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  <review>Throughout the 1990s, U2 experimented with alternative rock and electronic dance music, culminating with their 1997 album Pop and the accompanying PopMart Tour. Guitarist The Edge said that with Pop, the band had "taken the deconstruction of the rock 'n' roll band format to its absolute 'nth degree." However, following the poor reception to the album and tour, the band wished to return to song arrangements that consisted almost entirely of guitar, bass, and drums, and to quickly regroup in the studio after the tour. They reunited with producers Brian Eno and Daniel Lanois, who also produced their albums The Unforgettable Fire, The Joshua Tree and Achtung Baby.
Although the band wanted to develop material before they entered the recording studio, Eno convinced them to write material quickly in the studio. For three weeks in late 1998, U2, Eno, and Lanois recorded demos in Hanover Quay Studios. One of the few quality ideas that stemmed from these brief sessions was the song "Kite". Lead singer Bono's vocals inspired everyone in the studio, particularly after he had been suffering from vocal problems for the previous few years. U2 thought they would have a new record completed in time for 1999. After the band's brief demo sessions, The Edge worked alone on song ideas before the band reunited at Hanover Quays. They recorded with the mentality of a "band in a room playing together", an approach that led to the album's more stripped-down sound.
Bono's involvement in the Jubilee 2000 campaign prevented him from dedicating all of his time to the album's recording, something Eno thought was a distraction. There was also a two-month break in the sessions when Bono collaborated with Lanois and Hal Wilner on the Million Dollar Hotel film soundtrack. The band had thought they could complete the album for 1999, but the sessions ran long, with band members' conflicting schedules playing a large part in the delay. U2 did not want to put a deadline on completing the album after their experience with Pop, which had to be rushed to completion into order to meet the deadline set by their pre-booked PopMart Tour.
In the summer 1999, bassist Adam Clayton and drummer Larry Mullen, Jr. bought houses in the South of France, in order to be near Bono and The Edge's homes so they could have a place to both "work and play".
The band have said that All That You Can't Leave Behind was an album that acknowledged the band's past. For example, there was a big debate amongst the band members during the writing and recording of "Beautiful Day"; The Edge was playing with a guitar tone that he hadn't used much since their 1983 album War and the band wanted something more forward-looking. The Edge won out and the sound made it into the final studio version of the song. Additionally, although the record was described as "a return to the traditional U2 sound", many songs were complex and retained elements of the band's 1990s experimenting; "Beautiful Day" features an electronic drum beat, and the song's intro features an "electronification of the [chorus] chords with a beat box and a string part"; "New York" came together when the band members were away at a meeting and Lanois and Eno were playing around with a drum loop that drummer Larry Mullen, Jr. had recorded. The album's recording wrapped up in 2000.</review>
  <outline>Throughout the 1990s, U2 experimented with alternative rock and electronic dance music, culminating with their 1997 album Pop and the accompanying PopMart Tour. Guitarist The Edge said that with Pop, the band had "taken the deconstruction of the rock 'n' roll band format to its absolute 'nth degree." However, following the poor reception to the album and tour, the band wished to return to song arrangements that consisted almost entirely of guitar, bass, and drums, and to quickly regroup in the studio after the tour. They reunited with producers Brian Eno and Daniel Lanois, who also produced their albums The Unforgettable Fire, The Joshua Tree and Achtung Baby.
Although the band wanted to develop material before they entered the recording studio, Eno convinced them to write material quickly in the studio. For three weeks in late 1998, U2, Eno, and Lanois recorded demos in Hanover Quay Studios. One of the few quality ideas that stemmed from these brief sessions was the song "Kite". Lead singer Bono's vocals inspired everyone in the studio, particularly after he had been suffering from vocal problems for the previous few years. U2 thought they would have a new record completed in time for 1999. After the band's brief demo sessions, The Edge worked alone on song ideas before the band reunited at Hanover Quays. They recorded with the mentality of a "band in a room playing together", an approach that led to the album's more stripped-down sound.
Bono's involvement in the Jubilee 2000 campaign prevented him from dedicating all of his time to the album's recording, something Eno thought was a distraction. There was also a two-month break in the sessions when Bono collaborated with Lanois and Hal Wilner on the Million Dollar Hotel film soundtrack. The band had thought they could complete the album for 1999, but the sessions ran long, with band members' conflicting schedules playing a large part in the delay. U2 did not want to put a deadline on completing the album after their experience with Pop, which had to be rushed to completion into order to meet the deadline set by their pre-booked PopMart Tour.
In the summer 1999, bassist Adam Clayton and drummer Larry Mullen, Jr. bought houses in the South of France, in order to be near Bono and The Edge's homes so they could have a place to both "work and play".
