Following a holiday album (2013's Snow Globe) with this "return to form" album means veteran duo Erasure are now on the cliched career revival path for aging pop stars, but maybe it's just by chance. Make that "likely," as The Violet Flame gets right down to dancey, inspired business on its opening "Dead of Night," a track that pumps with the beat of any given single off the duo's great 1989 album Wild!. Classic lyrics from Andy Bell speak to the morality play that club night can be ("Too many times you're forgiven/Now you cry like you're the victim") then the chorus is like a pair of bright red cha-cha heels (a joyful stuttering of "D-d-d-dead of night") that won't be ignored. If hearing Bell in his Maleficent costume is a decadent kind of delicious, he's still an excellent Sleeping Beauty as well, as the pumping "Paradise" welcomes a new soul mate with open arms and open heart. Synth man Vince Clarke is simpatico in these back-to-the-future surroundings, as the great "Be the One" sounds like he plundered the computer and found some early sketches of Yaz's "Only You." while "Under the Wave" could be seamlessly mixed with all the minimal bleeping and blooping on Depeche Mode's debut album Speak & Spell, also known as Clarke's last hurrah with the band. The big anthem this time out is "Elevation," a cut with the simplicity of Robin S's "Show Me Love" and lyrics preaching freedom to the dancing masses ("It makes you kinda wonder, what are we supposed to do/When the fate of many, is guided by the hand of few/Who-o-oa."), then there's the closing "Stayed a Little Late Last Night" and the heart-breaking "Smoke and Mirrors," both serving the roles of a soul-filling number that sticks to the bones. With all the elements in place, the late-era The Violet Flame sits on the top shelf of Erasure albums, and considering all the greatness in the back catalog, that's no easy task.Following a holiday album (2013's Snow Globe) with this "return to form" album means veteran duo Erasure are now on the cliched career revival path for aging pop stars, but maybe it's just by chance. Make that "likely," as The Violet Flame gets right down to dancey, inspired business on its opening "Dead of Night," a track that pumps with the beat of any given single off the duo's great 1989 album Wild!. Classic lyrics from Andy Bell speak to the morality play that club night can be ("Too many times you're forgiven/Now you cry like you're the victim") then the chorus is like a pair of bright red cha-cha heels (a joyful stuttering of "D-d-d-dead of night") that won't be ignored. If hearing Bell in his Maleficent costume is a decadent kind of delicious, he's still an excellent Sleeping Beauty as well, as the pumping "Paradise" welcomes a new soul mate with open arms and open heart. Synth man Vince Clarke is simpatico in these back-to-the-future surroundings, as the great "Be the One" sounds like he plundered the computer and found some early sketches of Yaz's "Only You." while "Under the Wave" could be seamlessly mixed with all the minimal bleeping and blooping on Depeche Mode's debut album Speak & Spell, also known as Clarke's last hurrah with the band. The big anthem this time out is "Elevation," a cut with the simplicity of Robin S's "Show Me Love" and lyrics preaching freedom to the dancing masses ("It makes you kinda wonder, what are we supposed to do/When the fate of many, is guided by the hand of few/Who-o-oa."), then there's the closing "Stayed a Little Late Last Night" and the heart-breaking "Smoke and Mirrors," both serving the roles of a soul-filling number that sticks to the bones. With all the elements in place, the late-era The Violet Flame sits on the top shelf of Erasure albums, and considering all the greatness in the back catalog, that's no easy task.false2022-12-19 09:20:37The Violet Flame620142014-01-012014-01-0138ElectronicPopSynth-Pop1122332224901118f79bf-9f34-4ca1-94ff-f0552015f72843b58c98-3779-4b04-9a23-1c95cca3a145eb810d70-57d0-443b-a6dc-16c8f48adb84/media/data/media5/Music/Erasure/The Violet Flame (2014)/folder.jpgErasureAlbumArtistErasureArtistErasureErasureErasure () is an English synth-pop duo formed in London in 1984, consisting of lead vocalist and songwriter Andy Bell with songwriter, producer and keyboardist Vince Clarke, previously co-founder of the band Depeche Mode and a member of synth-pop duo Yazoo. From their fourth single, "Sometimes" (1986), Erasure established themselves on the UK Singles Chart, becoming one of the most successful acts of the mid-1980s to the mid-1990s. From 1986 to 2007, the pair achieved 24 consecutive top-40 entries in the UK singles chart. By 2009, 34 of their 37 chart-eligible singles and EPs had made the UK top 40, including 17 climbing into the top 10. At the 1989 Brit Awards, Erasure won the Brit Award for Best British Group.
Erasure made their debut with the studio album Wonderland in 1986, however it did not perform well chart-wise. With their second release The Circus the following year in 1987 came major success, the album reaching UK number 6 and spawning four top-20 singles. Their third studio album, The Innocents released in 1988, was a number one and was followed the same year by the Christmas EP Crackers International peaking at number 2. The Innocents was the first in a string of albums to place in the top spot, with their next five long-form releases also reaching the pole position of the UK Albums Chart: the albums Wild! (1989) and the Mercury Prize nominated Chorus (1991), the ABBA tribute EP Abba-esque (1992), the compilation Pop! The First 20 Hits (1992), then the studio album I Say I Say I Say (1994).
Erasure's songs from albums of this period include "Oh L'amour", "Sometimes", "Victim of Love", "The Circus", "Ship of Fools", "Chains of Love", "A Little Respect", "Stop!", "Drama!", "Blue Savannah", "Star", "Chorus", "Love to Hate You", "Breath of Life", "Always" and "Run to the Sun".
Overall in their career, Erasure have written over 200 songs and have sold over 28 million albums worldwide.