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<album>
  <review />
  <outline />
  <lockdata>false</lockdata>
  <dateadded>2023-07-15 16:58:50</dateadded>
  <title>The Anthology 1964–1971</title>
  <year>2014</year>
  <premiered>2014-12-16</premiered>
  <releasedate>2014-12-16</releasedate>
  <runtime>377</runtime>
  <genre>Classic Rock</genre>
  <genre>Rock</genre>
  <musicbrainzalbumid>76b65689-bfaa-4e6c-8d77-678f9131318c</musicbrainzalbumid>
  <musicbrainzalbumartistid>17b53d9f-5c63-4a09-a593-dde4608e0db9</musicbrainzalbumartistid>
  <musicbrainzreleasegroupid>2825d86f-f669-4760-9a7e-054a4c51a50c</musicbrainzreleasegroupid>
  <art>
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  </art>
  <actor>
    <name>The Kinks</name>
    <type>AlbumArtist</type>
  </actor>
  <actor>
    <name>The Kinks</name>
    <type>Artist</type>
  </actor>
  <actor>
    <name>Ray Davies</name>
    <type>Artist</type>
    <thumb>/config/metadata/People/R/Ray Davies/folder.jpg</thumb>
  </actor>
  <actor>
    <name>Dave Davies</name>
    <type>Artist</type>
  </actor>
  <artist>The Kinks</artist>
  <artist>Ray Davies</artist>
  <artist>Dave Davies</artist>
  <albumartist>The Kinks</albumartist>
  <track>
    <position>1</position>
    <title>I Took My Baby Home</title>
    <duration>01:48</duration>
  </track>
  <track>
    <position>2</position>
    <title>I’m a Hog for You, Baby (stereo)</title>
    <duration>01:40</duration>
  </track>
  <track>
    <position>3</position>
    <title>I Don’t Need You Anymore (demo)</title>
    <duration>02:14</duration>
  </track>
  <track>
    <position>4</position>
    <title>Ev’rybody’s Gonna Be Happy (2014 remix mono demo)</title>
    <duration>02:22</duration>
  </track>
  <track>
    <position>5</position>
    <title>Long Tall Sally</title>
    <duration>02:12</duration>
  </track>
  <track>
    <position>6</position>
    <title>You Still Want Me</title>
    <duration>02:00</duration>
  </track>
  <track>
    <position>7</position>
    <title>You Do Something to Me</title>
    <duration>02:25</duration>
  </track>
  <track>
    <position>8</position>
    <title>You Really Got Me</title>
    <duration>02:14</duration>
  </track>
  <track>
    <position>9</position>
    <title>It’s All Right</title>
    <duration>02:36</duration>
  </track>
  <track>
    <position>10</position>
    <title>Beautiful Delilah (alternate mono mix)</title>
    <duration>02:06</duration>
  </track>
  <track>
    <position>11</position>
    <title>Just Can’t Go to Sleep</title>
    <duration>01:59</duration>
  </track>
  <track>
    <position>12</position>
    <title>I’m a Lover, Not a Fighter (alternate mono mix)</title>
    <duration>02:01</duration>
  </track>
  <track>
    <position>13</position>
    <title>Little Queenie (live at the Playhouse Theatre, 1964)</title>
    <duration>01:49</duration>
  </track>
  <track>
    <position>14</position>
    <title>Too Much Monkey Business (alternate take)</title>
    <duration>02:08</duration>
  </track>
  <track>
    <position>15</position>
    <title>Stop Your Sobbing</title>
    <duration>02:05</duration>
  </track>
  <track>
    <position>16</position>
    <title>All Day and All of the Night</title>
    <duration>02:22</duration>
  </track>
  <track>
    <position>17</position>
    <title>I Gotta Move</title>
    <duration>02:24</duration>
  </track>
  <track>
    <position>18</position>
    <title>I Gotta Go Now</title>
    <duration>02:53</duration>
  </track>
  <track>
    <position>19</position>
    <title>I’ve Got That Feeling (live at Piccadilly Studios, 1964)</title>
    <duration>02:45</duration>
  </track>
  <track>
    <position>20</position>
    <title>Tired of Waiting for You</title>
    <duration>02:31</duration>
