﻿<?xml version="1.0" encoding="utf-8" standalone="yes"?>
<album>
  <review>For the Roses is the fifth studio album by Joni Mitchell, released in November 1972, between her two biggest commercial and critical successes – Blue and Court and Spark. Despite this, in 2007 it was one of 50 recordings chosen that year by the Library of Congress to be added to the National Recording Registry. It is Mitchell's first, and so far only, album to accomplish this feat.

It is perhaps best known for the hit single "You Turn Me on I'm a Radio", which Mitchell wrote sarcastically out of a record company request for a radio-friendly song. The single was indeed a hit, reaching #25 on the Billboard Hot 100 charts, becoming Mitchell's first top 40 hit released under her own name (as a songwriter, several other performers had had hits with songs that she had written). "Cold Blue Steel and Sweet Fire" — a menacing and jazzy portrait of a heroin addict — and the Beethoven-inspired "Judgement of the Moon and Stars" were also popular.

"Banquet" describes a metaphorical table from which "some get the gravy / Some get the gristle... and some get nothing / Though there's plenty to spare". In the sprightly "Barangrill", Mitchell uses the hunt for an elusive roadside eatery as a metaphor for the quest to "find herself", enjoying the journey, but with increasing impatience about reaching her destination. "Lesson in Survival" is the first of the love songs, about the longing for greater privacy, a sense of isolation, and a love for nature. "Let the Wind Carry Me" contrasts thoughts of a more stable, conventional life with the overpowering need to live with minimal constraints upon one's freedom.

The second side opens with "See You Sometime", which deals with fleeting feelings and romantic competition. "Electricity" extols the simplicity and serenity of the quiet country life against the way in which people in modern society think of themselves unconsciously as machines. "Woman of Heart and Mind" is a portrait of a flawed lover.

The album was critically acclaimed with The New York Times saying "Each of Mitchell's songs on For the Roses is a gem glistening with her elegant way with language, her pointed splashes of irony and her perfect shaping of images. Never does Mitchell voice a thought or feeling commonly. She's a songwriter and singer of genius who can't help but make us feel we are not alone."</review>
  <outline>For the Roses is the fifth studio album by Joni Mitchell, released in November 1972, between her two biggest commercial and critical successes – Blue and Court and Spark. Despite this, in 2007 it was one of 50 recordings chosen that year by the Library of Congress to be added to the National Recording Registry. It is Mitchell's first, and so far only, album to accomplish this feat.

It is perhaps best known for the hit single "You Turn Me on I'm a Radio", which Mitchell wrote sarcastically out of a record company request for a radio-friendly song. The single was indeed a hit, reaching #25 on the Billboard Hot 100 charts, becoming Mitchell's first top 40 hit released under her own name (as a songwriter, several other performers had had hits with songs that she had written). "Cold Blue Steel and Sweet Fire" — a menacing and jazzy portrait of a heroin addict — and the Beethoven-inspired "Judgement of the Moon and Stars" were also popular.

"Banquet" describes a metaphorical table from which "some get the gravy / Some get the gristle... and some get nothing / Though there's plenty to spare". In the sprightly "Barangrill", Mitchell uses the hunt for an elusive roadside eatery as a metaphor for the quest to "find herself", enjoying the journey, but with increasing impatience about reaching her destination. "Lesson in Survival" is the first of the love songs, about the longing for greater privacy, a sense of isolation, and a love for nature. "Let the Wind Carry Me" contrasts thoughts of a more stable, conventional life with the overpowering need to live with minimal constraints upon one's freedom.

The second side opens with "See You Sometime", which deals with fleeting feelings and romantic competition. "Electricity" extols the simplicity and serenity of the quiet country life against the way in which people in modern society think of themselves unconsciously as machines. "Woman of Heart and Mind" is a portrait of a flawed lover.

