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  <review>The release of "Firestarter" in 1996, featuring vocals for the first time courtesy of a new-look Keith Flint, helped the band break into the U.S. and other overseas markets, and reached number one on the UK Singles Chart. In this year The Prodigy also headlined the prestigious Lollapalooza festival.

The long-awaited third Prodigy album, The Fat of the Land, was released in 1997, just as the band headlined the Glastonbury Festival on its opening night. Featuring simplified melodies, sparser sampling, less rave music influences, and punk-like vocals supplied by a shockingly madeover Flint, the album nevertheless retained the bone-jarring breaks and buzzsaw synths so idiomatic of the band. The album cemented the band's position as one of the most internationally successful acts in the dance genre, entering the UK and US charts at number one.

The Prodigy were getting considerable airplay on rock stations with their controversial track "Smack My Bitch Up"-and also a negative backlash for the song. The National Organization for Women (NOW) criticized the song and its music video. The song's lyrics consist entirely of the repeated phrase "Change my pitch up, smack my bitch up", which NOW stated are a "dangerous and offensive message advocating violence against women". Howlett responded to the criticism by stating that the meaning of the song and its lyrics were being misinterpreted, and the phrase meant "doing anything intensely, like being on stage - going for extreme manic energy". The band did not actually write the lyric, but rather, sampled it from the hip hop Ultramagnetic MCs' track "Give the Drummer Some" which also appears on the Dirtchamber Sessions; they had also sampled another Ultramagnetic MCs song "Critical Beatdown" on their earlier "Out of Space" single. The National Organization for Women also believed that the lyrics are in reference to administering heroin (smack) to another person. Several radio stations limited the song's airplay to nighttime hours. In September 1997, The Prodigy performed "Breathe" at the 1997 MTV Video Music Awards, and won the Viewer's Choice Award.

"Smack My Bitch Up" The song generated an amount of controversy, and received backlash for the repeating sample.The music video for "Smack My Bitch Up", directed by Jonas Ã…kerlund, featured a first-person point of view of someone going clubbing and indulging in large amounts of drugs and alcohol. Other content shown includes the protagonist getting into fist fights with men, abusing women, vomiting repeatedly, and picking up a lap dancer (played by British glamour model Teresa May) and having sex with her. Much of the aforementioned is depicted fairly explicitly. At the end of the video, the camera pans over to a mirror, revealing the subject to be a woman. MTV only aired the video between 1 and 5 a.m due to the offensive material. After one week, the very same television network banned the music video at NOW's request. The director got the inspiration for the contents of the video after a night of drinking and partying in Copenhagen.

During a performance at the Reading Festival on 29 August 1998, The Prodigy and the Beastie Boys had an onstage disagreement over the track, with the Beastie Boys requesting the song should be pulled from their set as it could be considered offensive to those who had suffered domestic abuse. Choosing to ignore the Beastie Boys plea, Maxim introduced "Smack My Bitch Up" with the declaration "They didn't want us to play this fucking tune. But the way things go, I do what the fuck I want".

Wal-Mart and Kmart later announced they would pull The Fat of the Land off their shelves. Despite the fact that the LP had resided on their store shelves for over 20 weeks, and the fact that they had sold 150,000 copies of the album in total, the two stores found the marketing campaign for the new single release "offensive". At the 1998 MTV Video Music Awards in Los Angeles, "Smack My Bitch Up" won two awards; Best Dance Video and Breakthrough Video.
1999 saw the release of The Prodigy's The Dirtchamber Sessions Volume One, a DJ mix album by Howlett, produced as an official record of a successful guest appearance on the British Radio 1. In June of the same year, when the band had arguably reached their commercial peak, they parted company with guitarist Gizz Butt.

Following 1999, Thornhill departed from the group while he divorced Sara Cox due to the risk of nervous breakdown, resulting in the band's website being replaced with their logo and the words "We will be back" set against a black background, a stint that it'd remain until 2002.</review>
  <outline>The release of "Firestarter" in 1996, featuring vocals for the first time courtesy of a new-look Keith Flint, helped the band break into the U.S. and other overseas markets, and reached number one on the UK Singles Chart. In this year The Prodigy also headlined the prestigious Lollapalooza festival.

