﻿<?xml version="1.0" encoding="utf-8" standalone="yes"?>
<album>
  <review />
  <outline />
  <lockdata>false</lockdata>
  <dateadded>2025-11-07 21:06:39</dateadded>
  <title>Post-Mersh, Volume 3</title>
  <year>1988</year>
  <premiered>1988-12-01</premiered>
  <releasedate>1988-12-01</releasedate>
  <runtime>60</runtime>
  <country />
  <genre>Alternative Rock</genre>
  <genre>Hardcore Punk</genre>
  <genre>Punk</genre>
  <genre>Rock</genre>
  <studio />
  <musicbrainzalbumid>9829e447-87a0-4b0d-813e-1c77b887f984</musicbrainzalbumid>
  <musicbrainzalbumartistid>d4ad0149-d8ae-4105-8009-0221fce9ff35</musicbrainzalbumartistid>
  <musicbrainzreleasegroupid>574d67b5-1fe5-3e6a-a6d1-94998ce16963</musicbrainzreleasegroupid>
  <art>
    <poster>/media/data/media5/Music/Minutemen/Post-Mersh, Volume 3/folder.jpg</poster>
  </art>
  <artist>Minutemen</artist>
  <albumartist>Minutemen</albumartist>
  <track>
    <disc>1</disc>
    <position>1</position>
    <title>Validation</title>
    <duration>00:41</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>2</position>
    <title>The Maze</title>
    <duration>00:40</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>3</position>
    <title>Definitions</title>
    <duration>01:13</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>4</position>
    <title>Sickles and Hammers</title>
    <duration>00:47</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>5</position>
    <title>Fascist</title>
    <duration>00:57</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>6</position>
    <title>Joe McCarthy's Ghost</title>
    <duration>01:01</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>7</position>
    <title>Paranoid Chant</title>
    <duration>01:19</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>8</position>
    <title>Joy</title>
    <duration>00:56</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>9</position>
    <title>Black Sheep</title>
    <duration>01:12</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>10</position>
    <title>More Joy</title>
    <duration>01:10</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>11</position>
    <title>Split Red</title>
    <duration>00:56</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>12</position>
    <title>If Reagan Played Disco</title>
    <duration>01:20</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>13</position>
    <title>Case Closed</title>
    <duration>01:30</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>14</position>
    <title>Afternoons</title>
    <duration>01:29</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>15</position>
    <title>Futurism Restated</title>
    <duration>00:57</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>16</position>
    <title>Base King</title>
    <duration>01:15</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>17</position>
    <title>Working Men Are Pissed</title>
    <duration>01:19</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>18</position>
    <title>I Shook Hands</title>
    <duration>01:02</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>19</position>
    <title>Below the Belt</title>
    <duration>00:57</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>20</position>
    <title>Shit You Hear at Parties</title>
    <duration>01:08</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>21</position>
    <title>The Big Lounge Scene</title>
    <duration>01:25</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>22</position>
    <title>Maternal Rite</title>
    <duration>01:15</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>23</position>
    <title>Tune for Wind God</title>
    <duration>03:06</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>24</position>
    <title>Party With Me Punker</title>
    <duration>00:56</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>25</position>
    <title>The Process</title>
    <duration>01:20</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>26</position>
    <title>Joy Jam</title>
    <duration>04:48</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>27</position>
    <title>Tony Gets Wasted in Pedro</title>
    <duration>02:10</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>28</position>
    <title>Swing to the Right</title>
    <duration>00:44</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>29</position>
    <title>¡Raza Si!</title>
    <duration>01:00</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>30</position>
    <title>Times</title>
    <duration>00:48</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>31</position>
    <title>Badges</title>
    <duration>00:35</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>32</position>
    <title>Fodder</title>
    <duration>00:43</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>33</position>
    <title>Futurism Restated</title>
    <duration>01:31</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>34</position>
    <title>Hollering</title>
    <duration>00:59</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>35</position>
    <title>Suburban Dialectic</title>
    <duration>00:45</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>36</position>
    <title>Contained</title>
    <duration>00:57</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>37</position>
    <title>On Trial</title>
    <duration>00:41</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>38</position>
    <title>Spraycan Wars</title>
    <duration>00:58</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>39</position>
    <title>My Part</title>
    <duration>01:37</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>40</position>
    <title>Fanatics</title>
    <duration>00:34</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>41</position>
    <title>Ack Ack Ack</title>
    <duration>00:43</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>42</position>
    <title>The Big Blast for Youth</title>
    <duration>01:21</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>43</position>
    <title>Ain't Talkin' 'Bout Love</title>
    <duration>00:41</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>44</position>
    <title>The Red and the Black</title>
    <duration>03:31</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>45</position>
    <title>Green River</title>
    <duration>01:51</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>46</position>
    <title>Lost</title>
    <duration>02:29</duration>
  </track>
  <artistdesc>Minutemen were an American punk rock band formed in San Pedro, California, in 1980. Composed of guitarist/vocalist D. Boon, bassist/vocalist Mike Watt, and drummer George Hurley, Minutemen recorded four albums and eight EPs before Boon's death in an automobile accident in 1985; the band broke up shortly thereafter. They were noted in the California punk community for a philosophy of "jamming econo"—a sense of thriftiness reflected in their touring and short, tight songs, and for their eclectic style, drawing on hardcore punk, funk, jazz, and other sources.

</artistdesc>
  <label>SST Records</label>
</album>