﻿<?xml version="1.0" encoding="utf-8" standalone="yes"?>
<album>
  <review />
  <outline />
  <lockdata>false</lockdata>
  <dateadded>2025-11-07 21:31:00</dateadded>
  <title>The Doors Box Set</title>
  <year>1997</year>
  <premiered>1997-10-28</premiered>
  <releasedate>1997-10-28</releasedate>
  <runtime>276</runtime>
  <country />
  <genre>Acid Rock</genre>
  <genre>Classic Rock</genre>
  <genre>Dubstep</genre>
  <genre>Electronic</genre>
  <genre>Psychedelic Rock</genre>
  <genre>Rock</genre>
  <studio />
  <audiodbartistid>111311</audiodbartistid>
  <audiodbalbumid>2448135</audiodbalbumid>
  <musicbrainzalbumid>3181fc73-0912-3f54-8def-0e4ce710fecf</musicbrainzalbumid>
  <musicbrainzalbumartistid>9efff43b-3b29-4082-824e-bc82f646f93d</musicbrainzalbumartistid>
  <musicbrainzreleasegroupid>abcb0813-99c4-3e98-811b-b335208f7188</musicbrainzreleasegroupid>
  <art>
    <poster>/media/data/media5/Music/The Doors/Behind Closed Doors - The Rarities (2013)/folder.jpg</poster>
  </art>
  <artist>The Doors</artist>
  <albumartist>Infected Mushroom</albumartist>
  <albumartist>The Doors</albumartist>
  <track>
    <disc>1</disc>
    <position>2</position>
    <title>Queen of the Highway (alternate version)</title>
    <duration>03:32</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>4</position>
    <title>Hyacinth House (demo)</title>
    <duration>02:36</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>5</position>
    <title>L.A. Woman (Paul Oakenfold remix)</title>
    <duration>04:19</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>10</position>
    <title>Someday Soon (live)</title>
    <duration>03:46</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>10</position>
    <title>Who Scared You</title>
    <duration>03:58</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>11</position>
    <title>Hello, I Love You (demo)</title>
    <duration>02:30</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>11</position>
    <title>People Are Strange (false starts &amp; studio dialogue)</title>
    <duration>01:57</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>12</position>
    <title>Moonlight Drive (version 1)</title>
    <duration>02:41</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>13</position>
    <title>Moonlight Drive (version 2)</title>
    <duration>02:29</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>14</position>
    <title>Indian Summer (8/19/66 vocal)</title>
    <duration>02:36</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>14</position>
    <title>The End (live)</title>
    <duration>17:46</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>15</position>
    <title>Woman Is a Devil (outtake)</title>
    <duration>04:08</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>27</position>
    <title>The Changeling (alternate version)</title>
    <duration>04:49</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>28</position>
    <title>Love Her Madly (alternate version)</title>
    <duration>03:56</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>30</position>
    <title>L.A. Woman (alternate version)</title>
    <duration>08:48</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>31</position>
    <title>The Wasp (Texas Radio and the Big Beat) (alternate version)</title>
    <duration>05:34</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>32</position>
    <title>Been Down So Long (alternate version)</title>
    <duration>05:05</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>33</position>
    <title>Riders on the Storm (alternate version)</title>
    <duration>09:07</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>34</position>
    <title>She Smells So Nice</title>
    <duration>03:23</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>35</position>
    <title>Rock Me</title>
    <duration>05:55</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>36</position>
    <title>Hello, I Love You (Adam Freeland Fabric Mix)</title>
    <duration>07:35</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>36</position>
    <title>L.A. Woman (take 1)</title>
    <duration>07:42</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>37</position>
    <title>Crawling King Snake (run through and studio chatter)</title>
    <duration>04:35</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>37</position>
    <title>Maggie M’Gill (John Densmore / FredWreck remix)</title>
    <duration>04:55</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>38</position>
    <title>Love Her Madly (take 1)</title>
    <duration>03:38</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>38</position>
    <title>You Make Me Real (2Manzarek2 remix)</title>
    <duration>03:19</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>39</position>
    <title>Changeling (take 9)</title>
    <duration>05:28</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>40</position>
    <title>The Wasp (Texas Radio and the Big Beat) (instrumental)</title>
    <duration>04:21</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>43</position>
    <title>Breakn’ a Sweat</title>
    <duration>05:02</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>48</position>
    <title>Roadhouse Blues (Crystal Method remix)</title>
    <duration>04:57</duration>
  </track>
  <track>
    <disc>2</disc>
    <position>1</position>
    <title>Roadhouse Blues</title>
    <duration>04:19</duration>
  </track>
  <track>
    <disc>2</disc>
    <position>3</position>
    <title>Cars Hiss by My Window (previously unreleased alternate version)</title>
    <duration>04:40</duration>
  </track>
  <track>
    <disc>3</disc>
    <position>1</position>
    <title>Hello to the Cities (live)</title>
    <duration>00:57</duration>
  </track>
  <track>
    <disc>3</disc>
    <position>2</position>
    <title>Break On Through (live)</title>
    <duration>04:44</duration>
  </track>
  <track>
    <disc>3</disc>
