﻿<?xml version="1.0" encoding="utf-8" standalone="yes"?>
<album>
  <review>When first approaching The Great Rock 'n' Roll Swindle, it's best not to think of it as a Sex Pistols album; rather, keep in mind that it's the soundtrack to a movie that was mostly about Malcolm McLaren and only tangentially concerned the great band he managed. Only eight of the twenty-four songs on The Great Rock 'n' Roll Swindle feature the same band as on Never Mind The Bollocks, and most of those capture them stomping through covers in the studio, sometimes to impressive effect (Johnny Rotten sounds positively feral on the Who's "Substitute" and the whole band tears into "(I'm Not Your) Stepping Stone" with malicious glee) and sometimes not (Rotten reveals he doesn't know the words to either Chuck Berry's "Johnny B. Goode" or Jonathan Richman's "Roadrunner," and the band's familiarity isn't much greater). A live take of the Pistols roaring through "Belsen Was a Gas" is exciting, but sounds as if Rotten and the rest of the band were traveling in very different directions, and it's not hard to imagine why he quit the group after the show. Steve Jones and Paul Cook offer up a few tunes of their own, which lack the danger of the cuts with Rotten but confirm they were the backbone of a solid, scrappy rock band, and if Tenpole Tudor isn't much of a singer, on his numbers he delivers an impressive degree of sheer eccentricity. But a large percentage of the album is devoted to jokey material tied into the movie -- orchestral versions of "EMI" and "God Save the Queen," a French busker performing "Anarchy in the UK" en Français, train robber Ronnie Biggs attempting to sing, and Malcolm McLaren ascending to show biz heaven with a cover of Max Bygraves' "You Need Hands." And while Sid Vicious sounds like a good if unexceptional rock &amp; roll shouter on a pair of Eddie Cochran covers, his inarguably remarkable version of "My Way" shows the man was incapable of comprehending the irony of his situation, and sadly sounds like the work of a kid destined to die young. Never Mind The Bollocks, Here's The Sex Pistols was the sound of a hydrogen bomb being dropped on your head, and The Great Rock 'n' Roll Swindle collects some of the debris left after the explosion; parts are brilliant, but it's ultimately a padded and slightly depressing look at a great band in collapse.</review>
  <outline>When first approaching The Great Rock 'n' Roll Swindle, it's best not to think of it as a Sex Pistols album; rather, keep in mind that it's the soundtrack to a movie that was mostly about Malcolm McLaren and only tangentially concerned the great band he managed. Only eight of the twenty-four songs on The Great Rock 'n' Roll Swindle feature the same band as on Never Mind The Bollocks, and most of those capture them stomping through covers in the studio, sometimes to impressive effect (Johnny Rotten sounds positively feral on the Who's "Substitute" and the whole band tears into "(I'm Not Your) Stepping Stone" with malicious glee) and sometimes not (Rotten reveals he doesn't know the words to either Chuck Berry's "Johnny B. Goode" or Jonathan Richman's "Roadrunner," and the band's familiarity isn't much greater). A live take of the Pistols roaring through "Belsen Was a Gas" is exciting, but sounds as if Rotten and the rest of the band were traveling in very different directions, and it's not hard to imagine why he quit the group after the show. Steve Jones and Paul Cook offer up a few tunes of their own, which lack the danger of the cuts with Rotten but confirm they were the backbone of a solid, scrappy rock band, and if Tenpole Tudor isn't much of a singer, on his numbers he delivers an impressive degree of sheer eccentricity. But a large percentage of the album is devoted to jokey material tied into the movie -- orchestral versions of "EMI" and "God Save the Queen," a French busker performing "Anarchy in the UK" en Français, train robber Ronnie Biggs attempting to sing, and Malcolm McLaren ascending to show biz heaven with a cover of Max Bygraves' "You Need Hands." And while Sid Vicious sounds like a good if unexceptional rock &amp; roll shouter on a pair of Eddie Cochran covers, his inarguably remarkable version of "My Way" shows the man was incapable of comprehending the irony of his situation, and sadly sounds like the work of a kid destined to die young. Never Mind The Bollocks, Here's The Sex Pistols was the sound of a hydrogen bomb being dropped on your head, and The Great Rock 'n' Roll Swindle collects some of the debris left after the explosion; parts are brilliant, but it's ultimately a padded and slightly depressing look at a great band in collapse.</outline>
  <lockdata>false</lockdata>
  <dateadded>2022-10-22 10:56:12</dateadded>
  <title>The Great Rock ’n’ Roll Swindle</title>
  <rating>8</rating>
  <year>1993</year>
  <premiered>1993-01-01</premiered>
  <releasedate>1993-01-01</releasedate>
  <runtime>74</runtime>
  <genre>Pop</genre>
  <genre>Punk</genre>
  <genre>Punk Rock</genre>
  <genre>Rock</genre>
  <genre>Rock And Roll</genre>
  <audiodbartistid>111426</audiodbartistid>
  <audiodbalbumid>2249080</audiodbalbumid>
  <musicbrainzalbumid>1b291eed-4f38-4613-a4d4-32bdcec3499a</musicbrainzalbumid>
  <musicbrainzalbumartistid>e5db18cb-4b1f-496d-a308-548b611090d3</musicbrainzalbumartistid>
