﻿<?xml version="1.0" encoding="utf-8" standalone="yes"?>
<album>
  <review />
  <outline />
  <lockdata>false</lockdata>
  <dateadded>2023-10-13 13:22:47</dateadded>
  <title>Work From Home with Nina Simone</title>
  <year>2020</year>
  <premiered>2020-01-01</premiered>
  <releasedate>2020-01-01</releasedate>
  <runtime>86</runtime>
  <genre>Blues</genre>
  <genre>Folk</genre>
  <genre>Gospel</genre>
  <genre>Jazz</genre>
  <genre>Pop Soul</genre>
  <genre>Soul</genre>
  <genre>Soul Jazz</genre>
  <genre>Vocal Jazz</genre>
  <genre>Piano Blues</genre>
  <musicbrainzalbumid>d1e897e2-1924-4e3d-a094-e1f20a5c828a</musicbrainzalbumid>
  <musicbrainzalbumartistid>2944824d-4c26-476f-a981-be849081942f</musicbrainzalbumartistid>
  <musicbrainzreleasegroupid>e20a4d5e-8a6b-4efa-ac2f-fe6d124232e7</musicbrainzreleasegroupid>
  <art>
    <poster>/media/data/media5/Music/Nina Simone/Work From Home with Nina Simone (2020)/folder.jpg</poster>
  </art>
  <actor>
    <name>Nina Simone</name>
    <type>AlbumArtist</type>
  </actor>
  <actor>
    <name>Nina Simone</name>
    <type>Artist</type>
  </actor>
  <artist>Nina Simone</artist>
  <albumartist>Nina Simone</albumartist>
  <track>
    <position>1</position>
    <title>Feeling Good</title>
    <duration>02:53</duration>
  </track>
  <track>
    <position>2</position>
    <title>I Put a Spell on You</title>
    <duration>02:36</duration>
  </track>
  <track>
    <position>3</position>
    <title>Tell Me More and More and Then Some (live in New York, 1965)</title>
    <duration>03:08</duration>
  </track>
  <track>
    <position>4</position>
    <title>Don’t Let Me Be Misunderstood</title>
    <duration>02:44</duration>
  </track>
  <track>
    <position>5</position>
    <title>My Baby Just Cares for Me (live at Vine St. Bar &amp; Grill, 1987)</title>
    <duration>03:02</duration>
  </track>
  <track>
    <position>6</position>
    <title>Love Me or Leave Me</title>
    <duration>04:05</duration>
  </track>
  <track>
    <position>7</position>
    <title>The Laziest Gal in Town</title>
    <duration>02:17</duration>
  </track>
  <track>
    <position>8</position>
    <title>I Loves You Porgy (live at Carnegie Hall, New York, 1964)</title>
    <duration>02:28</duration>
  </track>
  <track>
    <position>9</position>
    <title>Our Love (Will See Us Through)</title>
    <duration>02:59</duration>
  </track>
  <track>
    <position>10</position>
    <title>Ain’t No Use (live in New York, 1965)</title>
    <duration>03:01</duration>
  </track>
  <track>
    <position>11</position>
    <title>Don’t Take All Night</title>
    <duration>02:52</duration>
  </track>
  <track>
    <position>12</position>
    <title>Tomorrow Is My Turn</title>
    <duration>02:49</duration>
  </track>
  <track>
    <position>13</position>
    <title>If You Knew / Let It Be Me (live at Vine St. Bar &amp; Grill, 1987)</title>
    <duration>07:16</duration>
  </track>
  <track>
    <position>14</position>
    <title>Of This I’m Sure</title>
    <duration>02:33</duration>
  </track>
  <track>
    <position>15</position>
    <title>You’ve Got to Learn</title>
    <duration>02:41</duration>
  </track>
  <track>
    <position>16</position>
    <title>What More Can I Say? (album version)</title>
    <duration>02:49</duration>
  </track>
  <track>
    <position>17</position>
    <title>This Year’s Kisses</title>
    <duration>02:58</duration>
  </track>
  <track>
    <position>18</position>
    <title>Liberian Calypso</title>
    <duration>02:59</duration>
  </track>
  <track>
    <position>19</position>
    <title>Nearer Blessed Lord</title>
    <duration>04:30</duration>
  </track>
  <track>
    <position>20</position>
    <title>One September Day</title>
    <duration>02:48</duration>
  </track>
  <track>
    <position>21</position>
    <title>The Last Rose of Summer</title>
    <duration>03:05</duration>
  </track>
  <track>
    <position>22</position>
    <title>End of the Line (live in New York, 1965)</title>
    <duration>02:54</duration>
  </track>
  <track>
    <position>23</position>
    <title>Something Wonderful</title>
    <duration>02:42</duration>
  </track>
  <track>
    <position>24</position>
    <title>Nobody Knows You When You’re Down and Out (live in New York, 1965)</title>
    <duration>02:39</duration>
  </track>
  <track>
    <position>25</position>
    <title>I Am Blessed</title>
    <duration>02:54</duration>
  </track>
  <track>
    <position>26</position>
    <title>July Tree</title>
    <duration>02:40</duration>
  </track>
  <track>
    <position>27</position>
    <title>Night Song</title>
    <duration>03:02</duration>
  </track>
  <track>
    <position>28</position>
    <title>For Myself</title>
    <duration>02:06</duration>
  </track>
  <artistdesc>Nina Simone (born Eunice Kathleen Waymon; February 21, 1933 – April 21, 2003) () was an American singer, songwriter, pianist, composer, arranger and civil rights activist. Her music spanned styles including classical, folk, gospel, blues, jazz, R&amp;B, and pop. In 2023, Rolling Stone ranked Simone at No. 21 on their list of the 200 Greatest Singers of All Time.
The sixth of eight children born into a poor family in North Carolina, Simone initially aspired to be a concert pianist. With the help of a few supporters in her hometown, she enrolled in the Juilliard School of Music in New York City. She then applied for a scholarship to study at the Curtis Institute of Music in Philadelphia, where, despite a well received audition, she was denied admission, which she attributed to racism. In 2003, just days before her death, the Institute awarded her an honorary degree.
To make a living, Simone started playing piano at a nightclub in Atlantic City. She changed her name to "Nina Simone" to disguise herself from family members, having chosen to play "the devil's music" or so-called "cocktail piano". She was told in the nightclub that she would have to sing to her own accompaniment, which effectively launched her career as a jazz vocalist. She went on to record more than 40 albums between 1958 and 1974, making her debut with Little Girl Blue. She released her first hit single in the United States in 1959 with "I Loves You, Porgy". Her piano playing was strongly influenced by baroque and classical music, especially Johann Sebastian Bach, and accompanied expressive, jazz-like singing in her contralto voice.</artistdesc>
  <label />
</album>