The long-awaited third Prodigy album, The Fat of the Land, was released in 1997, just as the band headlined the Glastonbury Festival on its opening night. Featuring simplified melodies, sparser sampling, less rave music influences, and punk-like vocals supplied by a shockingly madeover Flint, the album nevertheless retained the bone-jarring breaks and buzzsaw synths so idiomatic of the band. The album cemented the band's position as one of the most internationally successful acts in the dance genre, entering the UK and US charts at number one.

The Prodigy were getting considerable airplay on rock stations with their controversial track "Smack My Bitch Up"-and also a negative backlash for the song. The National Organization for Women (NOW) criticized the song and its music video. The song's lyrics consist entirely of the repeated phrase "Change my pitch up, smack my bitch up", which NOW stated are a "dangerous and offensive message advocating violence against women". Howlett responded to the criticism by stating that the meaning of the song and its lyrics were being misinterpreted, and the phrase meant "doing anything intensely, like being on stage - going for extreme manic energy". The band did not actually write the lyric, but rather, sampled it from the hip hop Ultramagnetic MCs' track "Give the Drummer Some" which also appears on the Dirtchamber Sessions; they had also sampled another Ultramagnetic MCs song "Critical Beatdown" on their earlier "Out of Space" single. The National Organization for Women also believed that the lyrics are in reference to administering heroin (smack) to another person. Several radio stations limited the song's airplay to nighttime hours. In September 1997, The Prodigy performed "Breathe" at the 1997 MTV Video Music Awards, and won the Viewer's Choice Award.

"Smack My Bitch Up" The song generated an amount of controversy, and received backlash for the repeating sample.The music video for "Smack My Bitch Up", directed by Jonas Ã…kerlund, featured a first-person point of view of someone going clubbing and indulging in large amounts of drugs and alcohol. Other content shown includes the protagonist getting into fist fights with men, abusing women, vomiting repeatedly, and picking up a lap dancer (played by British glamour model Teresa May) and having sex with her. Much of the aforementioned is depicted fairly explicitly. At the end of the video, the camera pans over to a mirror, revealing the subject to be a woman. MTV only aired the video between 1 and 5 a.m due to the offensive material. After one week, the very same television network banned the music video at NOW's request. The director got the inspiration for the contents of the video after a night of drinking and partying in Copenhagen.

During a performance at the Reading Festival on 29 August 1998, The Prodigy and the Beastie Boys had an onstage disagreement over the track, with the Beastie Boys requesting the song should be pulled from their set as it could be considered offensive to those who had suffered domestic abuse. Choosing to ignore the Beastie Boys plea, Maxim introduced "Smack My Bitch Up" with the declaration "They didn't want us to play this fucking tune. But the way things go, I do what the fuck I want".

Wal-Mart and Kmart later announced they would pull The Fat of the Land off their shelves. Despite the fact that the LP had resided on their store shelves for over 20 weeks, and the fact that they had sold 150,000 copies of the album in total, the two stores found the marketing campaign for the new single release "offensive". At the 1998 MTV Video Music Awards in Los Angeles, "Smack My Bitch Up" won two awards; Best Dance Video and Breakthrough Video.
1999 saw the release of The Prodigy's The Dirtchamber Sessions Volume One, a DJ mix album by Howlett, produced as an official record of a successful guest appearance on the British Radio 1. In June of the same year, when the band had arguably reached their commercial peak, they parted company with guitarist Gizz Butt.

