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<album>
  <review>After releasing the hugely popular but artistically underwhelming Views in 2016, Drake went back to the mixtape approach for his next release, 2017's More Life. Over the course of 22 songs and almost an hour and a half of music, Drake shows again why he's one of the most frustrating rappers in the world. The main problem is that he's a better hip-hop-inspired R&amp;B singer than he is an R&amp;B-inspired rapper, but he refuses to acknowledge it. Listening to track after track of molasses-slow trap featuring Drake going on about how once he was on the bottom and now is firmly cemented at the top is tiresome at best, painful at worst. He only really comes to life on the songs where he drops the hard façade and lets some of his emotion show through, like the lovely island-inflected groover "Get It Together," which features Jorja Smith killing it in the role often occupied by Rihanna, or the dark-night-of-the-soul ballad "Nothings into Somethings," which balances his intimate crooning with introspective rapping. The bubbling "Passionfruit" is Drake at his smooth, melancholy best, showing off his skill at creating surprising melodies and entrancing atmosphere. These moments are too few and far between and most of the record sits right in the center of the rut Drake has dug for himself over the years. There are some tracks that break free of the boredom and show some kind of pulse -- usually the tracks where guests drop by and add their skills to the mix. Young Thug, in particular. His dramatic rapping and outsized persona put Drake to shame on "Ice Melts." He's Technicolor, while Drake is various shades of gray. That track and Sampha's feature ("4422"), where the singer gets deeper emotionally than Drake ever has, don't do Drake any favors. They only serve to showcase his flaws and make it clear that More Life is another overly serious, musically uninteresting effort. The few choice tracks, high-profile guests, and occasional stylistic shifts aren't enough to keep More Life from being another disappointing release. That it proved immensely popular upon its release will only serve to reinforce his misguided belief that he's the best rapper around.</review>
  <outline>After releasing the hugely popular but artistically underwhelming Views in 2016, Drake went back to the mixtape approach for his next release, 2017's More Life. Over the course of 22 songs and almost an hour and a half of music, Drake shows again why he's one of the most frustrating rappers in the world. The main problem is that he's a better hip-hop-inspired R&amp;B singer than he is an R&amp;B-inspired rapper, but he refuses to acknowledge it. Listening to track after track of molasses-slow trap featuring Drake going on about how once he was on the bottom and now is firmly cemented at the top is tiresome at best, painful at worst. He only really comes to life on the songs where he drops the hard façade and lets some of his emotion show through, like the lovely island-inflected groover "Get It Together," which features Jorja Smith killing it in the role often occupied by Rihanna, or the dark-night-of-the-soul ballad "Nothings into Somethings," which balances his intimate crooning with introspective rapping. The bubbling "Passionfruit" is Drake at his smooth, melancholy best, showing off his skill at creating surprising melodies and entrancing atmosphere. These moments are too few and far between and most of the record sits right in the center of the rut Drake has dug for himself over the years. There are some tracks that break free of the boredom and show some kind of pulse -- usually the tracks where guests drop by and add their skills to the mix. Young Thug, in particular. His dramatic rapping and outsized persona put Drake to shame on "Ice Melts." He's Technicolor, while Drake is various shades of gray. That track and Sampha's feature ("4422"), where the singer gets deeper emotionally than Drake ever has, don't do Drake any favors. They only serve to showcase his flaws and make it clear that More Life is another overly serious, musically uninteresting effort. The few choice tracks, high-profile guests, and occasional stylistic shifts aren't enough to keep More Life from being another disappointing release. That it proved immensely popular upon its release will only serve to reinforce his misguided belief that he's the best rapper around.</outline>
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  <dateadded>2022-10-22 09:53:05</dateadded>
  <title>More Life</title>
  <rating>6</rating>
  <year>2017</year>
  <premiered>2017-03-18</premiered>
  <releasedate>2017-03-18</releasedate>
  <runtime>82</runtime>
  <genre>Contemporary R&amp;B</genre>
  <genre>Hip Hop</genre>
  <genre>Pop</genre>
  <genre>Pop Rap</genre>
  <audiodbartistid>111718</audiodbartistid>
  <audiodbalbumid>2278889</audiodbalbumid>
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  <musicbrainzreleasegroupid>d039390b-2452-4a5c-9b2b-32e5e80f15e0</musicbrainzreleasegroupid>
  <art>
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  <actor>
    <name>Drake</name>
    <type>AlbumArtist</type>
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  <actor>
    <name>Drake</name>
    <type>Artist</type>
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  <artist>Drake</artist>
  <albumartist>Drake</albumartist>
  <track>
    <position>1</position>
    <title>Free Smoke</title>
    <duration>03:39</duration>
  </track>
  <track>
    <position>2</position>
    <title>No Long Talk</title>
    <duration>02:28</duration>
