Lana Del Rey knows perfectly well her Lust for Life sounds sleepy in comparison to Iggy Pop's full-blooded roar, but that doesn't mean the title of her fourth album is ironic. Compared to her previous albums, especially its somnolent 2015 predecessor, Honeymoon, Lust for Life is positively ebullient in tone, if not in tempo. Lana Del Rey may sing about a "Summer Bummer" but the song isn't in sway to a narcotic undertow; it simmers, offering a cool bit of seduction for muggy August nights. LDR retains this delicate balance throughout the lengthy Lust for Life (at 71 minutes, this is an album as playlist, designed to be looped over and over as mood music), never quite succumbing to either despair or ecstasy but rather finding a place where there's no separation between the two emotions. That said, Lana Del Rey does lean toward pleasure on Lust for Life, luxuriating in her slow rhythms and shimmering surfaces. What once seemed icy -- the glassy gloss, the sighing melodies, her persistent murmur -- now exudes warmth, where even the Weeknd's spectral falsetto on the title track feels alluring. LDR manages to sustain this mood over the course of 16 songs, every one of which is a gentle variation of her supple signature. Sometimes, the tracks are graced by a guest -- in addition to the Weeknd, A$AP Rocky shows up on two songs, Sean Ono Lennon on another, while Stevie Nicks stops by for "Beautiful People Beautiful Problems" -- but usually what sticks is an escalating chorus or a hook that echoes in the distance. If Lust for Life starts to slow down toward its conclusion -- "Tomorrow Never Came" seems like the logical conclusion, but there's a three-track coda afterward -- it nevertheless delivers upon its promise of a sunnier Lana Del Rey, and the very fact that she can find so many textures in a deliberately limited palette is impressiveLana Del Rey knows perfectly well her Lust for Life sounds sleepy in comparison to Iggy Pop's full-blooded roar, but that doesn't mean the title of her fourth album is ironic. Compared to her previous albums, especially its somnolent 2015 predecessor, Honeymoon, Lust for Life is positively ebullient in tone, if not in tempo. Lana Del Rey may sing about a "Summer Bummer" but the song isn't in sway to a narcotic undertow; it simmers, offering a cool bit of seduction for muggy August nights. LDR retains this delicate balance throughout the lengthy Lust for Life (at 71 minutes, this is an album as playlist, designed to be looped over and over as mood music), never quite succumbing to either despair or ecstasy but rather finding a place where there's no separation between the two emotions. That said, Lana Del Rey does lean toward pleasure on Lust for Life, luxuriating in her slow rhythms and shimmering surfaces. What once seemed icy -- the glassy gloss, the sighing melodies, her persistent murmur -- now exudes warmth, where even the Weeknd's spectral falsetto on the title track feels alluring. LDR manages to sustain this mood over the course of 16 songs, every one of which is a gentle variation of her supple signature. Sometimes, the tracks are graced by a guest -- in addition to the Weeknd, A$AP Rocky shows up on two songs, Sean Ono Lennon on another, while Stevie Nicks stops by for "Beautiful People Beautiful Problems" -- but usually what sticks is an escalating chorus or a hook that echoes in the distance. If Lust for Life starts to slow down toward its conclusion -- "Tomorrow Never Came" seems like the logical conclusion, but there's a three-track coda afterward -- it nevertheless delivers upon its promise of a sunnier Lana Del Rey, and the very fact that she can find so many textures in a deliberately limited palette is impressivefalse2024-01-03 07:50:04Lust for Life820172017-07-212017-07-2172Alternative Hip HopAlternative PopBalladDowntempoElectronicHip HopIndie PopIndie RockSynth-PopTrapTrip HopDream Pop11183922824205284782f-0abd-4e75-ba60-7024a1412409b7539c32-53e7-4908-bda3-81449c367da64f2ec6cd-b15f-4c53-af6e-f8848811b902/media/data/media5/Music/Lana Del Rey/Lust for Life (2017)/folder.jpgLana Del ReyLana Del ReyElizabeth Woolridge Grant (born June 21, 1985), known professionally as Lana Del Rey, is an American singer-songwriter. Her music is noted for its cinematic quality and exploration of tragic romance, glamour, and melancholia, with frequent references to contemporary pop culture and 1950s–70s Americana. Her vintage Hollywood glamour aesthetic is presented not only in her music, but also in her music videos. She is the recipient of various accolades, including two Brit Awards, two Billboard Women in Music, two MTV Europe Music Awards, and a Satellite Award, in addition to nominations for eleven Grammy Awards and a Golden Globe Award. Variety honored her at their Hitmakers Awards for being "one of the most influential singer-songwriters of the 21st century". Rolling Stone placed Del Rey on their list of the 200 Greatest Singers of All Time (2023), and Rolling Stone UK named her The Greatest American Songwriter of the 21st century (2023).Raised in northern New York State, Del Rey moved to New York City in 2005 to pursue a music career. After numerous projects, including her self-titled debut studio album, Del Rey's breakthrough came in 2011 with the viral success of her single "Video Games"; she subsequently signed a recording contract with Polydor and Interscope. She achieved critical and commercial success with her major label debut album, Born to Die (2012), which contained the sleeper hit "Summertime Sadness". Born To Die became her first of six number-one albums in the UK, and also topped various national charts around the world. Del Rey's third album, Ultraviolence (2014), featured greater use of guitar-driven instrumentation and debuted atop the U.S. Billboard 200. Her fourth and fifth albums, Honeymoon (2015) and Lust for Life (2017), saw a return to the stylistic traditions of her earlier releases, while her critically acclaimed sixth album, Norman Fucking Rockwell! (2019) explored soft rock, was nominated for Album of the Year at the 62nd Annual Grammy Awards, and was also named one of the 500 Greatest Albums of All Time by Rolling Stone. Her next studio albums, Chemtrails over the Country Club and Blue Banisters, followed in 2021. Del Rey collaborated with Taylor Swift on "Snow on the Beach", from Swift's tenth studio album Midnights (2022); it debuted at number four on the U.S. Billboard Hot 100, marking Del Rey's highest peak on the chart. Del Rey's ninth studio album, Did You Know That There's a Tunnel Under Ocean Blvd, was later released in 2023, supported by the critically acclaimed single "A&W" and its title track. Later that year, she released the Billboard Global 200 top-20 hit "Say Yes To Heaven".
Del Rey has collaborated on soundtracks for visual media; in 2013, she wrote and starred in the critically acclaimed musical short Tropico and released "Young and Beautiful" for the romantic drama The Great Gatsby, which was highly praised by critics and received Grammy Award and Critics' Choice Award nominations. In 2014, she recorded "Once Upon a Dream" for the dark fantasy adventure film Maleficent and the self-titled theme song for the biopic Big Eyes, which was nominated for a Golden Globe Award. Del Rey also recorded the collaboration "Don't Call Me Angel" for the action comedy Charlie's Angels (2019). Del Rey published the poetry and photography collection Violet Bent Backwards over the Grass (2020).