Dusk... and Her Embrace is the second studio album by English extreme metal band Cradle of Filth. It was released on 19 November 1996 and is their first release on the label Music for Nations. The album was reissued in 2012 by The End Records. Dusk... and Her Embrace is the second studio album by English extreme metal band Cradle of Filth. It was released on 19 November 1996 and is their first release on the label Music for Nations. The album was reissued in 2012 by The End Records. false 2022-11-12 19:35:45 Dusk and Her Embrace 9.1 2001 2001-07-10 2001-07-10 52 Black Metal Gothic Metal Metal Rock Symphonic Black Metal Symphonic Metal 112117 2116351 03408b75-3c23-36a1-81d3-65f653a9b67a 7e26cbe1-b8f5-4215-af82-e43d5f8ff308 9e62aa69-ea65-3670-9c79-83ba0e01e783 /media/data/media5/Music/Cradle of Filth/Dusk and Her Embrace (1996)/folder.jpg Cradle of Filth AlbumArtist Cradle of Filth Artist Cradle of Filth Cradle of Filth 1 Humana Inspired to Nightmare 01:21 2 Heaven Torn Asunder 06:59 3 Funeral in Carpathia 08:17 4 A Gothic Romance (Red Roses for the Devil’s Whore) 08:27 5 Malice Through the Looking Glass 05:27 6 Dusk and Her Embrace 06:03 7 The Graveyard by Moonlight 02:26 8 Beauty Slept in Sodom 06:22 9 Haunted Shores 06:57 Cradle of Filth are an English extreme metal band formed in Suffolk in 1991. The band's musical style evolved originally from black metal to a cleaner and more "produced" amalgam of gothic metal, symphonic metal and other metal genres. Their lyrical themes and imagery are heavily influenced by Gothic literature, poetry, mythology and horror films. The band consists of its founding member, vocalist Dani Filth, drummer Martin 'Marthus' Škaroupka, bassist Daniel Firth, guitarists Marek 'Ashok' Šmerda and Donny Burbage, and keyboardist Zoe Marie Federoff. The band has broken free from its original niche by courting mainstream publicity. This increased accessibility has brought coverage from the likes of Kerrang! and MTV, along with frequent main stage appearances at major festivals such as Ozzfest, Download and even the mainstream Sziget Festival. They have sometimes been perceived as Satanic by casual observers, even though their outright lyrical references to Satanism are few and far between; their use of Satanic imagery has arguably always been more for shock value than any seriously held beliefs.