﻿<?xml version="1.0" encoding="utf-8" standalone="yes"?>
<album>
  <review>When a major artist dies, labels can usually be counted on to release anything and everything the artist had in the can, regardless of quality. In the case of Otis Redding, most of the posthumous releases were of a very high quality. One example is Tell the Truth, which was recorded the year he died, 1967, and remained unreleased until 1970. Though it falls short of essential, Truth has a lot to excite the soul icon's more devoted followers. Tracks like "I Got the Will," "Snatch a Little Piece," and "Demonstration" are pure Redding -- frenzied, passionate, relentlessly gritty Memphis soul that makes no concessions to pop tastes or Northern soul. "Out of Sight" speaks volumes about him -- while others would have been afraid to cover a song written and defined by James Brown, Redding confidently tackles it with splendid results. Redding's last major hit, "Dock of the Bay," indicated that had he lived, he would have explored softer, Northern R&amp;B sounds. But on this album, it was Memphis all the way.</review>
  <outline>When a major artist dies, labels can usually be counted on to release anything and everything the artist had in the can, regardless of quality. In the case of Otis Redding, most of the posthumous releases were of a very high quality. One example is Tell the Truth, which was recorded the year he died, 1967, and remained unreleased until 1970. Though it falls short of essential, Truth has a lot to excite the soul icon's more devoted followers. Tracks like "I Got the Will," "Snatch a Little Piece," and "Demonstration" are pure Redding -- frenzied, passionate, relentlessly gritty Memphis soul that makes no concessions to pop tastes or Northern soul. "Out of Sight" speaks volumes about him -- while others would have been afraid to cover a song written and defined by James Brown, Redding confidently tackles it with splendid results. Redding's last major hit, "Dock of the Bay," indicated that had he lived, he would have explored softer, Northern R&amp;B sounds. But on this album, it was Memphis all the way.</outline>
  <lockdata>false</lockdata>
  <dateadded>2023-07-30 14:20:57</dateadded>
  <title>Tell the Truth</title>
  <year>1970</year>
  <premiered>1970-07-01</premiered>
  <releasedate>1970-07-01</releasedate>
  <runtime>31</runtime>
  <genre>Soul</genre>
  <genre>Deep Soul</genre>
  <audiodbartistid>111454</audiodbartistid>
  <audiodbalbumid>2367375</audiodbalbumid>
  <musicbrainzalbumid>7e283494-2e23-47a4-a69a-c554ffff4eb7</musicbrainzalbumid>
  <musicbrainzalbumartistid>82b1f5fd-cd31-41a9-b5d4-7e33f0eb9751</musicbrainzalbumartistid>
  <musicbrainzreleasegroupid>2b2af301-5d5a-3eda-9549-2f02e8dc3399</musicbrainzreleasegroupid>
  <art>
    <poster>/media/data/media5/Music/Otis Redding/Tell the Truth (1970)/folder.jpg</poster>
  </art>
  <actor>
    <name>Otis Redding</name>
    <type>AlbumArtist</type>
  </actor>
  <actor>
    <name>Otis Redding</name>
    <type>Artist</type>
  </actor>
  <artist>Otis Redding</artist>
  <albumartist>Otis Redding</albumartist>
  <track>
    <position>1</position>
    <title>Demonstration</title>
    <duration>02:25</duration>
  </track>
  <track>
    <position>2</position>
    <title>Tell the Truth</title>
    <duration>03:12</duration>
  </track>
  <track>
    <position>3</position>
    <title>Out of Sight</title>
    <duration>02:17</duration>
  </track>
  <track>
    <position>4</position>
    <title>Give Away None of My Love</title>
    <duration>02:55</duration>
  </track>
  <track>
    <position>5</position>
    <title>Wholesale Love</title>
    <duration>02:29</duration>
  </track>
  <track>
    <position>6</position>
    <title>I Got the Will</title>
    <duration>02:52</duration>
  </track>
  <track>
    <position>7</position>
    <title>Johnny's Heartbreak</title>
    <duration>02:27</duration>
  </track>
  <track>
    <position>8</position>
    <title>Snatch a Little Piece</title>
    <duration>02:12</duration>
  </track>
  <track>
    <position>9</position>
    <title>Slippin' and Slidin'</title>
    <duration>01:56</duration>
  </track>
  <track>
    <position>10</position>
    <title>The Match Game</title>
    <duration>02:55</duration>
  </track>
  <track>
    <position>11</position>
    <title>A Little Time</title>
    <duration>02:26</duration>
  </track>
  <track>
    <position>12</position>
    <title>Swingin' on a String</title>
    <duration>02:50</duration>
  </track>
  <artistdesc>Otis Ray Redding Jr. (September 9, 1941 – December 10, 1967) was an American singer and songwriter. He is regarded as one of the greatest singer-songwriters in the history of American popular music and a seminal artist in soul music and rhythm and blues. Nicknamed the "King of Soul", Redding's style of singing gained inspiration from the gospel music that preceded the genre. His singing style influenced many other soul artists of the 1960s.
Redding was born in Dawson, Georgia, and his family soon moved to Macon. Redding quit school at age 15 to support his family, working with Little Richard's backing band, the Upsetters, and performing in talent shows at Macon's historic Douglass Theatre. In 1958, he joined Johnny Jenkins's band, the Pinetoppers, with whom he toured the Southern states as a singer and driver. An unscheduled appearance on a Stax recording session led to a contract and his first hit single, "These Arms of Mine", in 1962.
Stax released Redding's debut album, Pain in My Heart, two years later. Initially popular mainly with African-Americans, Redding later reached a wider American pop music audience. Along with his group, he first played small shows in the American South. Redding later performed at the popular Los Angeles night club Whisky a Go Go and toured Europe, performing in London, Paris and other major cities. In 1967, he performed at the Monterey Pop Festival.
Shortly before his death in a plane crash, Redding wrote and recorded his iconic "(Sittin' On) The Dock of the Bay" with Steve Cropper. The song became the first posthumous number-one record on both the Billboard Hot 100 and R&amp;B charts. The album The Dock of the Bay was the first posthumous album to reach number one on the UK Albums Chart. Redding's premature death devastated Stax. Already on the verge of bankruptcy, the label soon discovered that the Atco division of Atlantic Records owned the rights to his entire song catalog.
Redding received many posthumous accolades, including two Grammy Awards, the Grammy Lifetime Achievement Award and induction into the Rock and Roll Hall of Fame, the Black Music &amp; Entertainment Walk of Fame, and the Songwriters Hall of Fame. In addition to "(Sittin' On) The Dock of the Bay", some of his best-known songs include "Respect" and "Try a Little Tenderness".

</artistdesc>
  <label>ATCO Records</label>
</album>