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<album>
  <review>American Recordings is the 81st album by the country singer Johnny Cash. It was released in April 1994 (see 1994 in music), the first album issued by American Recordings after its name change from Def American, the album being named after the new label. In 2003, the album was ranked number 364 on Rolling Stone magazine's list of the 500 greatest albums of all time.
Cash was approached by producer Rick Rubin and offered a contract with Rubin's American Recordings label, better known for rap and heavy metal than for country music. Under Rubin's supervision, he recorded the album in his living room, accompanied only by his guitar. For years Cash was often at odds with his producers after he had discovered with his first producer, Sam Phillips, that his voice was better suited to a stripped-down musical style. Most famously he disagreed with Jack Clement over his sound, Clement having tried to give Cash's songs a "twangy" feel and to add strings and barbershop-quartet-style singers. His successful collaboration with Rick Rubin was in part due to Rubin seeking a minimalist sound for his songs.
The songs "Tennessee Stud" and "The Man Who Couldn't Cry" were recorded live at the Viper Room, a Sunset Strip, Los Angeles nightclub owned at the time by Johnny Depp. "The Beast in Me" was written and originally recorded by Cash's former stepson-in-law Nick Lowe.
The video for the first single, the traditional song "Delia's Gone" (directed by Anton Corbijn, featuring Kate Moss), was put into rotation on MTV, and even appeared on Beavis and Butt-head, Beavis asking if Cash was Captain Kangaroo. The album was hailed by critics and many declared it to be Cash's finest album since the late 1960s, while his versions of songs by more modern artists such as Tom Waits and Glenn Danzig (who penned a song called "Thirteen" specifically for Cash, in just twenty minutes) helped to bring him a new audience. American Recordings received a Grammy for Best Contemporary Folk Album of the Year at the 1994 Grammy Awards. The album cover was photographed whilst Cash was visiting Australia, at Werribee near Melbourne.</review>
  <outline>American Recordings is the 81st album by the country singer Johnny Cash. It was released in April 1994 (see 1994 in music), the first album issued by American Recordings after its name change from Def American, the album being named after the new label. In 2003, the album was ranked number 364 on Rolling Stone magazine's list of the 500 greatest albums of all time.
Cash was approached by producer Rick Rubin and offered a contract with Rubin's American Recordings label, better known for rap and heavy metal than for country music. Under Rubin's supervision, he recorded the album in his living room, accompanied only by his guitar. For years Cash was often at odds with his producers after he had discovered with his first producer, Sam Phillips, that his voice was better suited to a stripped-down musical style. Most famously he disagreed with Jack Clement over his sound, Clement having tried to give Cash's songs a "twangy" feel and to add strings and barbershop-quartet-style singers. His successful collaboration with Rick Rubin was in part due to Rubin seeking a minimalist sound for his songs.
The songs "Tennessee Stud" and "The Man Who Couldn't Cry" were recorded live at the Viper Room, a Sunset Strip, Los Angeles nightclub owned at the time by Johnny Depp. "The Beast in Me" was written and originally recorded by Cash's former stepson-in-law Nick Lowe.
The video for the first single, the traditional song "Delia's Gone" (directed by Anton Corbijn, featuring Kate Moss), was put into rotation on MTV, and even appeared on Beavis and Butt-head, Beavis asking if Cash was Captain Kangaroo. The album was hailed by critics and many declared it to be Cash's finest album since the late 1960s, while his versions of songs by more modern artists such as Tom Waits and Glenn Danzig (who penned a song called "Thirteen" specifically for Cash, in just twenty minutes) helped to bring him a new audience. American Recordings received a Grammy for Best Contemporary Folk Album of the Year at the 1994 Grammy Awards. The album cover was photographed whilst Cash was visiting Australia, at Werribee near Melbourne.</outline>
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  <dateadded>2023-07-10 08:32:17</dateadded>
  <title>American Recordings</title>
  <rating>7.6</rating>
  <year>1994</year>
  <premiered>1994-04-26</premiered>
  <releasedate>1994-04-26</releasedate>
