Red is a 1974 album by progressive rock group King Crimson. It was their last studio recording of the 1970s and the last before the lead member Robert Fripp temporarily disbanded the group.
David Cross left King Crimson in 1974, reducing the group to the trio of Robert Fripp, John Wetton and Bill Bruford. The trio recorded Red with the help of Cross and former band-members Ian McDonald and Mel Collins. Fripp disbanded King Crimson on 24 September 1974, and the album was released later that year with no accompanying tour.
While musically similar to its predecessor Starless and Bible Black, Red was produced very differently from previous King Crimson albums. For instance, while the acoustic guitar features prominently in previous releases, on Red it is heard only for a few bars in "Fallen Angel". Also, unlike previous King Crimson albums, Red features extensive use of guitar overdubs. Later albums lacked acoustic guitar entirely and reverted to a minimum of overdubs, though by that point the band featured multiple guitarists playing simultaneously.
The album opens with the title track, a driving, hard rock instrumental. It features multiple time signatures including 5/8, 7/8 and 4/4.[citation needed] Its polyrhythmic melodies use whole-tone scales.
The fourth track on the album, "Providence", was recorded live at Palace Theatre, Providence, Rhode Island, USA, on 30 June 1974, and is the album's only live recording. Charles Snider refers to the album as a "swan song", and comments that "'Providence' packs just about everything improv-related from the last two albums into its eight short minutes." A longer, unedited version of the track is available on the live four-CD set The Great Deceiver.
The original lyrics and melody for "Starless" were written by John Wetton. He originally intended the song to be the title track of the group's previous album Starless and Bible Black. Fripp and Bruford initially disliked the song and declined to record it for that album. Instead the group chose an instrumental composition as the title track for the Starless and Bible Black album. However, "Starless" was later revived, its lyrics altered and a long instrumental section (based on a bass riff contributed by Bruford) added to it, and performed live between March–June 1974. For the Red recording sessions, the lyrics were again altered (with contributions by Richard Palmer-James). The haunting introductory theme, originally contributed and played by David Cross, was taken over by the guitar, with Fripp making minor alterations to the melody. As the title "Starless and Bible Black" had already been used, the original title was shortened to "Starless".Red is a 1974 album by progressive rock group King Crimson. It was their last studio recording of the 1970s and the last before the lead member Robert Fripp temporarily disbanded the group.
David Cross left King Crimson in 1974, reducing the group to the trio of Robert Fripp, John Wetton and Bill Bruford. The trio recorded Red with the help of Cross and former band-members Ian McDonald and Mel Collins. Fripp disbanded King Crimson on 24 September 1974, and the album was released later that year with no accompanying tour.
While musically similar to its predecessor Starless and Bible Black, Red was produced very differently from previous King Crimson albums. For instance, while the acoustic guitar features prominently in previous releases, on Red it is heard only for a few bars in "Fallen Angel". Also, unlike previous King Crimson albums, Red features extensive use of guitar overdubs. Later albums lacked acoustic guitar entirely and reverted to a minimum of overdubs, though by that point the band featured multiple guitarists playing simultaneously.
The album opens with the title track, a driving, hard rock instrumental. It features multiple time signatures including 5/8, 7/8 and 4/4.[citation needed] Its polyrhythmic melodies use whole-tone scales.
The fourth track on the album, "Providence", was recorded live at Palace Theatre, Providence, Rhode Island, USA, on 30 June 1974, and is the album's only live recording. Charles Snider refers to the album as a "swan song", and comments that "'Providence' packs just about everything improv-related from the last two albums into its eight short minutes." A longer, unedited version of the track is available on the live four-CD set The Great Deceiver.