    <position>13</position>
    <title>The Soft Parade (live)</title>
    <duration>10:06</duration>
  </track>
  <track>
    <disc>4</disc>
    <position>24</position>
    <title>Love Me Two Times (take 3)</title>
    <duration>03:19</duration>
  </track>
  <track>
    <disc>6</disc>
    <position>28</position>
    <title>Albinoni’s Adagio in G Minor</title>
    <duration>04:32</duration>
  </track>
  <track>
    <disc>6</disc>
    <position>29</position>
    <title>Not to Touch the Earth (dialogue)</title>
    <duration>00:43</duration>
  </track>
  <track>
    <disc>6</disc>
    <position>30</position>
    <title>Not to Touch the Earth (take 1)</title>
    <duration>03:59</duration>
  </track>
  <track>
    <disc>6</disc>
    <position>31</position>
    <title>Not to Touch the Earth (take 2)</title>
    <duration>04:17</duration>
  </track>
  <track>
    <disc>6</disc>
    <position>32</position>
    <title>Celebration of the Lizard (an experiment/work in progress)</title>
    <duration>17:09</duration>
  </track>
  <track>
    <disc>8</disc>
    <position>26</position>
    <title>Whiskey, Mystics and Men (version 1)</title>
    <duration>02:28</duration>
  </track>
  <track>
    <disc>8</disc>
    <position>27</position>
    <title>Whiskey, Mystics and Men (version 2)</title>
    <duration>03:04</duration>
  </track>
  <track>
    <disc>8</disc>
    <position>28</position>
    <title>Push Push</title>
    <duration>06:05</duration>
  </track>
  <track>
    <disc>8</disc>
    <position>29</position>
    <title>Touch Me (dialogue)</title>
    <duration>00:28</duration>
  </track>
  <track>
    <disc>8</disc>
    <position>30</position>
    <title>Touch Me (take 3)</title>
    <duration>03:40</duration>
  </track>
  <track>
    <disc>10</disc>
    <position>33</position>
    <title>Talking Blues</title>
    <duration>00:59</duration>
  </track>
  <track>
    <disc>10</disc>
    <position>34</position>
    <title>Roadhouse Blues (11/4/69, takes 1–3)</title>
    <duration>08:47</duration>
  </track>
  <track>
    <disc>10</disc>
    <position>35</position>
    <title>Roadhouse Blues (11/4/69, take 6)</title>
    <duration>09:26</duration>
  </track>
  <track>
    <disc>10</disc>
    <position>36</position>
    <title>Carol (11/4/69)</title>
    <duration>00:56</duration>
  </track>
  <track>
    <disc>10</disc>
    <position>37</position>
    <title>Roadhouse Blues (11/4/69, take 1)</title>
    <duration>04:32</duration>
  </track>
  <track>
    <disc>10</disc>
    <position>38</position>
    <title>“Money Beats Soul” (11/5/69)</title>
    <duration>01:04</duration>
  </track>
  <track>
    <disc>10</disc>
    <position>39</position>
    <title>Roadhouse Blues (11/5/69, takes 13–15)</title>
    <duration>06:21</duration>
  </track>
  <track>
    <disc>10</disc>
    <position>40</position>
    <title>Peace Frog (false starts &amp; dialogue)</title>
    <duration>02:00</duration>
  </track>
  <track>
    <disc>10</disc>
    <position>41</position>
    <title>The Spy (version 2)</title>
    <duration>03:48</duration>
  </track>
  <track>
    <disc>10</disc>
    <position>42</position>
    <title>Queen of the Highway (jazz version)</title>
    <duration>03:36</duration>
  </track>
  <track>
    <disc>12</disc>
    <position>23</position>
    <title>Orange County Suite</title>
    <duration>05:45</duration>
  </track>
  <track>
    <disc>12</disc>
    <position>24</position>
    <title>(You Need Meat) Don’t Go No Further</title>
    <duration>03:41</duration>
  </track>
  <artistdesc>The Doors were an American rock band formed in Los Angeles in 1965, comprising vocalist Jim Morrison, keyboardist Ray Manzarek, guitarist Robby Krieger and drummer John Densmore. They were among the most influential and controversial rock acts of the 1960s, primarily due to Morrison's lyrics and voice, along with his erratic stage persona and legal issues. The group is widely regarded as an important figure of the era's counterculture.
The band took its name from the title of the English writer Aldous Huxley's book The Doors of Perception, itself a reference to a quote by the English poet William Blake. After signing with Elektra Records in 1966, the Doors with Morrison recorded and released six studio albums in five years, some of which are generally considered among the greatest of all time, including their debut The Doors (1967), Strange Days (1967), and L.A. Woman (1971). Dubbed the "Kings of Acid Rock" by Life, they were one of the most successful bands of their time and by 1972, the Doors had sold over 4 million albums domestically and nearly 8 million singles.
Morrison died in uncertain circumstances in 1971. The band continued as a trio, releasing two more albums until disbanding in 1973. In 1978, they reformed for the album An American Prayer, which combined new music with Morrison's recitings of his poetry recorded in 1969 and 1970. They reunited again briefly in 1993 when they were inducted into the Rock and Roll Hall of Fame, and for several one-off projects in the 21st century. In 2002, Manzarek, Krieger, and Ian Astbury of the Cult on vocals started performing as "The Doors of the 21st Century". Densmore and the Morrison estate successfully sued them over the use of the band's name. After a short time as Riders on the Storm, they settled on the name Manzarek–Krieger and toured until Manzarek's death in 2013.
The Doors were the first American band to accumulate eight consecutive Recording Industry Association of America (RIAA)-certified Gold LPs. According to the RIAA, they have sold 34 million albums in the United States and over 100 million records worldwide, making them one of the best-selling bands of all time. The Doors have been listed as one of the greatest artists of all time by magazines including Rolling Stone, which ranked them 41st on its list of the "100 Greatest Artists of All Time".

</artistdesc>
  <label>ElektraRhino</label>
</album>