  </track>
  <track>
    <position>21</position>
    <title>Come On Now (alternate mix)</title>
    <duration>01:46</duration>
  </track>
  <track>
    <position>22</position>
    <title>Look for Me Baby</title>
    <duration>02:15</duration>
  </track>
  <track>
    <position>23</position>
    <title>Nothin’ in the World Can Stop Me Worryin’ ’Bout That Girl</title>
    <duration>02:45</duration>
  </track>
  <track>
    <position>24</position>
    <title>Wonder Where My Baby Is Tonight</title>
    <duration>02:00</duration>
  </track>
  <track>
    <position>25</position>
    <title>Don’t Ever Change</title>
    <duration>02:23</duration>
  </track>
  <track>
    <position>26</position>
    <title>You Shouldn’t Be Sad</title>
    <duration>02:00</duration>
  </track>
  <track>
    <position>27</position>
    <title>Something Better Beginning</title>
    <duration>02:24</duration>
  </track>
  <track>
    <position>28</position>
    <title>Ev’rybody’s Gonna Be Happy</title>
    <duration>02:16</duration>
  </track>
  <track>
    <position>29</position>
    <title>Who’ll Be the Next in Line (session excerpt backing track, take 1)</title>
    <duration>02:32</duration>
  </track>
  <track>
    <position>30</position>
    <title>Who’ll Be the Next in Line (alternate mix)</title>
    <duration>02:09</duration>
  </track>
  <track>
    <position>31</position>
    <title>Set Me Free</title>
    <duration>02:11</duration>
  </track>
  <track>
    <position>32</position>
    <title>I Need You</title>
    <duration>02:25</duration>
  </track>
  <track>
    <position>33</position>
    <title>Interview: Clay Cole Meets The Kinks</title>
    <duration>02:26</duration>
  </track>
  <track>
    <position>1</position>
    <title>See My Friends</title>
    <duration>02:45</duration>
  </track>
  <track>
    <position>2</position>
    <title>Never Met a Girl Like You Before</title>
    <duration>02:03</duration>
  </track>
  <track>
    <position>3</position>
    <title>I Go to Sleep (demo)</title>
    <duration>02:43</duration>
  </track>
  <track>
    <position>4</position>
    <title>A Little Bit of Sunlight (demo)</title>
    <duration>01:54</duration>
  </track>
  <track>
    <position>5</position>
    <title>Tell Me Now So I’ll Know (alternate demo)</title>
    <duration>02:01</duration>
  </track>
  <track>
    <position>6</position>
    <title>When I See That Girl of Mine (demo)</title>
    <duration>02:03</duration>
  </track>
  <track>
    <position>7</position>
    <title>There’s a New World Just Opening for Me (demo)</title>
    <duration>02:33</duration>
  </track>
  <track>
    <position>8</position>
    <title>This Strange Effect</title>
    <duration>02:32</duration>
  </track>
  <track>
    <position>9</position>
    <title>Hide and Seek (BBC Live at Aeolian Hall, 1965)</title>
    <duration>02:15</duration>
  </track>
  <track>
    <position>10</position>
    <title>A Well Respected Man</title>
    <duration>02:41</duration>
  </track>
  <track>
    <position>11</position>
    <title>Such a Shame</title>
    <duration>02:18</duration>
  </track>
  <track>
    <position>12</position>
    <title>Don’t You Fret</title>
    <duration>02:42</duration>
  </track>
  <track>
    <position>13</position>
    <title>Till the End of the Day</title>
    <duration>02:19</duration>
  </track>
  <track>
    <position>14</position>
    <title>Where Have All the Good Times Gone</title>
    <duration>02:49</duration>
  </track>
  <track>
    <position>15</position>
    <title>Milk Cow Blues</title>
    <duration>03:42</duration>
  </track>
  <track>
    <position>16</position>
    <title>I Am Free</title>
    <duration>02:28</duration>
  </track>
  <track>
    <position>17</position>
