Three of a Perfect Pair is the tenth studio album by the band King Crimson, released in 1984. The album is the culmination of the band's 80s period and is a balance between the experimental Discipline, and the more commercially accessible Beat. Tony Levin had more input than on any other King Crimson album. It was noted for being quite clearly divided into a "left" and "right" side, with a third side added in 2001. One of the bonus tracks was a barbershop a cappella in which all four members supposedly sing but is really Tony's voice overdubbed to create harmonization. Following the book theme of the last two albums, the album title may be a subtle nod to 1984, the year it was released. The album concept is based on the idea of "three sides to every story", as in his side, her side and an objective truth. The front cover designed by Peter Willis is a reference to the Emerald Tablet, with a representation of a male solar deity on the top and a female lunar deity on the bottom, and is a continuation of Larks Tongues in Aspic.Three of a Perfect Pair is the tenth studio album by the band King Crimson, released in 1984. The album is the culmination of the band's 80s period and is a balance between the experimental Discipline, and the more commercially accessible Beat. Tony Levin had more input than on any other King Crimson album. It was noted for being quite clearly divided into a "left" and "right" side, with a third side added in 2001. One of the bonus tracks was a barbershop a cappella in which all four members supposedly sing but is really Tony's voice overdubbed to create harmonization. Following the book theme of the last two albums, the album title may be a subtle nod to 1984, the year it was released. The album concept is based on the idea of "three sides to every story", as in his side, her side and an objective truth. The front cover designed by Peter Willis is a reference to the Emerald Tablet, with a representation of a male solar deity on the top and a female lunar deity on the bottom, and is a continuation of Larks Tongues in Aspic.false2023-09-06 20:25:34Three of a Perfect Pair6.320162016-03-182016-03-1868ElectronicExperimentalProgressive RockRock112709212022468325329-f6d9-4e57-bd51-c5501c6dd3d9b38225b8-8e5f-42aa-bcdc-7bae5b5bdab3939fde6a-e999-33a9-a7a0-7679aefe8bb0/media/data/media5/Music/King Crimson/Three of a Perfect Pair (1984)/folder.jpgKing CrimsonAlbumArtistKing CrimsonArtistKing CrimsonKing CrimsonKing Crimson were an English-based progressive rock band formed in 1968 in London. Led by guitarist Robert Fripp, they drew inspiration from a wide variety of music, incorporating elements of classical, jazz, folk, heavy metal, gamelan, blues, industrial, electronic, experimental music and new wave. They exerted a strong influence on the early 1970s progressive rock movement, including on contemporaries such as Yes and Genesis, and continue to inspire subsequent generations of artists across multiple genres. The band has earned a large cult following, especially in the 21st century.
Founded by Fripp, Michael Giles, Greg Lake, Ian McDonald and Peter Sinfield, the band initially focused on a dramatic sound layered with Mellotron, McDonald's saxophone and flute, Giles' complex and polyrhythmic drumming, Fripp's atmospheric guitar sound, and Lake's bass and powerful lead vocals, with gothic lyricism by Sinfield and creative directions by all members of the band. Their debut album, In the Court of the Crimson King (1969), remains their most commercially successful and influential release, with a potent mixture of jazz, classical and experimental music. Following the sudden simultaneous departures of McDonald and Giles (with Lake leaving very shortly afterwards), the next two albums, In the Wake of Poseidon and Lizard (both 1970), were recorded during a period of instability in the band's line-up. A settled band of Fripp, Sinfield, Mel Collins, Boz Burrell and Ian Wallace recorded Islands in 1971, though in mid-1972, Fripp let go of this line-up and changed the group's instrumentation and approach, drawing from European free improvisation and developing ever more complex compositions. With Bill Bruford (formerly of Yes), John Wetton, David Cross and, briefly, Jamie Muir, they reached what some saw as a creative peak on Larks' Tongues in Aspic (1973), Starless and Bible Black (1974), and Red (1974). King Crimson disbanded at the end of 1974.
After seven years of inactivity, King Crimson was recreated in 1981 with another change in musical direction. The new band comprised Fripp, Bruford and two new American members: Adrian Belew, who previously worked with David Bowie, Frank Zappa and Talking Heads, and Tony Levin, a prolific session musician who was noted for his studio and live work with Peter Gabriel. They drew influence from African music, gamelan, post-punk and New York minimalism. This band lasted three years, resulting in the trio of albums Discipline (1981), Beat (1982) and Three of a Perfect Pair (1984). Following a decade-long hiatus, they reformed in 1994, adding Pat Mastelotto, formerly of Mr. Mister, and Trey Gunn for a sextet line-up Fripp called "The Double Trio". The double trio participated in another three-year cycle of activity that included the release of Thrak (1995), and multiple concert recordings. There was a hiatus between 1997 and 2000. Fripp, Belew, Mastelotto and Gunn reunited in 2000 as a more industrial-oriented King Crimson, called "The Double Duo", releasing The Construkction of Light (2000) and The Power to Believe (2003). After a five-year hiatus, the band added Gavin Harrison of Porcupine Tree as a second drummer, with Levin returning in place of Gunn, for a 2008 tour celebrating the 40th anniversary of their 1968 formation.
Following another hiatus (2009–2012), during which Fripp was thought to be retired, King Crimson came together again in 2013; this time as a septet (and, later, octet) with an unusual three-drumkit frontline, and new second guitarist and singer Jakko Jakszyk. This version of King Crimson continued to tour from 2014 to 2021, and released multiple live albums. After the band's final show in 2021, Fripp commented that King Crimson had "moved from sound to silence."