﻿<?xml version="1.0" encoding="utf-8" standalone="yes"?>
<album>
  <review />
  <outline />
  <lockdata>false</lockdata>
  <dateadded>2023-01-30 05:34:57</dateadded>
  <title>Clavichord</title>
  <year>2023</year>
  <premiered>2023-01-27</premiered>
  <releasedate>2023-01-27</releasedate>
  <runtime>84</runtime>
  <genre>Baroque</genre>
  <genre>Classical</genre>
  <musicbrainzalbumid>6f95e3bd-c539-460d-9c4c-c449b6b9d78b</musicbrainzalbumid>
  <musicbrainzalbumartistid>24f1766e-9635-4d58-a4d4-9413f9f98a4c</musicbrainzalbumartistid>
  <musicbrainzreleasegroupid>55b85211-3f7a-4a4d-a85a-31ebf48c3c04</musicbrainzreleasegroupid>
  <art>
    <poster>/media/data/media5/Music/Johann Sebastian Bach/Clavichord (2023)/folder.jpg</poster>
  </art>
  <actor>
    <name>Johann Sebastian Bach</name>
    <type>AlbumArtist</type>
  </actor>
  <actor>
    <name>Johann Sebastian Bach</name>
    <type>Artist</type>
  </actor>
  <artist>Johann Sebastian Bach</artist>
  <albumartist>Johann Sebastian Bach</albumartist>
  <track>
    <position>1</position>
    <title>Capriccio sopra la lontananza de il fratro dilettissimo, BWV 992: Ist eine Schmeichelung der Freunde, um denselben von der Reise abzuhalten. Arioso. Adagio</title>
    <duration>01:31</duration>
  </track>
  <track>
    <position>2</position>
    <title>Capriccio sopra la lontananza de il fratro dilettissimo, BWV 992: Ist eine Vorstellung unterschiedlicher Casuum, die ihm der Fremde könnten vorfallen</title>
    <duration>01:12</duration>
  </track>
  <track>
    <position>3</position>
    <title>Capriccio sopra la lontananza de il fratro dilettissimo, BWV 992: Ist ein allgemeines Lamento der Freunde. Adagissimo</title>
    <duration>02:05</duration>
  </track>
  <track>
    <position>4</position>
    <title>Capriccio sopra la lontananza de il fratro dilettissimo, BWV 992: Allhier kommen die Freunde, weil sie doch sehen, dass es anders nicht kann sein, und nehmen Abschied</title>
    <duration>00:36</duration>
  </track>
  <track>
    <position>5</position>
    <title>Capriccio sopra la lontananza de il fratro dilettissimo, BWV 992: Aria di Postiglione. Adagio poco</title>
    <duration>01:36</duration>
  </track>
  <track>
    <position>6</position>
    <title>Capriccio sopra la lontananza de il fratro dilettissimo, BWV 992: Fuga all’imitatione della cornetta di postiglione</title>
    <duration>02:27</duration>
  </track>
  <track>
    <position>7</position>
    <title>Invention no. 1 in C major, BWV 772</title>
    <duration>01:28</duration>
  </track>
  <track>
    <position>8</position>
    <title>Invention no. 2 in C minor, BWV 773</title>
    <duration>01:50</duration>
  </track>
  <track>
    <position>9</position>
    <title>Invention no. 3 in D major, BWV 774</title>
    <duration>01:14</duration>
  </track>
  <track>
    <position>10</position>
    <title>Invention no. 4 in D minor, BWV 775</title>
    <duration>00:45</duration>
  </track>
  <track>
    <position>11</position>
    <title>Invention no. 5 in E-flat major, BWV 776</title>
    <duration>01:24</duration>
  </track>
  <track>
    <position>12</position>
    <title>Invention no. 6 in E major, BWV 777</title>
    <duration>03:24</duration>
  </track>
  <track>
    <position>13</position>
    <title>Invention no. 7 in E minor, BWV 778</title>
    <duration>01:41</duration>
  </track>
  <track>
    <position>14</position>
    <title>Invention no. 8 in F major, BWV 779</title>
    <duration>00:56</duration>
  </track>
  <track>
    <position>15</position>
    <title>Invention no. 9 in F minor, BWV 780</title>
    <duration>01:45</duration>
  </track>
  <track>
    <position>16</position>
    <title>Invention no. 10 in G major, BWV 781</title>
    <duration>00:58</duration>
  </track>
  <track>
    <position>17</position>
    <title>Invention no. 11 in G minor, BWV 782</title>
    <duration>00:59</duration>
  </track>
  <track>
    <position>18</position>
    <title>Invention no. 12 in A major, BWV 783</title>
    <duration>01:12</duration>
  </track>
  <track>
    <position>19</position>
    <title>Invention no. 13 in A minor, BWV 784</title>
    <duration>01:22</duration>
  </track>
  <track>
    <position>20</position>
    <title>Invention no. 14 in B-flat major, BWV 785</title>
    <duration>01:20</duration>
  </track>
  <track>
    <position>21</position>
    <title>Invention no. 15 in B minor, BWV 786</title>
    <duration>01:10</duration>
  </track>
  <track>
    <position>22</position>
    <title>Duet no. 1 in E minor, BWV 802</title>
    <duration>03:02</duration>
  </track>
  <track>
    <position>23</position>
    <title>Duet no. 2 in F major, BWV 803</title>
    <duration>02:58</duration>
  </track>
  <track>
    <position>24</position>
    <title>Duet no. 3 in G major, BWV 804</title>
    <duration>03:08</duration>
  </track>
  <track>
    <position>25</position>
    <title>Duet no. 4 in A minor, BWV 805</title>
    <duration>02:10</duration>
  </track>
  <track>
    <position>26</position>
    <title>Musikalisches Opfer, BWV 1079: Ricercar à 3</title>
    <duration>05:50</duration>
  </track>
  <track>
    <position>27</position>
    <title>Sinfonia no. 1 in C major, BWV 787</title>
    <duration>01:08</duration>
  </track>
  <track>
    <position>28</position>
    <title>Sinfonia no. 2 in C minor, BWV 788</title>
    <duration>02:07</duration>
  </track>
  <track>
    <position>29</position>
    <title>Sinfonia no. 3 in D major, BWV 789</title>
