title>
    <duration>03:58</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>11</position>
    <title>Nublado</title>
    <duration>05:07</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>12</position>
    <title>Go</title>
    <duration>04:11</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>12</position>
    <title>I Believe in the Sun</title>
    <duration>03:46</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>13</position>
    <title>Pentatonic</title>
    <duration>04:58</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>13</position>
    <title>Sexuality</title>
    <duration>05:10</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>13</position>
    <title>Starsky</title>
    <duration>05:18</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>15</position>
    <title>The Pressure</title>
    <duration>05:27</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>17</position>
    <title>Pursuit of the Pimpmobile</title>
    <duration>06:04</duration>
  </track>
  <track>
    <disc>2</disc>
    <position>2</position>
    <title>Follow Me</title>
    <duration>04:29</duration>
  </track>
  <track>
    <disc>2</disc>
    <position>5</position>
    <title>Such a Good Feeling</title>
    <duration>03:59</duration>
  </track>
  <track>
    <disc>2</disc>
    <position>7</position>
    <title>Blow Your Whistle</title>
    <duration>02:17</duration>
  </track>
  <track>
    <disc>2</disc>
    <position>8</position>
    <title>Good Life</title>
    <duration>03:33</duration>
  </track>
  <track>
    <disc>2</disc>
    <position>10</position>
    <title>The Funk Phenomena</title>
    <duration>04:06</duration>
  </track>
  <track>
    <disc>2</disc>
    <position>11</position>
    <title>Make the World Go Round</title>
    <duration>06:04</duration>
  </track>
  <track>
    <disc>2</disc>
    <position>11</position>
    <title>Vox Media</title>
    <duration>05:04</duration>
  </track>
  <track>
    <disc>2</disc>
    <position>12</position>
    <title>Runaway</title>
    <duration>03:54</duration>
  </track>
  <track>
    <disc>2</disc>
    <position>15</position>
    <title>Long Train Runnin’</title>
    <duration>06:13</duration>
  </track>
  <track>
    <disc>2</disc>
    <position>17</position>
    <title>Let Me Love You for Tonight</title>
    <duration>04:19</duration>
  </track>
  <track>
    <disc>3</disc>
    <position>2</position>
    <title>Voodoo Ray</title>
    <duration>04:00</duration>
  </track>
  <track>
    <disc>3</disc>
    <position>3</position>
    <title>Chime</title>
    <duration>04:06</duration>
  </track>
  <track>
    <disc>3</disc>
    <position>5</position>
    <title>Give It Up</title>
    <duration>03:55</duration>
  </track>
  <track>
    <disc>3</disc>
    <position>7</position>
    <title>London X‐Press</title>
    <duration>03:44</duration>
  </track>
  <track>
    <disc>3</disc>
    <position>8</position>
    <title>Testement One</title>
    <duration>03:43</duration>
  </track>
  <track>
    <disc>3</disc>
    <position>10</position>
    <title>Flylife</title>
    <duration>03:39</duration>
  </track>
  <track>
    <disc>3</disc>
    <position>14</position>
    <title>The Gift</title>
    <duration>03:21</duration>
  </track>
  <track>
    <disc>3</disc>
    <position>15</position>
    <title>Children</title>
    <duration>06:38</duration>
  </track>
  <artistdesc>A compilation album comprises tracks which are compiled from other recordings, usually previously released, but sometimes unreleased. The tracks may be from one or several performers; if from several performers there may be a theme, topic or genre which links the tracks. When the tracks are by the same recording artist, the album may be referred to as a retrospective album. Compilation albums may employ traditional product bundling strategies. For multi-artist compilations, royalties are usually pro-rated. In most cases, each artist's per-record royalty rate (typically 12–14% in 1999) is divided by the number of artists on the album. However, some record companies opt to simplify the equation and pay a rounded-off rate, either as a percentage or as a set amount, regardless of the total number of artists on the record. As of 1999, these rates were around 1/2% to 1% or 15–16 cents per record. When a compilation album includes a track from a different record company, the royalties are split between the artist and the original record company.</artistdesc>
  <label>Warner Dance</label>
</album>