﻿<?xml version="1.0" encoding="utf-8" standalone="yes"?>
<album>
  <review>Stan Getz meets João &amp; Astrud Gilberto: New York 1964 is a live recording of bossa nova in the making. In 1990, the Giants of Jazz label released a live recording of a 1964 New York City performance featuring Stan Getz, João Gilberto and Astrud Gilberto, his then-wife. The album, entitled Stan Getz meets João &amp; Astrud Gilberto is actually misleading: the trio had met previously in 1963 for the recording of the wildly successful album Getz/Gilberto, which was released in 1964 and set off the bossa nova frenzy in the U.S. As a result of that album’s success, the Brazilian Gilbertos and the American Getz played a number of shows in the U.S., such as the one recorded here. Released as part of the “Immortal Concerts” series, this recording exhibits the chemistry the three obviously shared and captures bossa nova in its infancy, as it was still being created and defined.</review>
  <outline>Stan Getz meets João &amp; Astrud Gilberto: New York 1964 is a live recording of bossa nova in the making. In 1990, the Giants of Jazz label released a live recording of a 1964 New York City performance featuring Stan Getz, João Gilberto and Astrud Gilberto, his then-wife. The album, entitled Stan Getz meets João &amp; Astrud Gilberto is actually misleading: the trio had met previously in 1963 for the recording of the wildly successful album Getz/Gilberto, which was released in 1964 and set off the bossa nova frenzy in the U.S. As a result of that album’s success, the Brazilian Gilbertos and the American Getz played a number of shows in the U.S., such as the one recorded here. Released as part of the “Immortal Concerts” series, this recording exhibits the chemistry the three obviously shared and captures bossa nova in its infancy, as it was still being created and defined.</outline>
  <lockdata>false</lockdata>
  <dateadded>2024-02-27 19:43:46</dateadded>
  <title>Stan Getz meets Joao &amp; Astrud Gilberto</title>
  <rating>10</rating>
  <year>1964</year>
  <premiered>1964-01-01</premiered>
  <releasedate>1964-01-01</releasedate>
  <runtime>70</runtime>
  <genre>Bossa Nova</genre>
  <genre>Cool Jazz</genre>
  <genre>Jazz</genre>
  <audiodbartistid>112084</audiodbartistid>
  <audiodbalbumid>2281020</audiodbalbumid>
  <musicbrainzalbumid>2643b755-362e-4fb2-ad28-57448cd2b85d</musicbrainzalbumid>
  <musicbrainzalbumartistid>8f2422ab-0ec6-4c92-80c4-afe9622fab32</musicbrainzalbumartistid>
  <musicbrainzreleasegroupid>18948a3c-7cab-3cf9-9772-58eeb53be422</musicbrainzreleasegroupid>
  <art>
    <poster>/media/data/media5/Music/Stan Getz/Stan Getz meets Joao &amp; Astrud Gilberto (1964)/folder.jpg</poster>
  </art>
  <actor>
    <name>Stan Getz</name>
    <type>AlbumArtist</type>
    <thumb>/config/metadata/People/S/Stan Getz/folder.jpg</thumb>
  </actor>
  <actor>
    <name>Stan Getz</name>
    <type>Artist</type>
    <thumb>/config/metadata/People/S/Stan Getz/folder.jpg</thumb>
  </actor>
  <artist>Stan Getz</artist>
  <albumartist>Stan Getz</albumartist>
  <track>
    <position>2</position>
    <title>O Pato</title>
    <duration>10:25</duration>
  </track>
  <artistdesc>Stan Getz (born Stanley Gayetski, February 2, 1927 – June 6, 1991) was an American jazz saxophonist. Playing primarily the tenor saxophone, Getz was known as "The Sound" because of his warm, lyrical tone, with his prime influence being the wispy, mellow timbre of his idol, Lester Young. Coming to prominence in the late 1940s with Woody Herman's big band, Getz is described by critic Scott Yanow as "one of the all-time great tenor saxophonists". Getz performed in bebop and cool jazz groups. Influenced by João Gilberto and Antônio Carlos Jobim, he also helped popularize bossa nova in the United States with the hit 1964 single "The Girl from Ipanema".

</artistdesc>
  <label>Giants of Jazz Records</label>
</album>