﻿<?xml version="1.0" encoding="utf-8" standalone="yes"?>
<album>
  <review>The Who Sell Out is the third album by English rock band The Who, released in 1967 by Track Records in the UK and Decca Records in the US. It is a concept album, formatted as a collection of unrelated songs interspersed with faux commercials and public service announcements. The album purports to be a broadcast by pirate radio station Radio London. Part of the intended irony of the title was that the Who were making commercials during that period of their career, some of which are included as bonus tracks on the remastered CD.

The album's release was reportedly followed by lawsuits due to the mention of real-world commercial interests in the faux commercials and on the album covers, and by the makers of the real jingles (Radio London jingles), who claimed the Who used them without permission. (The jingles were produced by PAMS Productions of Dallas, Texas, which created thousands of station ID jingles in the 1960s and '70s). It was the deodorant company, Odorono, who took offense that Chris Stamp made a request for endorsement dollars. In 2003, it was ranked #113 on Rolling Stone magazine's list of the 500 greatest albums of all time.</review>
  <outline>The Who Sell Out is the third album by English rock band The Who, released in 1967 by Track Records in the UK and Decca Records in the US. It is a concept album, formatted as a collection of unrelated songs interspersed with faux commercials and public service announcements. The album purports to be a broadcast by pirate radio station Radio London. Part of the intended irony of the title was that the Who were making commercials during that period of their career, some of which are included as bonus tracks on the remastered CD.

The album's release was reportedly followed by lawsuits due to the mention of real-world commercial interests in the faux commercials and on the album covers, and by the makers of the real jingles (Radio London jingles), who claimed the Who used them without permission. (The jingles were produced by PAMS Productions of Dallas, Texas, which created thousands of station ID jingles in the 1960s and '70s). It was the deodorant company, Odorono, who took offense that Chris Stamp made a request for endorsement dollars. In 2003, it was ranked #113 on Rolling Stone magazine's list of the 500 greatest albums of all time.</outline>
  <lockdata>false</lockdata>
  <dateadded>2025-11-07 20:32:32</dateadded>
  <title>The Who Sell Out</title>
  <year>1994</year>
  <premiered>1994-07-05</premiered>
  <releasedate>1994-07-05</releasedate>
  <runtime>72</runtime>
  <country />
  <genre>Mod</genre>
  <genre>Rock</genre>
  <studio />
  <audiodbartistid>111296</audiodbartistid>
  <audiodbalbumid>2110512</audiodbalbumid>
  <musicbrainzalbumid>abcd3bba-a4be-4d55-abad-e718285ada3e</musicbrainzalbumid>
  <musicbrainzalbumartistid>9fdaa16b-a6c4-4831-b87c-bc9ca8ce7eaa</musicbrainzalbumartistid>
  <musicbrainzreleasegroupid>aa02a102-f7b5-3584-8d21-bd9c560effb6</musicbrainzreleasegroupid>
  <art>
    <poster>/media/data/media5/Music/The Who/The Who Sell Out/folder.jpg</poster>
  </art>
  <artist>The Who</artist>
  <albumartist>The Who</albumartist>
  <track>
    <disc>1</disc>
    <position>1</position>
    <title>Armenia City in the Sky</title>
    <duration>03:48</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>2</position>
    <title>Heinz Baked Beans</title>
    <duration>01:00</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>3</position>
    <title>Mary Anne With the Shaky Hand</title>
    <duration>02:28</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>4</position>
    <title>Odorono</title>
    <duration>02:34</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>5</position>
    <title>Tattoo</title>
    <duration>02:51</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>6</position>
    <title>Our Love Was</title>
    <duration>03:23</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>7</position>
    <title>I Can See for Miles</title>
    <duration>04:44</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>9</position>
    <title>Medac</title>
    <duration>00:57</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>10</position>
    <title>Relax</title>
    <duration>02:41</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>11</position>
    <title>Silas Stingy</title>
    <duration>03:07</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>13</position>
    <title>Rael 1</title>
    <duration>05:44</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>14</position>
    <title>Rael 2</title>
    <duration>01:28</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>15</position>
    <title>Glittering Girl</title>
    <duration>03:59</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>16</position>
    <title>Melancholia</title>
    <duration>03:22</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>17</position>
    <title>Someone’s Coming</title>
    <duration>02:40</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>18</position>
    <title>Jaguar</title>
    <duration>03:01</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>19</position>
    <title>Early Morning Cold Taxi</title>
    <duration>03:25</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>20</position>
    <title>Hall of the Mountain King</title>
    <duration>04:19</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>21</position>
    <title>Girl’s Eyes</title>
    <duration>03:50</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>22</position>
    <title>Mary Anne With the Shaky Hand (alternative version)</title>
    <duration>03:21</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>23</position>
    <title>Glow Girl</title>
    <duration>02:44</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>25</position>
    <title>Sunrise (stereo)</title>
    <duration>03:06</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>26</position>
    <title>I Can't Reach You</title>
    <duration>03:03</duration>
  </track>
  <artistdesc>The Who are an English rock band formed in London in 1964. Their classic lineup (1964–1978) consisted of lead vocalist Roger Daltrey, guitarist Pete Townshend, bassist John Entwistle and drummer Keith Moon. They are considered one of the most influential rock bands of the 20th century. Their contributions to rock music include the development of the Marshall stack, large public address systems, the use of synthesizers, Entwistle's and Moon's influential playing styles, Townshend's feedback and power chord guitar technique, and the development of the rock opera. They are cited as an influence by many hard rock, punk, power pop and mod bands. The Who were inducted into the Rock and Roll Hall of Fame in 1990.
The Who evolved from an earlier group, the Detours, and established themselves as part of the pop art and mod movements, featuring auto-destructive art by destroying guitars and drums on stage. Their first single as the Who, "I Can't Explain" (1965), reached the UK top ten, and was followed by a string of hit singles including "My Generation" (1965), "Substitute" and "Happy Jack" (both 1966). In 1967, they performed at the Monterey Pop Festival and released "I Can See for Miles", their only US top-ten single. The group's 1969 concept album Tommy included the single "Pinball Wizard" and was a critical and commercial success.
Further festival appearances at Woodstock and the Isle of Wight, along with the concert album Live at Leeds (1970), established their reputation as a respected rock act. The success put pressure on lead songwriter Townshend, and the follow-up to Tommy, Lifehouse, was abandoned. Songs from the project made up the album Who's Next (1971), including the hits "Won't Get Fooled Again", "Baba O'Riley", and "Behind Blue Eyes". The group released another concept album, Quadrophenia (1973), as a celebration of their mod roots, and oversaw the film adaptation of Tommy (1975). They continued to tour to large audiences before semi-retiring from live performances at the end of 1976. The release of Who Are You (1978) was overshadowed by Moon's death shortly after.
Kenney Jones replaced Moon and the group resumed touring, and released a film adaptation of Quadrophenia and the retrospective documentary The Kids Are Alright (both 1979). After Townshend became weary of the group, they split in 1983. The Who occasionally re-formed for live appearances such as Live Aid in 1985, a 25th-anniversary tour in 1989 and a tour of Quadrophenia in 1996–1997. A full reunion began in 1999, with drummer Zak Starkey. After Entwistle's death in 2002, plans for a new album were delayed until 2006, with Endless Wire.  Since Entwistle's death, the Who have continued to perform and tour, most commonly with Starkey on drums, Pino Palladino on bass, and Pete's brother Simon Townshend on second guitar and backing vocals. In 2019, the group released the album Who and toured with a symphony orchestra.</artistdesc>
  <label>MCA Records</label>
</album>