The Bootleg Series Vol. 6: Bob Dylan Live 1964, Concert at Philharmonic Hall is a complete recording of Bob Dylan's October 31, 1964 "Halloween" show at New York's Philharmonic Hall. It was released in 2004. The set list was dominated by Dylan’s protest songs, including "The Times They Are a-Changin’," "A Hard Rain’s a-Gonna Fall," and "The Lonesome Death of Hattie Carroll". Joan Baez, a major supporter of Dylan's in his early career, duets with Dylan on three songs, as well as singing another alone ("Silver Dagger"). However, Dylan performed these songs alongside early versions of three songs from the soon-to-be-recorded Bringing It All Back Home. New compositions like "It’s Alright Ma (I’m Only Bleeding)" and "Mr. Tambourine Man" showed Dylan moving in a new direction, becoming more immersed in evocative, stream-of-consciousness lyrics and moving away from social, topical songwriting. Even as he was moving in this new direction, Dylan was still portrayed as a symbol of the civil rights and anti-war movements, and the Halloween concert of 1964 caught Dylan in transition. The album debuted on the Billboard 200 album chart on April 17, 2004 at number 28. It spent 4 weeks on the chart. It also reached number 33 in the U.K. The Bootleg Series Vol. 6: Bob Dylan Live 1964, Concert at Philharmonic Hall is a complete recording of Bob Dylan's October 31, 1964 "Halloween" show at New York's Philharmonic Hall. It was released in 2004. The set list was dominated by Dylan’s protest songs, including "The Times They Are a-Changin’," "A Hard Rain’s a-Gonna Fall," and "The Lonesome Death of Hattie Carroll". Joan Baez, a major supporter of Dylan's in his early career, duets with Dylan on three songs, as well as singing another alone ("Silver Dagger"). However, Dylan performed these songs alongside early versions of three songs from the soon-to-be-recorded Bringing It All Back Home. New compositions like "It’s Alright Ma (I’m Only Bleeding)" and "Mr. Tambourine Man" showed Dylan moving in a new direction, becoming more immersed in evocative, stream-of-consciousness lyrics and moving away from social, topical songwriting. Even as he was moving in this new direction, Dylan was still portrayed as a symbol of the civil rights and anti-war movements, and the Halloween concert of 1964 caught Dylan in transition. The album debuted on the Billboard 200 album chart on April 17, 2004 at number 28. It spent 4 weeks on the chart. It also reached number 33 in the U.K. false 2022-08-11 11:42:23 2004 2004-01-01 2004-01-01 3 Blues Rock Country Rock Folk Rock Rock 111326 2143522 030d4baf-53b3-4d5e-8f70-2b1af0804c9b 72c536dc-7137-4477-a521-567eeb840fa8 a7a11770-e2e5-38a3-8c5b-9280d65dd9a5 /media/data/media5/Music/Bob Dylan/The Bootleg Series, Vol. 6_ Bob Dylan Live 1964 - Concert at Philharmonic Hall/folder.jpg Bob Dylan AlbumArtist /config/metadata/People/B/Bob Dylan/folder.jpg Bob Dylan Artist /config/metadata/People/B/Bob Dylan/folder.jpg Bob Dylan Bob Dylan 8 02:47