﻿<?xml version="1.0" encoding="utf-8" standalone="yes"?>
<album>
  <review>Throughout the '80s, Cocteau Twins created some of the most beautiful and innovative music of the decade. Liz Fraser's uncanny, gossamer voice and Robin Guthrie's shimmery guitar work both garnered acclaim and inspired bands. Milk &amp; Kisses finds the band in a comfortable rut; they've created, and now perfected, a style of music so distinctive that there seems to be little recent creative growth. The result is a beautiful, lush, but somewhat dated and unengaging sounding album that tends to wash over the listener without making any real impact. It is, however, everything that a Cocteau Twins album promises; hypnotic, dreamy, awash in ethereal voices, and delicate, liquid guitars. "Tishbite" in particular delivers an accessible dream pop sound that sounds nice while it's playing but fails to have anything really memorable about it, a problem that plagues most of Milk &amp; Kisses. "Half-Gifts," "Rilkean Heart," and "Treasure Hiding" have an airy, otherwordly prettiness to them -- but that's about it. Necessary for Cocteau Twins diehards and potentially interesting to those that have never heard the band before, Milk &amp; Kisses says nothing, but says it beautifully.</review>
  <outline>Throughout the '80s, Cocteau Twins created some of the most beautiful and innovative music of the decade. Liz Fraser's uncanny, gossamer voice and Robin Guthrie's shimmery guitar work both garnered acclaim and inspired bands. Milk &amp; Kisses finds the band in a comfortable rut; they've created, and now perfected, a style of music so distinctive that there seems to be little recent creative growth. The result is a beautiful, lush, but somewhat dated and unengaging sounding album that tends to wash over the listener without making any real impact. It is, however, everything that a Cocteau Twins album promises; hypnotic, dreamy, awash in ethereal voices, and delicate, liquid guitars. "Tishbite" in particular delivers an accessible dream pop sound that sounds nice while it's playing but fails to have anything really memorable about it, a problem that plagues most of Milk &amp; Kisses. "Half-Gifts," "Rilkean Heart," and "Treasure Hiding" have an airy, otherwordly prettiness to them -- but that's about it. Necessary for Cocteau Twins diehards and potentially interesting to those that have never heard the band before, Milk &amp; Kisses says nothing, but says it beautifully.</outline>
  <lockdata>false</lockdata>
  <dateadded>2025-11-12 06:42:04</dateadded>
  <title>Milk &amp; Kisses</title>
  <year>1996</year>
  <premiered>1996-01-01</premiered>
  <releasedate>1996-01-01</releasedate>
  <runtime>43</runtime>
  <country />
  <genre>Rock</genre>
  <studio />
  <audiodbartistid>119342</audiodbartistid>
  <audiodbalbumid>2160333</audiodbalbumid>
  <musicbrainzalbumid>a322bdb6-7ad9-4491-b51a-9c5fc620b7dd</musicbrainzalbumid>
  <musicbrainzalbumartistid>000fc734-b7e1-4a01-92d1-f544261b43f5</musicbrainzalbumartistid>
  <musicbrainzreleasegroupid>9054feb0-becb-3525-ae6e-a1c0f2b92e3f</musicbrainzreleasegroupid>
  <art>
    <poster>/media/data/media5/Music/Cocteau Twins/Milk &amp; Kisses/folder.jpg</poster>
  </art>
  <artist>Cocteau Twins</artist>
  <albumartist>Cocteau Twins</albumartist>
  <track>
    <disc>1</disc>
    <position>1</position>
    <title>Violaine</title>
    <duration>03:48</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>2</position>
    <title>Serpentskirt</title>
    <duration>03:59</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>3</position>
    <title>Tishbite</title>
    <duration>03:54</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>4</position>
    <title>Half‐Gifts</title>
    <duration>04:21</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>5</position>
    <title>Calfskin Smack</title>
    <duration>05:01</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>6</position>
    <title>Rilkean Heart</title>
    <duration>04:05</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>7</position>
    <title>Ups</title>
    <duration>03:39</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>8</position>
    <title>Eperdu</title>
    <duration>04:44</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>9</position>
    <title>Treasure Hiding</title>
    <duration>04:56</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>10</position>
    <title>Seekers Who Are Lovers</title>
    <duration>04:39</duration>
  </track>
  <artistdesc>Cocteau Twins were a Scottish rock band active from 1979 to 1997. They were formed in Grangemouth by Robin Guthrie (guitars, drum machine) and Will Heggie (bass), adding Elizabeth Fraser (vocals) in 1981 and replacing Heggie with multi-instrumentalist Simon Raymonde in 1983. The group earned critical praise for their ethereal, effects-laden sound and the soprano vocals of Fraser, whose lyrics often eschew any recognisable language. Fraser's vocals included unknown words she found in foreign language books, adding to the band's dreamy ambience. They pioneered the 1980s alternative subgenre of dream pop and helped define what would become shoegaze.
They signed with the record label 4AD in 1982 and released their debut album Garlands. The addition of Raymonde in 1983 solidified their final lineup, which produced their biggest hit in the UK, "Pearly-Dewdrops' Drops", peaking at No. 29 on the UK Singles Chart. In 1988 Cocteau Twins signed with Capitol Records in the United States, distributing their fifth album, Blue Bell Knoll, through a major label in the country. After the 1990 release of their most commercially successful album, Heaven or Las Vegas, the band left 4AD for Fontana Records, where they released their final two albums. 
After nearly 20 years together, the band disbanded in 1997 in part due to issues stemming from the disintegration of Fraser and Guthrie's romantic relationship. In 2005 the band announced that they would reunite to headline Coachella Festival and embark on a world tour but the reunion was cancelled a month later after Fraser "couldn’t bring herself to work with Guthrie". In a 2021 interview, Raymonde claimed that Cocteau Twins "will never reform".</artistdesc>
  <label>FontanaMercury Records</label>
</album>