    <title>The World Keeps Going Round</title>
    <duration>02:33</duration>
  </track>
  <track>
    <position>18</position>
    <title>I’m on an Island</title>
    <duration>02:14</duration>
  </track>
  <track>
    <position>19</position>
    <title>You Can’t Win</title>
    <duration>02:40</duration>
  </track>
  <track>
    <position>20</position>
    <title>Time Will Tell</title>
    <duration>02:34</duration>
  </track>
  <track>
    <position>21</position>
    <title>Dedicated Follower of Fashion (session excerpt, takes 1–3)</title>
    <duration>07:15</duration>
  </track>
  <track>
    <position>22</position>
    <title>Dedicated Follower of Fashion</title>
    <duration>03:01</duration>
  </track>
  <track>
    <position>23</position>
    <title>Sittin’ on My Sofa</title>
    <duration>03:05</duration>
  </track>
  <track>
    <position>24</position>
    <title>She’s Got Everything (backing track, take 2)</title>
    <duration>03:14</duration>
  </track>
  <track>
    <position>25</position>
    <title>She’s Got Everything (alternate mono mix)</title>
    <duration>03:10</duration>
  </track>
  <track>
    <position>26</position>
    <title>Mr. Reporter (version one)</title>
    <duration>03:55</duration>
  </track>
  <track>
    <position>27</position>
    <title>All Night Stand (demo)</title>
    <duration>01:50</duration>
  </track>
  <track>
    <position>1</position>
    <title>Sunny Afternoon (mono)</title>
    <duration>03:35</duration>
  </track>
  <track>
    <position>2</position>
    <title>I’m Not Like Everybody Else</title>
    <duration>03:27</duration>
  </track>
  <track>
    <position>3</position>
    <title>Dandy (mono)</title>
    <duration>02:11</duration>
  </track>
  <track>
    <position>4</position>
    <title>Party Line</title>
    <duration>02:34</duration>
  </track>
  <track>
    <position>5</position>
    <title>Rosy Won’t You Please Come Home (mono)</title>
    <duration>02:32</duration>
  </track>
  <track>
    <position>6</position>
    <title>Too Much on My Mind (mono)</title>
    <duration>02:27</duration>
  </track>
  <track>
    <position>7</position>
    <title>Session Man (mono)</title>
    <duration>02:16</duration>
  </track>
  <track>
    <position>8</position>
    <title>Most Exclusive Residence for Sale (mono)</title>
    <duration>02:45</duration>
  </track>
  <track>
    <position>9</position>
    <title>Fancy (mono)</title>
    <duration>02:29</duration>
  </track>
  <track>
    <position>10</position>
    <title>Dead End Street (stereo)</title>
    <duration>03:21</duration>
  </track>
  <track>
    <position>11</position>
    <title>Big Black Smoke (alternate stereo mix)</title>
    <duration>02:37</duration>
  </track>
  <track>
    <position>12</position>
    <title>Mr. Pleasant (stereo)</title>
    <duration>03:02</duration>
  </track>
  <track>
    <position>13</position>
    <title>This Is Where I Belong (stereo)</title>
    <duration>02:41</duration>
  </track>
  <track>
    <position>14</position>
    <title>Village Green (stereo)</title>
    <duration>02:11</duration>
  </track>
  <track>
    <position>15</position>
    <title>Two Sisters (stereo)</title>
    <duration>02:08</duration>
  </track>
  <track>
    <position>16</position>
    <title>Waterloo Sunset (session excerpt backing track, take 2)</title>
    <duration>03:48</duration>
  </track>
  <track>
    <position>17</position>
    <title>Waterloo Sunset (stereo)</title>
    <duration>03:18</duration>
  </track>
  <track>
    <position>18</position>
    <title>Act Nice and Gentle (stereo)</title>
    <duration>03:02</duration>
  </track>
  <track>
    <position>19</position>
    <title>Harry Rag (stereo session excerpt)</title>
    <duration>00:19</duration>
