﻿<?xml version="1.0" encoding="utf-8" standalone="yes"?>
<album>
  <review>From the Cradle to Enslave is the second EP by English extreme metal band Cradle of Filth, and first release following their 1998 studio album Cruelty and the Beast. It contains two original compositions: the title track and "Of Dark Blood and Fucking". The rest of the disc consists of two cover versions and a re-recording of a track from the album Dusk... and Her Embrace.

The album was recorded during a period of upheaval for the band, with Gian Pyres and Nicholas Barker leaving prior to its release (Pyres would return for the recording of Midian) and Stuart Anstis and Les Smith departing the band soon afterwards.

The EP was reissued in 2012 by The End Records.</review>
  <outline>From the Cradle to Enslave is the second EP by English extreme metal band Cradle of Filth, and first release following their 1998 studio album Cruelty and the Beast. It contains two original compositions: the title track and "Of Dark Blood and Fucking". The rest of the disc consists of two cover versions and a re-recording of a track from the album Dusk... and Her Embrace.

The album was recorded during a period of upheaval for the band, with Gian Pyres and Nicholas Barker leaving prior to its release (Pyres would return for the recording of Midian) and Stuart Anstis and Les Smith departing the band soon afterwards.

The EP was reissued in 2012 by The End Records.</outline>
  <lockdata>false</lockdata>
  <dateadded>0001-01-01 00:00:00</dateadded>
  <title>From the Cradle to Enslave E.P.</title>
  <year>2006</year>
  <premiered>2006-01-01</premiered>
  <releasedate>2006-01-01</releasedate>
  <runtime>32</runtime>
  <country />
  <genre>Black Metal;Death Metal;Electronic;Gothic Metal;Melodic Black Metal;Punk;Rock;Symphonic Black Metal;Techno</genre>
  <studio />
  <audiodbartistid>112117</audiodbartistid>
  <audiodbalbumid>2162831</audiodbalbumid>
  <musicbrainzalbumid>08b44716-ccc6-31cc-bc13-63c251bc0f05</musicbrainzalbumid>
  <musicbrainzalbumartistid>7e26cbe1-b8f5-4215-af82-e43d5f8ff308</musicbrainzalbumartistid>
  <musicbrainzreleasegroupid>cab6eb2a-b093-39cf-a6a0-f7461e3f8ff5</musicbrainzreleasegroupid>
  <art>
    <poster>/media/data/media5/Music/Cradle of Filth/From the Cradle to Enslave E.P. (1999)/folder.jpg</poster>
  </art>
  <artist>Cradle of Filth</artist>
  <albumartist>Cradle of Filth</albumartist>
  <track>
    <disc>1</disc>
    <position>1</position>
    <title>From the Cradle to Enslave</title>
    <duration>06:37</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>2</position>
    <title>Of Dark Blood and Fucking</title>
    <duration>06:02</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>3</position>
    <title>Death Comes Ripping</title>
    <duration>01:57</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>4</position>
    <title>Sleepless</title>
    <duration>04:19</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>5</position>
    <title>Perverts Church (From the Cradle to Deprave)</title>
    <duration>04:58</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>6</position>
    <title>Funeral in Carpathia (Be Quick or Be Dead version)</title>
    <duration>08:08</duration>
  </track>
  <artistdesc>Cradle of Filth are an English extreme metal band formed in Suffolk in 1991. The band's musical style evolved originally from black metal to a cleaner and more "produced" amalgam of gothic metal, symphonic metal and other metal genres. Their lyrical themes and imagery are heavily influenced by Gothic literature, poetry, mythology and horror films. The band consists of its founding member, vocalist Dani Filth, drummer Martin "Marthus" Škaroupka, bassist Daniel Firth, guitarists Marek "Ashok" Šmerda and Donny Burbage, and keyboardist Zoe Marie Federoff.
The band has broken free from its original niche by courting mainstream publicity. This increased accessibility has brought coverage from the likes of Kerrang! and MTV, along with frequent main stage appearances at major festivals such as Ozzfest, Download and even the mainstream Sziget Festival. They have sometimes been perceived as Satanic by casual observers, even though their lyrical references to Satanism are few and far between; their use of Satanic imagery has arguably always been more for shock value than any seriously held beliefs.

</artistdesc>
  <label>Sony BMG Music Entertainment</label>
</album>