﻿<?xml version="1.0" encoding="utf-8" standalone="yes"?>
<album>
  <review>Ray Charles' explorations into country music were no mere dalliance. They have their genesis in "I'm Movin' On," the last record he made for Atlantic before moving on to ABC Paramount in 1960. But it was with the enormously successful Modern Sounds in Country &amp; Western series of albums in 1962 (and the career making single "I Can't Stop Lovin' You") that made their mark, crossing over genre boundaries that were unthinkable at the time. An African-American doing hillbilly music was not a first, nor were uptown arrangements of hillbilly songs, but here was the Genius of Soul validating the music of the white working class, plain and simple. He was putting his own spin to it (hence the Modern Sounds), not merely a black voice singing Gene Autry songs, investing them with pain, emotion, and sorrow. It was an unprecedented achievement, both commercially and artistically, and now -- decades later -- it's viewed as just another genre-bender in the grand Ray Charles tradition. But this 92-track, four-CD box set is the first to gather them all in one place and view it as a consistent piece of work spread over a career as a stylist that's second to none. The first disc combines both volumes of the Modern Sounds albums; the rest of the anthology moves through singles, various returns to the concept over the years, and stray tracks from his later stretch at Columbia to spice it all up. This multi-disc set contains some very special music, nicely packaged -- a moment in American music well worth investigating.</review>
  <outline>Ray Charles' explorations into country music were no mere dalliance. They have their genesis in "I'm Movin' On," the last record he made for Atlantic before moving on to ABC Paramount in 1960. But it was with the enormously successful Modern Sounds in Country &amp; Western series of albums in 1962 (and the career making single "I Can't Stop Lovin' You") that made their mark, crossing over genre boundaries that were unthinkable at the time. An African-American doing hillbilly music was not a first, nor were uptown arrangements of hillbilly songs, but here was the Genius of Soul validating the music of the white working class, plain and simple. He was putting his own spin to it (hence the Modern Sounds), not merely a black voice singing Gene Autry songs, investing them with pain, emotion, and sorrow. It was an unprecedented achievement, both commercially and artistically, and now -- decades later -- it's viewed as just another genre-bender in the grand Ray Charles tradition. But this 92-track, four-CD box set is the first to gather them all in one place and view it as a consistent piece of work spread over a career as a stylist that's second to none. The first disc combines both volumes of the Modern Sounds albums; the rest of the anthology moves through singles, various returns to the concept over the years, and stray tracks from his later stretch at Columbia to spice it all up. This multi-disc set contains some very special music, nicely packaged -- a moment in American music well worth investigating.</outline>
  <lockdata>false</lockdata>
  <dateadded>2025-06-20 11:16:21</dateadded>
  <title>Greatest Country &amp; Western Hits</title>
  <year>1988</year>
  <premiered>1988-01-01</premiered>
  <releasedate>1988-01-01</releasedate>
  <runtime>61</runtime>
  <genre>Country</genre>
  <genre>Jazz</genre>
  <genre>Pop</genre>
  <genre>Soul Jazz</genre>
  <studio />
  <audiodbartistid>111463</audiodbartistid>
  <audiodbalbumid>2280604</audiodbalbumid>
  <musicbrainzalbumid>cac66555-21e4-45d2-aeb1-7bb7ff106b97</musicbrainzalbumid>
  <musicbrainzalbumartistid>2ce02909-598b-44ef-a456-151ba0a3bd70</musicbrainzalbumartistid>
  <musicbrainzreleasegroupid>32d04cae-2c69-3ab7-be72-d98777b39c0d</musicbrainzreleasegroupid>
  <art>
    <poster>/media/data/media5/Music/Ray Charles/Greatest Country &amp; Western Hits (1988)/folder.jpg</poster>
  </art>
  <artist>Ray Charles</artist>
  <albumartist>Ray Charles</albumartist>
  <track>
    <disc>1</disc>
    <position>1</position>
    <title>Your Cheating Heart</title>
    <duration>03:36</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>2</position>
    <title>Hey Good Lookin’</title>
    <duration>02:14</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>3</position>
    <title>Take These Chains From My Heart</title>
    <duration>02:58</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>4</position>
    <title>Don’t Tell Me Your Troubles</title>