The band have said that All That You Can't Leave Behind was an album that acknowledged the band's past. For example, there was a big debate amongst the band members during the writing and recording of "Beautiful Day"; The Edge was playing with a guitar tone that he hadn't used much since their 1983 album War and the band wanted something more forward-looking. The Edge won out and the sound made it into the final studio version of the song. Additionally, although the record was described as "a return to the traditional U2 sound", many songs were complex and retained elements of the band's 1990s experimenting; "Beautiful Day" features an electronic drum beat, and the song's intro features an "electronification of the [chorus] chords with a beat box and a string part"; "New York" came together when the band members were away at a meeting and Lanois and Eno were playing around with a drum loop that drummer Larry Mullen, Jr. had recorded. The album's recording wrapped up in 2000.</outline>
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  <dateadded>2022-10-22 09:46:57</dateadded>
  <title>All That You Can’t Leave Behind</title>
  <rating>7.6</rating>
  <year>2000</year>
  <premiered>2000-10-31</premiered>
  <releasedate>2000-10-31</releasedate>
  <runtime>49</runtime>
  <genre>Alternative Rock</genre>
  <genre>Indie Rock</genre>
  <genre>Pop Rock</genre>
  <genre>Rock</genre>
  <genre>Soft Rock</genre>
  <audiodbartistid>112045</audiodbartistid>
  <audiodbalbumid>2116001</audiodbalbumid>
  <musicbrainzalbumid>379a26c2-57b7-416b-b08d-f4e3253caa19</musicbrainzalbumid>
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  <art>
    <poster>/media/data/media5/Music/U2/All That You Can't Leave Behind/folder.jpg</poster>
  </art>
  <actor>
    <name>U2</name>
    <type>AlbumArtist</type>
  </actor>
  <actor>
    <name>U2</name>
    <type>Artist</type>
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  <artist>U2</artist>
  <albumartist>U2</albumartist>
  <track>
    <position>1</position>
    <title>Beautiful Day</title>
    <duration>04:06</duration>
  </track>
  <track>
    <position>2</position>
    <title>Stuck in a Moment You Can’t Get Out Of</title>
    <duration>04:33</duration>
  </track>
  <track>
    <position>3</position>
    <title>Elevation</title>
    <duration>03:46</duration>
  </track>
  <track>
    <position>4</position>
    <title>Walk On</title>
    <duration>04:56</duration>
  </track>
  <track>
    <position>5</position>
    <title>Kite</title>
    <duration>04:24</duration>
  </track>
  <track>
    <position>6</position>
    <title>In a Little While</title>
    <duration>03:40</duration>
  </track>
  <track>
    <position>7</position>
    <title>Wild Honey</title>
    <duration>03:46</duration>
  </track>
  <track>
    <position>8</position>
    <title>Peace on Earth</title>
    <duration>04:48</duration>
  </track>
  <track>
    <position>9</position>
    <title>When I Look at the World</title>
    <duration>04:17</duration>
  </track>
  <track>
    <position>10</position>
    <title>New York</title>
    <duration>05:30</duration>
  </track>
  <track>
    <position>11</position>
    <title>Grace</title>
    <duration>05:29</duration>
  </track>
  <artistdesc>U2 are an Irish rock band from Dublin, formed in 1976. The group consists of Bono (lead vocals and rhythm guitar), the Edge (lead guitar, keyboards, and backing vocals), Adam Clayton (bass guitar), and Larry Mullen Jr. (drums and percussion). Initially rooted in post-punk, U2's musical style has evolved throughout their career, yet has maintained an anthemic quality built on Bono's expressive vocals and the Edge's chiming, effects-based guitar sounds. Their lyrics, often embellished with spiritual imagery, focus on personal and sociopolitical themes. Popular for their live performances, the group have staged several ambitious and elaborate tours over their career.
The band was formed when the members were teenaged pupils of Mount Temple Comprehensive School and had limited musical proficiency. Within four years, they signed with Island Records and released their debut album, Boy (1980). Subsequent work such as their first UK number-one album, War (1983), and the singles "Sunday Bloody Sunday" and "Pride (In the Name of Love)" helped establish U2's reputation as a politically and socially conscious group. By the mid-1980s, they had become renowned globally for their live act, highlighted by their performance at Live Aid in 1985. The group's fifth album, The Joshua Tree (1987), made them international superstars and was their greatest critical and commercial success. Topping music charts around the world, it produced their only number-one singles in the US to date: "With or Without You" and "I Still Haven't Found What I'm Looking For".
Facing creative stagnation and a backlash to their documentary/double album, Rattle and Hum (1988), U2 reinvented themselves in the 1990s. Beginning with their acclaimed seventh album, Achtung Baby (1991), and the multimedia-intensive Zoo TV Tour, the band pursued a new musical direction influenced by alternative rock, electronic dance music, and industrial music, and they embraced a more ironic, flippant image. This experimentation continued through their ninth album, Pop (1997), and the PopMart Tour, which were mixed successes. U2 regained critical and commercial favour with the records All That You Can't Leave Behind (2000) and How to Dismantle an Atomic Bomb (2004), which established a more conventional, mainstream sound for the group. Their U2 360° Tour of 2009–2011 set records for the highest-attended and highest-grossing concert tour, both of which were surpassed in 2019. The group most recently released the companion albums Songs of Innocence (2014) and Songs of Experience (2017), the former of which received criticism for its pervasive, no-cost release through the iTunes Store.
U2 have released 14 studio albums and are one of the world's best-selling music artists, having sold an estimated 150–170 million records worldwide. They have won 22 Grammy Awards, more than any other band, and in 2005, they were inducted into the Rock and Roll Hall of Fame in their first year of eligibility. Rolling Stone ranked U2 at number 22 on its list of the "100 Greatest Artists of All Time". Throughout their career, as a band and as individuals, they have campaigned for human rights and social justice causes, including Amnesty International, Jubilee 2000, the ONE/DATA campaigns, Product Red, War Child, and Music Rising.</artistdesc>
  <label>Interscope Records</label>
</album>