Touch is the debut album by Canadian singer-songwriter Sarah McLachlan, released in 1988 and then re-released in 1989.
The album was originally released in 1988 by Nettwerk. McLachlan later signed to Arista Records internationally (although remaining on Nettwerk in Canada), and a revamped version of Touch, with several remixed songs and a new track, was released in 1989 on both labels. The original 1988 release was discontinued by Nettwerk, and is now considered a collector's item. It is distinguished by its black and sepia cover. The first released single from the album was "Vox" in 1988, followed by "Steaming" in 1989.
The album was popular in alternative rock circles, but McLachlan would not achieve commercial stardom until 1991 in Canada, with Solace, and 1994 (1995 in some countries) internationally, with her 1993 album Fumbling Towards Ecstasy.
In 1993, McLachlan and Nettwerk were sued by Darryl Neudorf, a Vancouver musician and former member of 54-40, who alleged that he had made a significant and uncredited contribution to the songwriting on Touch. Although both McLachlan and Nettwerk acknowledged that Neudorf was involved in the album's production, both took the position that his contribution had not been primarily in songwriting. The judge in that suit ultimately ruled in McLachlan's favor.Touch is the debut album by Canadian singer-songwriter Sarah McLachlan, released in 1988 and then re-released in 1989.
The album was originally released in 1988 by Nettwerk. McLachlan later signed to Arista Records internationally (although remaining on Nettwerk in Canada), and a revamped version of Touch, with several remixed songs and a new track, was released in 1989 on both labels. The original 1988 release was discontinued by Nettwerk, and is now considered a collector's item. It is distinguished by its black and sepia cover. The first released single from the album was "Vox" in 1988, followed by "Steaming" in 1989.
The album was popular in alternative rock circles, but McLachlan would not achieve commercial stardom until 1991 in Canada, with Solace, and 1994 (1995 in some countries) internationally, with her 1993 album Fumbling Towards Ecstasy.
In 1993, McLachlan and Nettwerk were sued by Darryl Neudorf, a Vancouver musician and former member of 54-40, who alleged that he had made a significant and uncredited contribution to the songwriting on Touch. Although both McLachlan and Nettwerk acknowledged that Neudorf was involved in the album's production, both took the position that his contribution had not been primarily in songwriting. The judge in that suit ultimately ruled in McLachlan's favor.false2024-02-27 19:41:03Touch819891989-01-251989-01-2548ElectronicFolk RockFolk PopPopPop RockRockSoft RockSynth-PopEasy ListeningBaroque PopCeltic New Age11208822166392600414a-c91c-4265-8f3b-53de75bcc981ce58d854-7430-4231-aa44-97f0144b33727eab53c3-8d6e-3649-84f1-e6fe64d4e71f/media/data/media5/Music/Sarah McLachlan/Touch (1988)/folder.jpgSarah McLachlanAlbumArtist/config/metadata/People/S/Sarah McLachlan/folder.jpgSarah McLachlanArtist/config/metadata/People/S/Sarah McLachlan/folder.jpgSarah McLachlanSarah McLachlanSarah Ann McLachlan OC OBC (born January 28, 1968) is a Canadian singer-songwriter. As of 2015, she had sold over 40 million albums worldwide. McLachlan's best-selling album to date is Surfacing, for which she won two Grammy Awards (out of four nominations) and four Juno Awards. In addition to her personal artistic efforts, she founded the Lilith Fair tour, which showcased female musicians.