The album was critically acclaimed with The New York Times saying "Each of Mitchell's songs on For the Roses is a gem glistening with her elegant way with language, her pointed splashes of irony and her perfect shaping of images. Never does Mitchell voice a thought or feeling commonly. She's a songwriter and singer of genius who can't help but make us feel we are not alone."</outline>
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  <dateadded>2025-11-07 22:05:09</dateadded>
  <title>For the Roses</title>
  <year>2013</year>
  <premiered>2013-01-01</premiered>
  <releasedate>2013-01-01</releasedate>
  <runtime>41</runtime>
  <country />
  <genre>Contemporary Folk</genre>
  <genre>Folk</genre>
  <genre>Folk Pop</genre>
  <genre>Folk Rock</genre>
  <genre>Pop</genre>
  <genre>Rock</genre>
  <genre>Singer-Songwriter</genre>
  <studio />
  <audiodbartistid>111425</audiodbartistid>
  <audiodbalbumid>2112132</audiodbalbumid>
  <musicbrainzalbumid>a1724de5-f3fe-4c9c-88f6-afc465183f53</musicbrainzalbumid>
  <musicbrainzalbumartistid>a6de8ef9-b1a1-4756-97aa-481bbb8a4069</musicbrainzalbumartistid>
  <musicbrainzreleasegroupid>a5b7d474-4a69-31fc-86c9-c14eb6a1f963</musicbrainzreleasegroupid>
  <art>
    <poster>/media/data/media5/Music/Joni Mitchell/For the Roses/folder.jpg</poster>
  </art>
  <artist>Joni Mitchell</artist>
  <albumartist>Joni Mitchell</albumartist>
  <track>
    <disc>1</disc>
    <position>1</position>
    <title>Banquet</title>
    <duration>03:03</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>2</position>
    <title>Cold Blue Steel and Sweet Fire</title>
    <duration>04:16</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>3</position>
    <title>Barangrill</title>
    <duration>02:52</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>4</position>
    <title>Lesson in Survival</title>
    <duration>03:11</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>5</position>
    <title>Let the Wind Carry Me</title>
    <duration>03:56</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>6</position>
    <title>For the Roses</title>
    <duration>03:47</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>7</position>
    <title>See You Sometime</title>
    <duration>02:59</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>8</position>
    <title>Electricity</title>
    <duration>03:03</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>9</position>
    <title>You Turn Me On I’m a Radio</title>
    <duration>02:38</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>10</position>
    <title>Blonde in the Bleachers</title>
    <duration>02:41</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>11</position>
    <title>Woman of Heart and Mind</title>
    <duration>02:38</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>12</position>
    <title>Judgement of the Moon and Stars (Ludwig’s Tune)</title>
    <duration>05:25</duration>
  </track>
  <artistdesc>Roberta Joan "Joni" Mitchell  (née Anderson; born November 7, 1943) is a Canadian-American singer-songwriter. Drawing from folk, pop, rock, classical, and jazz, Mitchell's songs often reflect on social and philosophical ideals as well as her feelings about romance, womanhood, disillusionment and joy. She has received many accolades, including ten Grammy Awards and induction into the Rock and Roll Hall of Fame in 1997. Rolling Stone called her "one of the greatest songwriters ever", and AllMusic has stated, "When the dust settles, Joni Mitchell may stand as the most important and influential female recording artist of the late 20th century".Mitchell began singing in small nightclubs in Saskatoon, Saskatchewan, and throughout western Canada, before moving on to the nightclubs of Toronto, Ontario. She moved to the United States and began touring in 1965. Some of her original songs ("Urge for Going", "Chelsea Morning", "Both Sides, Now", "The Circle Game") were recorded by other folk singers, allowing her to sign with Reprise Records and record her debut album, Song to a Seagull, in 1968. Settling in Southern California, Mitchell helped define an era and a generation with popular songs like "Big Yellow Taxi" and "Woodstock". Her 1971 album Blue is often cited as one of the best albums of all time; it was rated the 30th best album ever made in Rolling Stone's 2003 list of the "500 Greatest Albums of All Time", rising to number 3 in the 2020 edition. In 2000, The New York Times chose Blue as one of the 25 albums that represented "turning points and pinnacles in 20th-century popular music". NPR ranked Blue number 1 on a 2017 list of Greatest Albums Made By Women.Mitchell switched labels and began exploring more jazz-influenced melodic ideas, by way of lush pop textures, on 1974's Court and Spark, which featured the radio hits "Help Me" and "Free Man in Paris" and became her best-selling album. Mitchell's vocal range began to shift from mezzo-soprano to more of a wide-ranging contralto around 1975. Her distinctive piano and open-tuned guitar compositions also grew more harmonically and rhythmically complex as she melded jazz with rock and roll, R&amp;B, classical music and non-Western beats. In the late 1970s, she began working with noted jazz musicians including Jaco Pastorius, Wayne Shorter, Herbie Hancock, and Pat Metheny as well as Charles Mingus, who asked her to collaborate on his final recordings. She later turned to pop and electronic music and engaged in political protest. She was awarded a Lifetime Achievement Award at the 44th Annual Grammy Awards in 2002 and became a Kennedy Center Honoree in 2021.Mitchell produced or co-produced most of her albums. A critic of the music industry, she quit touring and released her 17th and last album of original songs in 2007. Mitchell has designed most of her own album covers, describing herself as a "painter derailed by circumstance".</artistdesc>
  <label>Asylum Records</label>
</album>