  </track>
  <track>
    <position>3</position>
    <title>Passionfruit</title>
    <duration>04:58</duration>
  </track>
  <track>
    <position>4</position>
    <title>Jorja Interlude</title>
    <duration>01:47</duration>
  </track>
  <track>
    <position>5</position>
    <title>Get It Together</title>
    <duration>04:10</duration>
  </track>
  <track>
    <position>6</position>
    <title>Madiba Riddim</title>
    <duration>03:25</duration>
  </track>
  <track>
    <position>7</position>
    <title>Blem</title>
    <duration>03:36</duration>
  </track>
  <track>
    <position>8</position>
    <title>4422</title>
    <duration>03:06</duration>
  </track>
  <track>
    <position>9</position>
    <title>Gyalchester</title>
    <duration>03:09</duration>
  </track>
  <track>
    <position>10</position>
    <title>Skepta Interlude</title>
    <duration>02:22</duration>
  </track>
  <track>
    <position>11</position>
    <title>Portland</title>
    <duration>03:56</duration>
  </track>
  <track>
    <position>12</position>
    <title>Sacrifices</title>
    <duration>05:07</duration>
  </track>
  <track>
    <position>13</position>
    <title>Nothings Into Somethings</title>
    <duration>02:33</duration>
  </track>
  <track>
    <position>14</position>
    <title>Teenage Fever</title>
    <duration>03:39</duration>
  </track>
  <track>
    <position>15</position>
    <title>KMT</title>
    <duration>02:42</duration>
  </track>
  <track>
    <position>16</position>
    <title>Lose You</title>
    <duration>05:05</duration>
  </track>
  <track>
    <position>17</position>
    <title>Can’t Have Everything</title>
    <duration>03:48</duration>
  </track>
  <track>
    <position>18</position>
    <title>Glow</title>
    <duration>03:26</duration>
  </track>
  <track>
    <position>19</position>
    <title>Since Way Back</title>
    <duration>06:08</duration>
  </track>
  <track>
    <position>20</position>
    <title>Fake Love</title>
    <duration>03:30</duration>
  </track>
  <track>
    <position>21</position>
    <title>Ice Melts</title>
    <duration>04:10</duration>
  </track>
  <track>
    <position>22</position>
    <title>Do Not Disturb</title>
    <duration>04:42</duration>
  </track>
  <artistdesc>Aubrey Drake Graham ( aub-REE; born October 24, 1986) is a Canadian rapper, singer, and actor. An influential figure in contemporary popular music, Drake has been credited for popularizing singing and R&amp;B sensibilities in hip hop. Gaining recognition by starring as Jimmy Brooks in the CTV teen drama series Degrassi: The Next Generation (2001–08), Drake pursued a career in music releasing his debut mixtape Room for Improvement in 2006; he released the mixtapes Comeback Season (2007) and So Far Gone (2009) before signing with Young Money Entertainment.Drake's first three albums, Thank Me Later (2010), Take Care (2011) and Nothing Was the Same (2013), were all critical successes and propelled him to the forefront of hip hop. His fourth album, Views (2016), saw exploration of dancehall and stood atop the Billboard 200 for 13 non-consecutive weeks, making it the first album by a male artist to do so in over a decade, and featured the chart record-setting lead single "One Dance". In 2018, Drake released the double album Scorpion, which contained the Billboard Hot 100 number-one singles "God's Plan", "Nice for What", and "In My Feelings". Drake's widely anticipated sixth album, Certified Lover Boy (2021), achieved nine top 10 hits on the Hot 100, setting the record for most US top-ten hits from one album, with its lead single "Way 2 Sexy" reaching number one. In 2022, Drake released the house-inspired album Honestly, Nevermind (2022). Known for frequent accompanying releases to his albums, Drake has also achieved critical and commercial success with the mixtapes If You're Reading This It's Too Late (2015), the Future-collaborated What a Time to Be Alive (2015), More Life (2017), and Dark Lane Demo Tapes (2020).
As an entrepreneur, Drake founded the OVO Sound record label with longtime collaborator 40 in 2012. In 2013, Drake became the new "global ambassador" of the Toronto Raptors, joining the executive committee of the NBA franchise, while owning naming rights to its practice facility. In 2016, he began collaborating with American entrepreneur Brent Hocking on the bourbon whiskey Virginia Black; it eventually broke sale records in Canada. Drake is also a fashion designer, most notably a sub-label collaboration with Nike, alongside other business ventures, including entertainment production and a fragrance house. In 2018, Drake was reportedly responsible for 5 percent (CAD$440 million) of Toronto's CAD$8.8 billion annual tourism income.Among the world's best-selling music artists, with over 170 million records sold, Drake is ranked as the highest-certified digital singles artist in the United States by the RIAA. He has won four Grammy Awards, six American Music Awards, a record 34 Billboard Music Awards, two Brit Awards, and three Juno Awards. Drake has achieved 10 number-one hits on the Billboard Hot 100 and holds further Hot 100 records; he has the most top 10 singles (54), the most charted songs (258), the most simultaneously charted songs in one week (27), the most Hot 100 debuts in one week (22), and the most continuous time on the Hot 100 (431 weeks). He additionally has the most number-one singles on the R&amp;B/Hip-Hop Airplay, Hot R&amp;B/Hip-Hop Songs, Hot Rap Songs, and Rhythmic Airplay charts.</artistdesc>
  <label>Cash Money RecordsUniversal RecordsYoung Money Entertainment</label>
</album>