  </track>
  <track>
    <position>20</position>
    <title>Harry Rag (stereo)</title>
    <duration>02:18</duration>
  </track>
  <track>
    <position>21</position>
    <title>Death of a Clown (stereo)</title>
    <duration>03:31</duration>
  </track>
  <track>
    <position>22</position>
    <title>Love Me Till the Sun Shines (stereo)</title>
    <duration>03:21</duration>
  </track>
  <track>
    <position>23</position>
    <title>David Watts (stereo)</title>
    <duration>02:37</duration>
  </track>
  <track>
    <position>24</position>
    <title>Tin Soldier Man (stereo)</title>
    <duration>02:53</duration>
  </track>
  <track>
    <position>25</position>
    <title>Afternoon Tea (alternate stereo mix)</title>
    <duration>03:42</duration>
  </track>
  <track>
    <position>26</position>
    <title>Funny Face (stereo)</title>
    <duration>02:35</duration>
  </track>
  <track>
    <position>27</position>
    <title>Lazy Old Sun (alternate stereo mix)</title>
    <duration>03:11</duration>
  </track>
  <track>
    <position>28</position>
    <title>Susannah’s Still Alive (stereo)</title>
    <duration>02:21</duration>
  </track>
  <track>
    <position>29</position>
    <title>Good Luck Charm (stereo)</title>
    <duration>01:55</duration>
  </track>
  <track>
    <position>1</position>
    <title>Autumn Almanac (mono)</title>
    <duration>03:10</duration>
  </track>
  <track>
    <position>2</position>
    <title>Lavender Hill (mono)</title>
    <duration>02:55</duration>
  </track>
  <track>
    <position>3</position>
    <title>Rosemary Rose (mono)</title>
    <duration>01:59</duration>
  </track>
  <track>
    <position>4</position>
    <title>Wonderboy (mono)</title>
    <duration>02:49</duration>
  </track>
  <track>
    <position>5</position>
    <title>Polly (mono)</title>
    <duration>02:51</duration>
  </track>
  <track>
    <position>6</position>
    <title>Lincoln County (stereo single version)</title>
    <duration>03:22</duration>
  </track>
  <track>
    <position>7</position>
    <title>Did You See His Name? (stereo version with alternate ending)</title>
    <duration>02:01</duration>
  </track>
  <track>
    <position>8</position>
    <title>Days (session excerpt)</title>
    <duration>00:39</duration>
  </track>
  <track>
    <position>9</position>
    <title>Days (stereo)</title>
    <duration>02:55</duration>
  </track>
  <track>
    <position>10</position>
    <title>Misty Water (alternate mix)</title>
    <duration>03:28</duration>
  </track>
  <track>
    <position>11</position>
    <title>Do You Remember Walter (mono)</title>
    <duration>02:26</duration>
  </track>
  <track>
    <position>12</position>
    <title>Picture Book (mono)</title>
    <duration>02:35</duration>
  </track>
  <track>
    <position>13</position>
    <title>Johnny Thunder (session excerpt)</title>
    <duration>00:12</duration>
  </track>
  <track>
    <position>14</position>
    <title>Johnny Thunder (stereo remix)</title>
    <duration>02:31</duration>
  </track>
  <track>
    <position>15</position>
    <title>Big Sky (mono)</title>
    <duration>02:49</duration>
  </track>
  <track>
    <position>16</position>
    <title>Animal Farm (mono)</title>
    <duration>02:59</duration>
  </track>
  <track>
    <position>17</position>
    <title>Starstruck (stereo)</title>
    <duration>02:40</duration>
  </track>
  <track>
    <position>18</position>
    <title>Pictures in the Sand (mono)</title>
    <duration>02:47</duration>
  </track>
  <track>
    <position>19</position>
    <title>People Take Pictures of Each Other (European stereo mix)</title>
    <duration>02:22</duration>
  </track>
  <track>
    <position>20</position>