The original lyrics and melody for "Starless" were written by John Wetton. He originally intended the song to be the title track of the group's previous album Starless and Bible Black. Fripp and Bruford initially disliked the song and declined to record it for that album. Instead the group chose an instrumental composition as the title track for the Starless and Bible Black album. However, "Starless" was later revived, its lyrics altered and a long instrumental section (based on a bass riff contributed by Bruford) added to it, and performed live between March–June 1974. For the Red recording sessions, the lyrics were again altered (with contributions by Richard Palmer-James). The haunting introductory theme, originally contributed and played by David Cross, was taken over by the guitar, with Fripp making minor alterations to the melody. As the title "Starless and Bible Black" had already been used, the original title was shortened to "Starless".false2025-11-07 23:07:00Red19740001-01-010001-01-01108Art RockProgressive RockRock11270921202238afaf762-7691-48af-938e-9b24d0542189b38225b8-8e5f-42aa-bcdc-7bae5b5bdab389bc97c8-921a-3758-8481-3b39c564e297/media/data/media5/Music/King Crimson/Red/folder.jpgKing CrimsonKing CrimsonKing Crimson were an English-based progressive rock band formed in 1968 in London. Led by guitarist Robert Fripp, they drew inspiration from a wide variety of music, incorporating elements of classical, jazz, folk, heavy metal, gamelan, blues, industrial, electronic, experimental music and new wave. They exerted a strong influence on the early 1970s progressive rock movement, including on contemporaries such as Yes and Genesis, and continue to inspire subsequent generations of artists across multiple genres. The band has earned a large cult following, especially in the 21st century.
Founded by Fripp, Michael Giles, Greg Lake, Ian McDonald and Peter Sinfield, the band initially focused on a dramatic sound layered with Mellotron, McDonald's saxophone and flute, Giles' complex and polyrhythmic drumming, Fripp's atmospheric guitar sound, and Lake's bass and powerful lead vocals, with gothic lyricism by Sinfield and creative directions by all members of the band. Their debut album, In the Court of the Crimson King (1969), remains their most commercially successful and influential release, with a potent mixture of jazz, classical and experimental music. Following the sudden simultaneous departures of McDonald and Giles (with Lake leaving very shortly afterwards), the next two albums, In the Wake of Poseidon and Lizard (both 1970), were recorded during a period of instability in the band's line-up. A settled band of Fripp, Sinfield, Mel Collins, Boz Burrell and Ian Wallace recorded Islands in 1971, though in mid-1972, Fripp let go of this line-up and changed the group's instrumentation and approach, drawing from European free improvisation and developing ever more complex compositions. With Bill Bruford (formerly of Yes), John Wetton, David Cross and, briefly, Jamie Muir, they reached what some saw as a creative peak on Larks' Tongues in Aspic (1973), Starless and Bible Black (1974), and Red (1974). King Crimson disbanded at the end of 1974.
After seven years of inactivity, King Crimson was recreated in 1981 with another change in musical direction. The new band comprised Fripp, Bruford and two new American members: Adrian Belew, who previously worked with David Bowie, Frank Zappa and Talking Heads, and Tony Levin, a prolific session musician who was noted for his studio and live work with Peter Gabriel. They drew influence from African music, gamelan, post-punk and New York minimalism. This band lasted three years, resulting in the trio of albums Discipline (1981), Beat (1982) and Three of a Perfect Pair (1984). Following a decade-long hiatus, they reformed in 1994, adding Pat Mastelotto, formerly of Mr. Mister, and Trey Gunn for a sextet line-up Fripp called "The Double Trio". The double trio participated in another three-year cycle of activity that included the release of Thrak (1995), and multiple concert recordings. There was a hiatus between 1997 and 2000. Fripp, Belew, Mastelotto and Gunn reunited in 2000 as a more industrial-oriented King Crimson, called "The Double Duo", releasing The Construkction of Light (2000) and The Power to Believe (2003). After a five-year hiatus, the band added Gavin Harrison of Porcupine Tree as a second drummer, with Levin returning in place of Gunn, for a 2008 tour celebrating the 40th anniversary of their 1968 formation.
Following another hiatus (2009–2012), during which Fripp was thought to be retired, King Crimson came together again in 2013; this time as a septet (and, later, octet) with an unusual three-drumkit frontline, and new second guitarist and singer Jakko Jakszyk. This version of King Crimson continued to tour from 2014 to 2021, and released multiple live albums. After the band's final show in 2021, Fripp commented that King Crimson had "moved from sound to silence."