﻿<?xml version="1.0" encoding="utf-8" standalone="yes"?>
<album>
  <review />
  <outline />
  <lockdata>false</lockdata>
  <dateadded>2026-01-10 00:51:38</dateadded>
  <title>Bad Boys: Music From the Motion Picture</title>
  <year>1995</year>
  <premiered>1995-01-01</premiered>
  <releasedate>1995-01-01</releasedate>
  <runtime>57</runtime>
  <genre>Gangsta Rap</genre>
  <genre>Hip Hop</genre>
  <genre>Industrial</genre>
  <genre>Pop</genre>
  <studio />
  <audiodbartistid>113641</audiodbartistid>
  <audiodbalbumid>2314625</audiodbalbumid>
  <musicbrainzalbumid>fc791463-f1ef-46ff-a9c5-ba25aae3e1c9</musicbrainzalbumid>
  <musicbrainzalbumartistid>89ad4ac3-39f7-470e-963a-56509c546377</musicbrainzalbumartistid>
  <musicbrainzreleasegroupid>54fbc8b3-7c34-3114-8957-15821200a913</musicbrainzreleasegroupid>
  <art>
    <poster>/media/data/media5/Music/Various Artists/Bad Boys_ Music From the Motion Picture/folder.jpg</poster>
  </art>
  <artist>2Pac featuring Dramacydal</artist>
  <artist>69 Boyz featuring K-Nock</artist>
  <artist>Call O' Da Wild</artist>
  <artist>Da Brat featuring The Notorious B.I.G.</artist>
  <artist>Diana King</artist>
  <artist>Ini Kamoze</artist>
  <artist>Inner Circle featuring Tek</artist>
  <artist>Jon B. featuring Babyface</artist>
  <artist>Juster</artist>
  <artist>Keith Martin</artist>
  <artist>KMFDM</artist>
  <artist>Mark Mancina</artist>
  <artist>Warren G</artist>
  <artist>Xscape</artist>
  <albumartist>Various Artists</albumartist>
  <track>
    <disc>1</disc>
    <position>1</position>
    <title>Shy Guy</title>
    <duration>03:41</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>2</position>
    <title>So Many Ways (Bad Boys version)</title>
    <duration>03:15</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>3</position>
    <title>Five O, Five O (Here They Come)</title>
    <duration>03:21</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>4</position>
    <title>Boom Boom Boom</title>
    <duration>03:52</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>5</position>
    <title>Me Against the World</title>
    <duration>04:40</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>6</position>
    <title>Someone to Love</title>
    <duration>04:33</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>8</position>
    <title>Never Find Someone Like You</title>
    <duration>04:31</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>9</position>
    <title>Call the Police (Marvel/Bonzai mix)</title>
    <duration>03:46</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>10</position>
    <title>Da B Side</title>
    <duration>03:43</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>11</position>
    <title>Work Me Slow</title>
    <duration>04:08</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>12</position>
    <title>Clouds of Smoke</title>
    <duration>04:43</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>13</position>
    <title>Juke‐Joint Jezebel</title>
    <duration>04:10</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>14</position>
    <title>Bad Boys Reply ('95)</title>
    <duration>04:02</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>15</position>
    <title>Theme From Bad Boys</title>
    <duration>04:12</duration>
  </track>
  <artistdesc>A compilation album comprises tracks which are compiled from other recordings, usually previously released, but sometimes unreleased. The tracks may be from one or several performers; if from several performers there may be a theme, topic or genre which links the tracks. When the tracks are by the same recording artist, the album may be referred to as a retrospective album. Compilation albums may employ traditional product bundling strategies. For multi-artist compilations, royalties are usually pro-rated. In most cases, each artist's per-record royalty rate (typically 12–14% in 1999) is divided by the number of artists on the album. However, some record companies opt to simplify the equation and pay a rounded-off rate, either as a percentage or as a set amount, regardless of the total number of artists on the record. As of 1999, these rates were around 1/2% to 1% or 15–16 cents per record. When a compilation album includes a track from a different record company, the royalties are split between the artist and the original record company.</artistdesc>
  <label>Work</label>
</album>