    <title>Interview: Ray Davies Talks About Village Green Preservation Society (mono)</title>
    <duration>01:22</duration>
  </track>
  <track>
    <position>21</position>
    <title>The Village Green Preservation Society (BBC Live at the Playhouse Theatre 1968)</title>
    <duration>02:49</duration>
  </track>
  <track>
    <position>22</position>
    <title>Hold My Hand (stereo)</title>
    <duration>03:14</duration>
  </track>
  <track>
    <position>23</position>
    <title>Creeping Jean (stereo)</title>
    <duration>03:10</duration>
  </track>
  <track>
    <position>24</position>
    <title>Berkeley Mews (stereo)</title>
    <duration>02:37</duration>
  </track>
  <track>
    <position>25</position>
    <title>Till Death Us Do Part (mono)</title>
    <duration>03:17</duration>
  </track>
  <track>
    <position>26</position>
    <title>When I Turn Off the Living Room Light (mono)</title>
    <duration>02:19</duration>
  </track>
  <track>
    <position>27</position>
    <title>Where Did My Spring Go (mono)</title>
    <duration>02:09</duration>
  </track>
  <track>
    <position>28</position>
    <title>Plastic Man (stereo)</title>
    <duration>03:01</duration>
  </track>
  <track>
    <position>29</position>
    <title>King Kong (mono)</title>
    <duration>03:22</duration>
  </track>
  <track>
    <position>30</position>
    <title>This Man He Weeps Tonight (mono)</title>
    <duration>02:40</duration>
  </track>
  <track>
    <position>31</position>
    <title>Reprise US Tour Spot Promo (stereo)</title>
    <duration>01:39</duration>
  </track>
  <track>
    <position>1</position>
    <title>Victoria (stereo)</title>
    <duration>03:39</duration>
  </track>
  <track>
    <position>2</position>
    <title>Some Mother’s Son (stereo)</title>
    <duration>03:25</duration>
  </track>
  <track>
    <position>3</position>
    <title>Drivin’ (stereo)</title>
    <duration>03:20</duration>
  </track>
  <track>
    <position>4</position>
    <title>Shangri‐La (stereo)</title>
    <duration>05:19</duration>
  </track>
  <track>
    <position>5</position>
    <title>She’s Bought a Hat Like Princess Marina (stereo)</title>
    <duration>03:07</duration>
  </track>
  <track>
    <position>6</position>
    <title>Young and Innocent Days (stereo)</title>
    <duration>03:20</duration>
  </track>
  <track>
    <position>7</position>
    <title>Mindless Child of Motherhood (stereo)</title>
    <duration>03:10</duration>
  </track>
  <track>
    <position>8</position>
    <title>Lola (mono single version “Cherry Cola”)</title>
    <duration>04:04</duration>
  </track>
  <track>
    <position>9</position>
    <title>Apeman (stereo)</title>
    <duration>03:52</duration>
  </track>
  <track>
    <position>10</position>
    <title>Strangers (stereo)</title>
    <duration>03:17</duration>
  </track>
  <track>
    <position>11</position>
    <title>Get Back in Line (stereo)</title>
    <duration>03:03</duration>
  </track>
  <track>
    <position>12</position>
    <title>Anytime (stereo)</title>
    <duration>03:32</duration>
  </track>
  <track>
    <position>13</position>
    <title>This Time Tomorrow (stereo)</title>
    <duration>03:23</duration>
  </track>
  <track>
    <position>14</position>
    <title>A Long Way From Home (stereo)</title>
    <duration>02:27</duration>
  </track>
  <track>
    <position>15</position>
    <title>Powerman (stereo)</title>
    <duration>04:16</duration>
  </track>
  <track>
    <position>16</position>
    <title>Got to Be Free (stereo)</title>
    <duration>02:59</duration>
  </track>
  <track>
    <position>17</position>
    <title>Dreams (stereo)</title>
    <duration>03:43</duration>
  </track>
  <track>
    <position>18</position>
    <title>Moments (stereo)</title>
    <duration>02:58</duration>