    <duration>02:08</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>5</position>
    <title>I Can’t Stop Loving You</title>
    <duration>04:15</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>6</position>
    <title>Just a Little Lovin’ (Will Go a Long Way)</title>
    <duration>03:31</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>7</position>
    <title>It Makes No Difference Now</title>
    <duration>03:35</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>8</position>
    <title>You Don’t Know Me</title>
    <duration>03:18</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>9</position>
    <title>You Are My Sunshine</title>
    <duration>03:01</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>10</position>
    <title>I’ll Never Stand in Your Way</title>
    <duration>02:20</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>11</position>
    <title>Someday (You’ll Want Me to Want You)</title>
    <duration>02:41</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>12</position>
    <title>I Love You So Much It Hurts</title>
    <duration>03:35</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>13</position>
    <title>Careless Love</title>
    <duration>03:44</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>14</position>
    <title>Oh, Lonesome Me</title>
    <duration>02:12</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>15</position>
    <title>Hang Your Head in Shame</title>
    <duration>03:17</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>16</position>
    <title>Midnight</title>
    <duration>03:18</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>17</position>
    <title>No Letter Today</title>
    <duration>03:01</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>18</position>
    <title>Crying Time</title>
    <duration>03:04</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>19</position>
    <title>Together Again</title>
    <duration>02:41</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>20</position>
    <title>Don’t Let Her Know</title>
    <duration>02:51</duration>
  </track>
  <artistdesc>Ray Charles Robinson (September 23, 1930 – June 10, 2004) was an American singer, songwriter, and pianist. He is regarded as one of the most iconic and influential musicians in history, and was often referred to by contemporaries as "The Genius". Among friends and fellow musicians, he preferred being called "Brother Ray". Charles was blinded during childhood, possibly due to glaucoma.
Charles pioneered the soul music genre during the 1950s by combining elements of blues, jazz, rhythm and blues, and gospel into his music during his time with Atlantic Records. He contributed to the integration of country music, rhythm and blues, and pop music during the 1960s with his crossover success on ABC Records, notably with his two Modern Sounds albums. While he was with ABC, Charles became one of the first black musicians to be granted artistic control by a mainstream record company.
Charles' 1960s hit "Georgia on My Mind" was the first of his three career No. 1 hits on the Billboard Hot 100. His 1962 album Modern Sounds in Country and Western Music became his first album to top the Billboard 200. Charles had multiple singles reach the Top 40 on various Billboard charts: 44 on the US R&amp;B singles chart, 11 on the Hot 100 singles chart, and two on the Hot Country singles charts.
Charles cited Nat King Cole as a primary influence, but his music was also influenced by Art Tatum, Louis Jordan and Charles Brown. He had a lifelong friendship and occasional partnership with Quincy Jones. Frank Sinatra called Ray Charles "the only true genius in show business", although Charles downplayed this notion. Billy Joel said, "This may sound like sacrilege, but I think Ray Charles was more important than Elvis Presley."
For his musical contributions, Charles received the Kennedy Center Honors, the National Medal of Arts, and the Polar Music Prize. He was one of the inaugural inductees at the Rock and Roll Hall of Fame in 1986. He has won 17 Grammy Awards (five posthumously), the Grammy Lifetime Achievement Award in 1987, and 10 of his recordings have been inducted into the Grammy Hall of Fame. Rolling Stone ranked Charles No. 10 on their list of the "100 Greatest Artists of All Time", and No. 2 on their list of the "100 Greatest Singers of All Time". In 2022, he was inducted into the Country Music Hall of Fame, as well as the Black Music &amp; Entertainment Walk of Fame.

</artistdesc>
  <label>DCC Compact Classics</label>
</album>