    <duration>01:13</duration>
  </track>
  <track>
    <position>30</position>
    <title>Sinfonia no. 4 in D minor, BWV 790</title>
    <duration>01:45</duration>
  </track>
  <track>
    <position>31</position>
    <title>Sinfonia no. 5 in E-flat major, BWV 791</title>
    <duration>02:07</duration>
  </track>
  <track>
    <position>32</position>
    <title>Sinfonia no. 6 in E major, BWV 792</title>
    <duration>01:20</duration>
  </track>
  <track>
    <position>33</position>
    <title>Sinfonia no. 7 in E minor, BWV 793</title>
    <duration>02:06</duration>
  </track>
  <track>
    <position>34</position>
    <title>Sinfonia no. 8 in F major, BWV 794</title>
    <duration>00:59</duration>
  </track>
  <track>
    <position>35</position>
    <title>Sinfonia no. 9 in F minor, BWV 795</title>
    <duration>03:03</duration>
  </track>
  <track>
    <position>36</position>
    <title>Sinfonia no. 10 in G major, BWV 796</title>
    <duration>01:05</duration>
  </track>
  <track>
    <position>37</position>
    <title>Sinfonia no. 11 in G minor, BWV 797</title>
    <duration>01:55</duration>
  </track>
  <track>
    <position>38</position>
    <title>Sinfonia no. 12 in A major, BWV 798</title>
    <duration>01:29</duration>
  </track>
  <track>
    <position>39</position>
    <title>Sinfonia no. 13 in A minor, BWV 799</title>
    <duration>01:41</duration>
  </track>
  <track>
    <position>40</position>
    <title>Sinfonia no. 14 in B-flat major, BWV 800</title>
    <duration>01:18</duration>
  </track>
  <track>
    <position>41</position>
    <title>Sinfonia no. 15 in B minor, BWV 801</title>
    <duration>01:29</duration>
  </track>
  <track>
    <position>42</position>
    <title>Chromatic Fantasia and Fugue, BWV 903: Fantasia</title>
    <duration>05:43</duration>
  </track>
  <track>
    <position>43</position>
    <title>Chromatic Fantasia and Fugue, BWV 903: Fugue</title>
    <duration>05:01</duration>
  </track>
  <artistdesc>Johann Sebastian Bach (31 March [O.S. 21 March] 1685 – 28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the Brandenburg Concertos; instrumental compositions such as the Cello Suites; keyboard works such as the Goldberg Variations and The Well-Tempered Clavier; organ works such as the Schubler Chorales and the Toccata and Fugue in D minor; and vocal music such as the St Matthew Passion and the Mass in B minor. Since the 19th-century Bach revival he has been generally regarded as one of the greatest composers in the history of Western music.The Bach family already counted several composers when Johann Sebastian was born as the last child of a city musician in Eisenach. After being orphaned at the age of 10, he lived for five years with his eldest brother Johann Christoph, after which he continued his musical education in Lüneburg. From 1703 he was back in Thuringia, working as a musician for Protestant churches in Arnstadt and Mühlhausen and, for longer stretches of time, at courts in Weimar, where he expanded his organ repertory, and Köthen, where he was mostly engaged with chamber music. From 1723 he was employed as Thomaskantor (cantor at St Thomas's) in Leipzig. There he composed music for the principal Lutheran churches of the city, and for its university's student ensemble Collegium Musicum. From 1726 he published some of his keyboard and organ music. In Leipzig, as had happened during some of his earlier positions, he had difficult relations with his employer, a situation that was little remedied when he was granted the title of court composer by his sovereign, Augustus III of Poland, in 1736. In the last decades of his life he reworked and extended many of his earlier compositions. He died of complications after eye surgery in 1750 at the age of 65.
Bach enriched established German styles through his mastery of counterpoint, harmonic, and motivic organisation, and his adaptation of rhythms, forms, and textures from abroad, particularly from Italy and France. Bach's compositions include hundreds of cantatas, both sacred and secular. He composed Latin church music, Passions, oratorios, and motets. He often adopted Lutheran hymns, not only in his larger vocal works, but for instance also in his four-part chorales and his sacred songs. He wrote extensively for organ and for other keyboard instruments. He composed concertos, for instance for violin and for harpsichord, and suites, as chamber music as well as for orchestra. Many of his works employ the genres of canon and fugue.
Throughout the 18th century, Bach was primarily valued as an organist, while his keyboard music, such as The Well-Tempered Clavier, was appreciated for its didactic qualities. The 19th century saw the publication of some major Bach biographies, and by the end of that century all of his known music had been printed. Dissemination of scholarship on the composer continued through periodicals (and later also websites) exclusively devoted to him, and other publications such as the Bach-Werke-Verzeichnis (BWV, a numbered catalogue of his works) and new critical editions of his compositions. His music was further popularised through a multitude of arrangements, including the Air on the G String and "Jesu, Joy of Man's Desiring", and of recordings, such as three different box sets with complete performances of the composer's oeuvre marking the 250th anniversary of his death.</artistdesc>
  <label>ECM New Series</label>
</album>