  </track>
  <track>
    <position>19</position>
    <title>The Way Love Used to Be (stereo)</title>
    <duration>02:14</duration>
  </track>
  <track>
    <position>20</position>
    <title>God’s Children (stereo)</title>
    <duration>03:18</duration>
  </track>
  <artistdesc>The Kinks were an English rock band formed in London in 1963 by brothers Ray and Dave Davies. They are regarded as one of the most influential rock bands of the 1960s. The band emerged during the height of British rhythm and blues and Merseybeat, and were briefly part of the British Invasion of the United States until their touring ban in 1965. Their third single, the Ray Davies-penned "You Really Got Me", became an international hit, topping the charts in the United Kingdom and reaching the Top 10 in the United States.
The Kinks' music drew from a wide range of influences, including American R&amp;B and rock and roll initially, and later adopting British music hall, folk, and country. The band gained a reputation for reflecting English culture and lifestyle, fuelled by Ray Davies' wittily observational and satirical writing style, and made apparent in albums such as Face to Face (1966), Something Else (1967), The Village Green Preservation Society (1968), Arthur (1969), Lola Versus Powerman (1970), and Muswell Hillbillies (1971), along with their accompanying singles including the transatlantic hit "Lola" (1970). After a fallow period in the mid-1970s, the band experienced a revival with their albums Sleepwalker (1977), Misfits (1978), Low Budget (1979), Give the People What They Want (1981) and State of Confusion (1983), the last of which produced one of the band's most successful US hits, "Come Dancing". In addition, groups such as Van Halen, the Jam, the Knack, the Pretenders and the Romantics covered their songs, helping to boost the Kinks' record sales. In the 1990s, Britpop acts such as Blur and Oasis cited the band as a major influence.
The band's original line-up comprised Ray Davies (lead vocals, rhythm guitar), Dave Davies (lead guitar, vocals), Mick Avory (drums, percussion) and Pete Quaife (bass). The Davies brothers remained with the band throughout its history. Quaife briefly left the band in 1966 and was replaced by John Dalton, though Quaife returned by the end of that year before leaving permanently in 1969, once again being replaced by Dalton. Keyboardist John Gosling was added in 1970 (prior to this, session keyboardist Nicky Hopkins played on many of their recordings). After Dalton's 1976 departure, Andy Pyle briefly served as the band's bassist before being replaced by Argent bassist Jim Rodford in 1978. Gosling quit in 1978 and was first replaced by ex-Pretty Things member Gordon John Edwards, then more permanently by Ian Gibbons in 1979. Avory left the group in 1984 and was replaced by another Argent member, Bob Henrit. The band gave its last public performance in 1996 and broke up in 1997 as a result of creative tension between the Davies brothers.
The Kinks have had five Top 10 singles on the US Billboard Hot 100 chart. Nine of their albums charted in the Top 40 of the Billboard 200. In the UK, they have had seventeen Top 20 singles and five Top 10 albums. Four Kinks albums have been certified Gold by the Recording Industry Association of America (RIAA), and the band has sold over 50 million records worldwide. Among numerous honours, they received the Ivor Novello Award for "Outstanding Service to British Music". In 1990, the original four members of the Kinks were inducted into the Rock and Roll Hall of Fame, as well as the UK Music Hall of Fame in November 2005.</artistdesc>
  <label>Sanctuary Records</label>
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