﻿<?xml version="1.0" encoding="utf-8" standalone="yes"?>
<album>
  <review>Still Got the Blues is a 1990 album by guitarist Gary Moore. Prior to this album Moore's work had consisted of predominantly jazz-fusion with Colosseum II and rock and hard rock styles including his work with Skid Row, Thin Lizzy, G-Force as well as a large repertoire of solo work. This album, as evidenced by its title, is a departure from hard rock to an electric blues style.

Still Got the Blues has been arguably the most successful of Moore's solo albums as it was well received by old fans and also converted many who had never before heard of the Irish guitarist. The album's visibility and success was assisted by contributions from well known veterans Albert King, Albert Collins and George Harrison. Moore chose to record his lead vocal in the control room with the then just released Shure Beta 58 supercardiod microphone rather than the studio typical big phantom powered condenser microphone in a sound booth. It is argued that this assisted him to achieve a greater passion and live feel while still maintaining studio polish.

The title track was released on the single format and reached #97 on the Billboard Hot 100 on 16 February 1991. It is the only single of Moore's to chart in the Billboard Hot 100.

The album reached #83 on the Billboard 200 on 16 February 1991, then was certified gold by the RIAA on November 1995. This is the most successful album both in sales and chart positions from Gary Moore in the US.</review>
  <outline>Still Got the Blues is a 1990 album by guitarist Gary Moore. Prior to this album Moore's work had consisted of predominantly jazz-fusion with Colosseum II and rock and hard rock styles including his work with Skid Row, Thin Lizzy, G-Force as well as a large repertoire of solo work. This album, as evidenced by its title, is a departure from hard rock to an electric blues style.

Still Got the Blues has been arguably the most successful of Moore's solo albums as it was well received by old fans and also converted many who had never before heard of the Irish guitarist. The album's visibility and success was assisted by contributions from well known veterans Albert King, Albert Collins and George Harrison. Moore chose to record his lead vocal in the control room with the then just released Shure Beta 58 supercardiod microphone rather than the studio typical big phantom powered condenser microphone in a sound booth. It is argued that this assisted him to achieve a greater passion and live feel while still maintaining studio polish.

The title track was released on the single format and reached #97 on the Billboard Hot 100 on 16 February 1991. It is the only single of Moore's to chart in the Billboard Hot 100.

The album reached #83 on the Billboard 200 on 16 February 1991, then was certified gold by the RIAA on November 1995. This is the most successful album both in sales and chart positions from Gary Moore in the US.</outline>
  <lockdata>false</lockdata>
  <dateadded>2022-08-16 05:12:01</dateadded>
  <title>Still Got the Blues</title>
  <rating>7.3</rating>
  <year>1990</year>
  <premiered>1990-01-01</premiered>
  <releasedate>1990-01-01</releasedate>
  <runtime>41</runtime>
  <genre>Blues</genre>
  <genre>Blues Rock</genre>
  <genre>Electric Blues</genre>
  <genre>Hard Rock</genre>
  <genre>Rock</genre>
  <audiodbartistid>112823</audiodbartistid>
  <audiodbalbumid>2120892</audiodbalbumid>
  <musicbrainzalbumid>7103db05-9904-4aa3-bcb8-af83f58164e0</musicbrainzalbumid>
  <musicbrainzalbumartistid>a8806b5c-3ee0-4277-94d3-1a5427a7707c</musicbrainzalbumartistid>
  <musicbrainzreleasegroupid>97418934-ae74-3f2c-9a6a-e120737c5549</musicbrainzreleasegroupid>
  <art>
    <poster>/media/data/media5/Music/Gary Moore/Still Got the Blues (1990)/folder.jpg</poster>
  </art>
  <actor>
    <name>Gary Moore</name>
    <type>AlbumArtist</type>
  </actor>
  <actor>
    <name>Gary Moore</name>
    <type>Artist</type>
  </actor>
  <artist>Gary Moore</artist>
  <albumartist>Gary Moore</albumartist>
  <track>
    <position>1</position>
    <title>Moving On</title>
    <duration>02:38</duration>
  </track>
  <track>
    <position>2</position>
    <title>Oh Pretty Woman</title>
    <duration>04:24</duration>
  </track>
  <track>
    <position>3</position>
    <title>Walking by Myself</title>
    <duration>02:55</duration>
  </track>
  <track>
    <position>4</position>
    <title>Still Got the Blues</title>
    <duration>06:10</duration>
  </track>
  <track>
    <position>5</position>
    <title>Texas Strut</title>
    <duration>04:54</duration>
  </track>
  <track>
    <position>6</position>
    <title>Too Tired</title>
    <duration>02:50</duration>
  </track>
  <track>
    <position>7</position>
    <title>King of the Blues</title>
    <duration>04:35</duration>
  </track>
  <track>
    <position>8</position>
    <title>As the Years Go Passing By</title>
    <duration>07:44</duration>
  </track>
  <track>
    <position>9</position>
    <title>Midnight Blues</title>
    <duration>05:01</duration>
  </track>
  <artistdesc>Robert William Gary Moore (4 April 1952 – 6 February 2011) was a Northern Irish musician. Over the course of his career, he played in various groups and performed a range of music including blues, blues rock, hard rock, heavy metal, and jazz fusion.
Influenced by Peter Green and Eric Clapton, Moore began his career in the late 1960s when he joined Skid Row, with whom he released two albums. After Moore left the group he joined Thin Lizzy, featuring his former Skid Row bandmate and frequent collaborator Phil Lynott. Moore began his solo career in the 1970s and achieved major success with 1979's "Parisienne Walkways", which is considered his signature song. During the 1980s, Moore transitioned into playing hard rock and heavy metal with varying degrees of international success. In 1990, he returned to his roots with Still Got the Blues, which became the most successful album of his career. Moore continued to release new music throughout his later career, collaborating with other artists from time to time. Moore died on 6 February 2011 from a heart attack while on holiday in Spain.
Moore was often described as a virtuoso and has been cited as an influence by many other guitar players. He was voted as one of the greatest guitarists of all time on respective lists by Total Guitar and Louder. Irish singer-songwriter Bob Geldof said that "without question, [Moore] was one of the great Irish bluesmen". For most of his career, Moore was heavily associated with Peter Green's famed 1959 Gibson Les Paul guitar. Later he was honoured by Gibson and Fender with several signature model guitars.</artistdesc>
  <label>VirginVirgin</label>
</album>