  <runtime>42</runtime>
  <genre>Country</genre>
  <genre>Country Blues</genre>
  <genre>Country Rock</genre>
  <genre>Folk Rock</genre>
  <genre>Rock</genre>
  <audiodbartistid>111372</audiodbartistid>
  <audiodbalbumid>2189225</audiodbalbumid>
  <musicbrainzalbumid>5223c055-c717-35c8-9571-4353d147e9d7</musicbrainzalbumid>
  <musicbrainzalbumartistid>d43d12a1-2dc9-4257-a2fd-0a3bb1081b86</musicbrainzalbumartistid>
  <musicbrainzreleasegroupid>a4e748bc-d200-3a3d-bd51-d366a0785a40</musicbrainzreleasegroupid>
  <art>
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  </art>
  <actor>
    <name>Johnny Cash</name>
    <type>AlbumArtist</type>
    <thumb>/config/metadata/People/J/Johnny Cash/folder.jpg</thumb>
  </actor>
  <actor>
    <name>Johnny Cash</name>
    <type>Artist</type>
    <thumb>/config/metadata/People/J/Johnny Cash/folder.jpg</thumb>
  </actor>
  <artist>Johnny Cash</artist>
  <albumartist>Johnny Cash</albumartist>
  <track>
    <position>1</position>
    <title>Delia's Gone</title>
    <duration>02:18</duration>
  </track>
  <track>
    <position>2</position>
    <title>Let the Train Blow the Whistle</title>
    <duration>02:15</duration>
  </track>
  <track>
    <position>3</position>
    <title>The Beast in Me</title>
    <duration>02:45</duration>
  </track>
  <track>
    <position>4</position>
    <title>Drive On</title>
    <duration>02:23</duration>
  </track>
  <track>
    <position>5</position>
    <title>Why Me Lord</title>
    <duration>02:20</duration>
  </track>
  <track>
    <position>6</position>
    <title>Thirteen</title>
    <duration>02:29</duration>
  </track>
  <track>
    <position>7</position>
    <title>Oh, Bury Me Not (Introduction: A Cowboy's Prayer)</title>
    <duration>03:52</duration>
  </track>
  <track>
    <position>8</position>
    <title>Bird on a Wire</title>
    <duration>04:01</duration>
  </track>
  <track>
    <position>9</position>
    <title>Tennessee Stud</title>
    <duration>02:54</duration>
  </track>
  <track>
    <position>10</position>
    <title>Down There by the Train</title>
    <duration>05:34</duration>
  </track>
  <track>
    <position>11</position>
    <title>Redemption</title>
    <duration>03:03</duration>
  </track>
  <track>
    <position>12</position>
    <title>Like a Soldier</title>
    <duration>02:50</duration>
  </track>
  <track>
    <position>13</position>
    <title>The Man Who Couldn't Cry</title>
    <duration>05:02</duration>
  </track>
  <artistdesc>John R. Cash (born J. R. Cash; February 26, 1932 – September 12, 2003) was an American singer-songwriter. Most of Cash's music contains themes of sorrow, moral tribulation, and redemption, especially songs from the later stages of his career. He was known for his deep, calm, bass-baritone voice, the distinctive sound of his backing band, the Tennessee Three, that was characterized by its train-like chugging guitar rhythms, a rebelliousness coupled with an increasingly somber and humble demeanor, and his free prison concerts. Cash wore a trademark all-black stage wardrobe, which earned him the nickname as the "Man in Black".
Born to poor cotton farmers in Kingsland, Arkansas, Cash grew up on gospel music and played on a local radio station in high school. He served four years in the Air Force, much of it in West Germany. After his return to the United States, he rose to fame during the mid-1950s in the burgeoning rockabilly scene in Memphis, Tennessee. He traditionally began his concerts by introducing himself with "Hello, I'm Johnny Cash". He began to follow that by "Folsom Prison Blues", one of his signature songs. His other signature songs include "I Walk the Line", "Ring of Fire", "Get Rhythm", and "Man in Black". He also recorded humorous numbers like "One Piece at a Time" and "A Boy Named Sue", a duet with his future wife June called "Jackson" (followed by many further duets after they married), and railroad songs such as "Hey, Porter", "Orange Blossom Special", and "Rock Island Line". During the last stage of his career, he covered songs by contemporary rock artists; among his most notable covers were "Hurt" by Nine Inch Nails, "Rusty Cage" by Soundgarden, and "Personal Jesus" by Depeche Mode.
Cash is one of the best-selling music artists of all time, having sold more than 90 million records worldwide. His genre-spanning music embraced country, rock and roll, rockabilly, blues, folk, and gospel sounds. This crossover appeal earned him the rare honor of being inducted into the Country Music, Rock and Roll, and Gospel Music Halls of Fame.</artistdesc>
  <label>American Recordings</label>
</album>