  <musicbrainzreleasegroupid>8bdf5b94-4d4e-361d-85e3-15cfad0c0ee0</musicbrainzreleasegroupid>
  <art />
  <actor>
    <name>Sex Pistols</name>
    <type>AlbumArtist</type>
  </actor>
  <actor>
    <name>Sex Pistols</name>
    <type>Artist</type>
  </actor>
  <artist>Sex Pistols</artist>
  <albumartist>Sex Pistols</albumartist>
  <track>
    <position>1</position>
    <title>God Save the Queen (Symphony)</title>
    <duration>04:04</duration>
  </track>
  <track>
    <position>2</position>
    <title>Rock Around the Clock</title>
    <duration>02:03</duration>
  </track>
  <track>
    <position>3</position>
    <title>Johnny B Goode</title>
    <duration>02:31</duration>
  </track>
  <track>
    <position>4</position>
    <title>Road Runner</title>
    <duration>03:42</duration>
  </track>
  <track>
    <position>5</position>
    <title>Black Arabs</title>
    <duration>04:45</duration>
  </track>
  <track>
    <position>6</position>
    <title>Anarchy in the UK</title>
    <duration>04:04</duration>
  </track>
  <track>
    <position>8</position>
    <title>Who Killed Bambi?</title>
    <duration>03:02</duration>
  </track>
  <track>
    <position>9</position>
    <title>Silly Thing</title>
    <duration>02:50</duration>
  </track>
  <track>
    <position>10</position>
    <title>Substitute</title>
    <duration>03:08</duration>
  </track>
  <track>
    <position>11</position>
    <title>Don’t Give Me No Lip Child</title>
    <duration>03:29</duration>
  </track>
  <track>
    <position>12</position>
    <title>I’m Not Your Stepping Stone</title>
    <duration>03:09</duration>
  </track>
  <track>
    <position>13</position>
    <title>Lonely Boy</title>
    <duration>03:01</duration>
  </track>
  <track>
    <position>14</position>
    <title>Something Else</title>
    <duration>02:09</duration>
  </track>
  <track>
    <position>15</position>
    <title>Anarchie pour le UK</title>
    <duration>03:26</duration>
  </track>
  <track>
    <position>16</position>
    <title>Einmal war Belsen Bortrefflich</title>
    <duration>02:09</duration>
  </track>
  <track>
    <position>17</position>
    <title>Einmal war Belsen wirflich Bortrefflich</title>
    <duration>02:13</duration>
  </track>
  <track>
    <position>18</position>
    <title>No One Is Innocent</title>
    <duration>03:01</duration>
  </track>
  <track>
    <position>19</position>
    <title>My Way</title>
    <duration>04:04</duration>
  </track>
  <track>
    <position>20</position>
    <title>C’mon Everybody</title>
    <duration>01:58</duration>
  </track>
  <track>
    <position>21</position>
    <title>EMI (orchestral)</title>
    <duration>03:48</duration>
  </track>
  <track>
    <position>22</position>
    <title>The Great Rock ’n’ Roll Swindle</title>
    <duration>04:18</duration>
  </track>
  <track>
    <position>23</position>
    <title>You Need Hands</title>
    <duration>02:51</duration>
  </track>
  <track>
    <position>24</position>
    <title>Friggin’ in the Riggin’</title>
    <duration>03:35</duration>
  </track>
  <artistdesc>The Sex Pistols are an English punk rock band formed in London in 1975. Although their initial career lasted just two and a half years, they became one of the most culturally influential acts in popular music. The band initiated the punk movement in the United Kingdom and inspired many later punk, post-punk and alternative rock musicians, while their clothing and hairstyles were a significant influence on the early punk image.
The Sex Pistols' first line-up consisted of vocalist Johnny Rotten (born John Lydon), guitarist Steve Jones, drummer Paul Cook, and bassist Glen Matlock, with Matlock replaced by Sid Vicious (born John Richie) in early 1977. Under the management of Malcolm McLaren, the band gained widespread attention from British press after swearing live on-air during a December 1976 television interview. Their May 1977 single "God Save the Queen", which described the monarchy as a "fascist regime", was released to coincide with national celebrations for the Queen's Silver Jubilee. The song was rapidly banned from being played by the BBC and by nearly every independent radio station in Britain, making it the most censored record in British history.
Their debut album Never Mind the Bollocks, Here's the Sex Pistols (1977) was a UK number one and is regarded as seminal in the development of punk rock. In January 1978, at the final gig of a difficult and media-hyped tour of the US, Rotten announced the band's break-up live on stage. Over the next few months, the three remaining members recorded songs for McLaren's film of the Sex Pistols' story, The Great Rock 'n' Roll Swindle. Vicious died of a heroin overdose in February 1979 following his arrest for the alleged murder of his girlfriend, Nancy Spungen. Rotten, Jones, Cook and Matlock later reunited for a successful tour in 1996. Further one-off performances and short tours followed over the next decade. In June 2024, Frank Carter will perform with Jones, Cook and Matlock, as the Sex Pistols, for only two fundraiser concerts in England in August.
The Sex Pistols have been recognised as a highly influential band. In 2006, they were inducted into the Rock and Roll Hall of Fame although, true to their image, they refused to attend the ceremony, with Rotten  referring to the museum as "a piss stain".

</artistdesc>
  <label>VirginVirgin</label>
</album>