Following 1999, Thornhill departed from the group while he divorced Sara Cox due to the risk of nervous breakdown, resulting in the band's website being replaced with their logo and the words "We will be back" set against a black background, a stint that it'd remain until 2002.</outline>
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  <dateadded>2022-11-06 19:12:55</dateadded>
  <title>The Fat of the Land</title>
  <rating>8.3</rating>
  <year>1997</year>
  <premiered>1997-07-01</premiered>
  <releasedate>1997-07-01</releasedate>
  <runtime>56</runtime>
  <genre>Alternative Rock</genre>
  <genre>Big Beat</genre>
  <genre>Breakbeat</genre>
  <genre>Electronic</genre>
  <genre>Electronica</genre>
  <genre>Hip Hop</genre>
  <genre>Industrial</genre>
  <genre>Techno</genre>
  <genre>Breakbeat Hardcore</genre>
  <audiodbartistid>112131</audiodbartistid>
  <audiodbalbumid>2116423</audiodbalbumid>
  <musicbrainzalbumid>7909018b-bca9-3c63-97d0-0c953a19c890</musicbrainzalbumid>
  <musicbrainzalbumartistid>4a4ee089-93b1-4470-af9a-6ff575d32704</musicbrainzalbumartistid>
  <musicbrainzreleasegroupid>ac9138ce-6331-3f8d-86d7-69f13e4ab4f4</musicbrainzreleasegroupid>
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  <actor>
    <name>The Prodigy</name>
    <type>AlbumArtist</type>
  </actor>
  <actor>
    <name>The Prodigy</name>
    <type>Artist</type>
  </actor>
  <artist>The Prodigy</artist>
  <albumartist>The Prodigy</albumartist>
  <track>
    <position>1</position>
    <title>Smack My Bitch Up</title>
    <duration>05:42</duration>
  </track>
  <track>
    <position>2</position>
    <title>Breathe</title>
    <duration>05:35</duration>
  </track>
  <track>
    <position>3</position>
    <title>Diesel Power</title>
    <duration>04:17</duration>
  </track>
  <track>
    <position>4</position>
    <title>Funky Shit</title>
    <duration>05:16</duration>
  </track>
  <track>
    <position>5</position>
    <title>Serial Thrilla</title>
    <duration>05:11</duration>
  </track>
  <track>
    <position>6</position>
    <title>Mindfields</title>
    <duration>05:40</duration>
  </track>
  <track>
    <position>7</position>
    <title>Narayan</title>
    <duration>09:05</duration>
  </track>
  <track>
    <position>8</position>
    <title>Firestarter</title>
    <duration>04:40</duration>
  </track>
  <track>
    <position>9</position>
    <title>Climbatize</title>
    <duration>06:36</duration>
  </track>
  <track>
    <position>10</position>
    <title>Fuel My Fire</title>
    <duration>04:19</duration>
  </track>
  <artistdesc>The Prodigy are an English electronic dance music band formed in Braintree, Essex, in 1990 by producer, keyboard player and songwriter Liam Howlett. The original line-up also featured dancer and singer Keith Flint and dancer and occasional live keyboard player Leeroy Thornhill, later joined by dancer Sharky and later by MC and vocalist Maxim, until 1991. They were pioneers of the breakbeat-influenced genre big beat, and achieved mainstream popularity in the 1990s. Howlett's rock-inspired drum rhythms infused with electronic rave music beats/breaks were combined with Maxim's omnipresent mystique, Thornhill's shuffle dancing style, and Flint's later modern punk appearance. The Prodigy describe their style as electronic punk.The band emerged during the underground rave scene and achieved early success in 1991 with their debut singles "Charly" and "Everybody in the Place", which reached the UK top five. After their debut album Experience (1992), the band moved from their rave roots and incorporated techno, breakbeat, and rock influences on their follow-up, the critically-acclaimed Music for the Jilted Generation (1994). The band reached their commercial and critical peak with their third studio album The Fat of the Land (1997), which went to No. 1 in 16 countries including the UK and the US, and spawned the UK number one singles "Firestarter" and "Breathe". The album's third single, "Smack My Bitch Up", was a UK top ten hit and generated considerable controversy over its suggestive lyrics and music video. In July 2022, the band completed their first tour since 2019, and their first since Flint's death, also in 2019.
The Prodigy remain one of the most successful electronic groups of all time. They have sold an estimated 25 million records worldwide, including over 4.7 million albums in the UK, and have scored seven consecutive UK number one albums. They earned titles like "the premiere dance act for the alternative masses" and "the Godfathers of Rave". The Prodigy have won numerous awards during their career, including two Brit Awards for Best British Dance Act, three MTV Video Music Awards, two Kerrang! Awards, five MTV Europe Music Awards, and two Grammy Award nominations.

</artistdesc>
  <label>MaverickWarner Bros. Records</label>
</album>