With her expressive soprano voice employing sudden alterations of volume and force, and her lyrical focus on Los Angeles street life, Rickie Lee Jones comes on like the love child of Laura Nyro and Tom Waits on her self-titled debut album. Given the population of colorful characters who may or may not be real people that populate her songs -- Chuck E., Bragger, Kid Sinister, and others -- she also might have had Bruce Springsteen in her bloodline (that is, the Springsteen of his first two albums), and her jazzbo sensibility suggests Mose Allison as a grandfather. Producers Lenny Waronker and Russ Titelman, who know all about assisting quirky singer/songwriters with their visions, have brought in a studio full of master session musicians, many of them with jazz credentials, and apparently instructed them to follow Jones' stop-and-start, loud-and-soft vocalizing, then overdubbed string parts here and there. The music thus has a sprung rhythmic feel that follows the contours of Jones' impressionistic stories about scuffling people on the streets and in the bars. There is an undertow of melancholy that becomes more overt toward the end, as the narrator's friends and lovers clear out, leaving her "Standing on the corner/All alone," as she sings in the final song, "After Hours (Twelve Bars Past Goodnight)." It's a long way, if only 40 minutes or so, from the frolicsome opener, "Chuck E.'s in Love," which had concluded that he was smitten by "the little girl who's singin' this song." But then, the romance of the street is easily replaced by its loneliness. Rickie Lee Jones is an astounding debut album that simultaneously sounds like a synthesis of many familiar styles and like nothing that anybody's ever done before, and it heralds the beginning of a potentially important career.With her expressive soprano voice employing sudden alterations of volume and force, and her lyrical focus on Los Angeles street life, Rickie Lee Jones comes on like the love child of Laura Nyro and Tom Waits on her self-titled debut album. Given the population of colorful characters who may or may not be real people that populate her songs -- Chuck E., Bragger, Kid Sinister, and others -- she also might have had Bruce Springsteen in her bloodline (that is, the Springsteen of his first two albums), and her jazzbo sensibility suggests Mose Allison as a grandfather. Producers Lenny Waronker and Russ Titelman, who know all about assisting quirky singer/songwriters with their visions, have brought in a studio full of master session musicians, many of them with jazz credentials, and apparently instructed them to follow Jones' stop-and-start, loud-and-soft vocalizing, then overdubbed string parts here and there. The music thus has a sprung rhythmic feel that follows the contours of Jones' impressionistic stories about scuffling people on the streets and in the bars. There is an undertow of melancholy that becomes more overt toward the end, as the narrator's friends and lovers clear out, leaving her "Standing on the corner/All alone," as she sings in the final song, "After Hours (Twelve Bars Past Goodnight)." It's a long way, if only 40 minutes or so, from the frolicsome opener, "Chuck E.'s in Love," which had concluded that he was smitten by "the little girl who's singin' this song." But then, the romance of the street is easily replaced by its loneliness. Rickie Lee Jones is an astounding debut album that simultaneously sounds like a synthesis of many familiar styles and like nothing that anybody's ever done before, and it heralds the beginning of a potentially important career.false2024-02-27 19:37:46Rickie Lee Jones719791979-03-231979-03-2342PopRockJazz Pop12567121906551c7ecfa5-8ada-388c-aa4d-bee6e207933d9cd9232e-7a3e-4eb9-8043-ee05c1e396ec389cec5a-2b88-3090-8e62-84a4580d6f44/media/data/media5/Music/Rickie Lee Jones/Rickie Lee Jones (1979)/folder.jpgRickie Lee JonesAlbumArtistRickie Lee JonesArtistRickie Lee JonesRickie Lee JonesRickie Lee Jones (born November 8, 1954) is an American singer, musician, and songwriter. Over the course of a career that spans five decades and 15 studio albums, she has recorded in various musical styles including rock, R&B, pop, soul, and jazz. A two-time Grammy Award winner (from eight nominations), Jones was listed at No. 30 on VH1's 100 Greatest Women in Rock & Roll in 1999. AllMusic stated: "Few singer/songwriters are as individual and eclectic as Rickie Lee Jones, a vocalist with an expressive and smoky instrument, and a composer who can weave jazz, folk, and R&B into songs with a distinct pop sensibility."
She released her self-titled debut album in 1979, to critical and commercial success. It peaked at No. 3 on the U.S. Billboard 200, and spawned the hit single "Chuck E.'s in Love", which peaked at No. 4 on the Billboard Hot 100. The album went platinum later that year, and earned Jones four Grammy Award nominations in 1980, including Best New Artist, which she won. Her second album, Pirates, followed in 1981 to further critical and commercial success; it peaked at No. 5 on the Billboard 200, went gold, and ranked No. 49 on NPR's list of the 150 Greatest Albums Made by Women in 2017.
Her third album, The Magazine, appeared in 1984 before Jones took a brief hiatus from recording. Her fourth album, Flying Cowboys, was released in 1989 and later went gold. Jones won her second Grammy Award in 1990 for "Makin' Whoopee", a duet with Dr. John, this time in the category of Best Jazz Vocal Performance, Duo or Group. Jones' seventh Grammy Award nomination followed in 2001 in the category of Best Traditional Pop Vocal Album for her album It's Like This (2000). In 2021, Jones released her memoir Last Chance Texaco: Chronicles of an American Troubadour. Her 15th studio album, Pieces of Treasure, was released in 2023 and earned Jones her eighth Grammy Award nomination, for Best Traditional Pop Vocal Album.