﻿<?xml version="1.0" encoding="utf-8" standalone="yes"?>
<album>
  <review>As is so often the case for overnight successes, the Jam rush-recorded their sophomore effort during a hurried schedule to capitalize on the debut. This, combined with Paul Weller's various personal distractions and temporary lack of interest, led to less than satisfying results, especially in comparison to In the City. This Is the Modern World can be faulted for borrowed Who licks, pale rewrites of the debut, somewhat clichéd sloganeering, and unfinished ideas, but there were still some moments of inspiration, especially in more introspective Weller songs like "Life From a Window" and "I Need You (For Someone)" -- both songs feature personal sentiments that the debut was clearly missing. This Is the Modern World is a flawed album by Jam standards, but it would certainly have received praise had it been released by another band.</review>
  <outline>As is so often the case for overnight successes, the Jam rush-recorded their sophomore effort during a hurried schedule to capitalize on the debut. This, combined with Paul Weller's various personal distractions and temporary lack of interest, led to less than satisfying results, especially in comparison to In the City. This Is the Modern World can be faulted for borrowed Who licks, pale rewrites of the debut, somewhat clichéd sloganeering, and unfinished ideas, but there were still some moments of inspiration, especially in more introspective Weller songs like "Life From a Window" and "I Need You (For Someone)" -- both songs feature personal sentiments that the debut was clearly missing. This Is the Modern World is a flawed album by Jam standards, but it would certainly have received praise had it been released by another band.</outline>
  <lockdata>false</lockdata>
  <dateadded>2022-10-22 08:43:31</dateadded>
  <title>This Is the Modern World</title>
  <rating>6</rating>
  <year>1977</year>
  <premiered>1977-11-18</premiered>
  <releasedate>1977-11-18</releasedate>
  <runtime>31</runtime>
  <genre>Power Pop</genre>
  <genre>Punk</genre>
  <genre>Punk Rock</genre>
  <genre>Rock</genre>
  <genre>Mod</genre>
  <genre>Mod Revival</genre>
  <audiodbartistid>112719</audiodbartistid>
  <audiodbalbumid>2120316</audiodbalbumid>
  <musicbrainzalbumid>2eaa7d4f-0fc9-47de-b29f-4256b320dff5</musicbrainzalbumid>
  <musicbrainzalbumartistid>23228f18-01d5-493e-94ce-cfcde82a8db2</musicbrainzalbumartistid>
  <musicbrainzreleasegroupid>e43cbbad-4ad7-355a-af3b-f5d87c400b00</musicbrainzreleasegroupid>
  <art>
    <poster>/media/data/media5/Music/The Jam/This Is the Modern World (1977)/folder.jpg</poster>
  </art>
  <actor>
    <name>The Jam</name>
    <type>AlbumArtist</type>
  </actor>
  <actor>
    <name>The Jam</name>
    <type>Artist</type>
  </actor>
  <artist>The Jam</artist>
  <albumartist>The Jam</albumartist>
  <track>
    <position>1</position>
    <title>The Modern World</title>
    <duration>02:31</duration>
  </track>
  <track>
    <position>2</position>
    <title>London Traffic</title>
    <duration>01:50</duration>
  </track>
  <track>
    <position>3</position>
    <title>Standards</title>
    <duration>02:30</duration>
  </track>
  <track>
    <position>4</position>
    <title>Life From a Window</title>
    <duration>02:54</duration>
  </track>
  <track>
    <position>5</position>
    <title>The Combine</title>
    <duration>02:21</duration>
  </track>
  <track>
    <position>6</position>
    <title>Don’t Tell Them You’re Sane</title>
    <duration>03:42</duration>
  </track>
  <track>
    <position>7</position>
    <title>In the Street, Today</title>
    <duration>01:32</duration>
  </track>
  <track>
    <position>8</position>
    <title>London Girl</title>
    <duration>02:42</duration>
  </track>
  <track>
    <position>9</position>
    <title>I Need You (For Someone)</title>
    <duration>02:42</duration>
  </track>
  <track>
    <position>10</position>
    <title>Here Comes the Weekend</title>
    <duration>03:31</duration>
  </track>
  <track>
    <position>11</position>
    <title>Tonight at Noon</title>
    <duration>03:02</duration>
  </track>
  <track>
    <position>12</position>
    <title>In the Midnight Hour</title>
    <duration>01:53</duration>
  </track>
  <artistdesc>The Jam were  an English rock band formed in 1972 in Woking, Surrey. They released 18 consecutive top 40 singles in the United Kingdom, from their debut in 1977 to their break-up in December 1982, including four number one hits. As of 2007, "That's Entertainment" and "Just Who Is the 5 O'Clock Hero?" remain the best-selling import singles of all time in the UK. They released one live album and six studio albums, the last of which, The Gift, reached number one on the UK Albums Chart. When the group disbanded in 1982, their first 15 singles were re-released and all placed within the top 100.
The band drew upon a variety of stylistic influences over the course of their career, including 1970s punk and new wave and 1960s beat music, soul and rhythm and blues. The trio were known for their melodic pop songs, their distinctly English flavour and their mod image. The band launched the career of Paul Weller, who went on to form the Style Council and later started a solo career. Weller wrote and sang most of the Jam's original compositions and played lead guitar, using a Rickenbacker 330. Bruce Foxton provided backing vocals and prominent basslines, which were the foundation of many of the band's songs, including the hits "Down in the Tube Station at Midnight", "The Eton Rifles", "Going Underground" and "Town Called Malice."

</artistdesc>
  <label>Polydor</label>
</album>