﻿<?xml version="1.0" encoding="utf-8" standalone="yes"?>
<album>
  <review>Blonde on Blonde is the seventh studio album by American singer-songwriter Bob Dylan, released on May 16, 1966 on Columbia Records. Recording sessions began in New York in October 1965 with numerous backing musicians, including members of Dylan's live backing band, The Hawks. Though sessions continued until January 1966, they yielded only one track that made it onto the final album—"One of Us Must Know (Sooner or Later)". At producer Bob Johnston's suggestion, Dylan, keyboardist Al Kooper, and guitarist Robbie Robertson moved to the CBS studios in Nashville, Tennessee. These sessions, augmented by some of Nashville's top session musicians, were more fruitful, and in February and March all the remaining songs for the album were recorded.

Blonde on Blonde completed the trilogy of rock albums that Dylan recorded in 1965 and 1966, starting with Bringing It All Back Home and Highway 61 Revisited. Critics often rank Blonde on Blonde as one of the greatest albums of all time. Combining the expertise of Nashville session musicians with a modernist literary sensibility, the album's songs have been described as operating on a grand scale musically, while featuring lyrics one critic called "a unique blend of the visionary and the colloquial". It was one of the first double albums in rock music.

The album peaked at No. 9 on the Billboard 200 chart in the USA, where it eventually went double-platinum, and reached No. 3 in the UK. Blonde on Blonde spawned two singles that were top twenty hits in the USA: "Rainy Day Women #12 &amp; 35" and "I Want You". Two further songs, "Just Like a Woman" and "Visions of Johanna", have been described as among Dylan's greatest compositions and were featured in Rolling Stone's 500 Greatest Songs of All Time list.</review>
  <outline>Blonde on Blonde is the seventh studio album by American singer-songwriter Bob Dylan, released on May 16, 1966 on Columbia Records. Recording sessions began in New York in October 1965 with numerous backing musicians, including members of Dylan's live backing band, The Hawks. Though sessions continued until January 1966, they yielded only one track that made it onto the final album—"One of Us Must Know (Sooner or Later)". At producer Bob Johnston's suggestion, Dylan, keyboardist Al Kooper, and guitarist Robbie Robertson moved to the CBS studios in Nashville, Tennessee. These sessions, augmented by some of Nashville's top session musicians, were more fruitful, and in February and March all the remaining songs for the album were recorded.

Blonde on Blonde completed the trilogy of rock albums that Dylan recorded in 1965 and 1966, starting with Bringing It All Back Home and Highway 61 Revisited. Critics often rank Blonde on Blonde as one of the greatest albums of all time. Combining the expertise of Nashville session musicians with a modernist literary sensibility, the album's songs have been described as operating on a grand scale musically, while featuring lyrics one critic called "a unique blend of the visionary and the colloquial". It was one of the first double albums in rock music.

The album peaked at No. 9 on the Billboard 200 chart in the USA, where it eventually went double-platinum, and reached No. 3 in the UK. Blonde on Blonde spawned two singles that were top twenty hits in the USA: "Rainy Day Women #12 &amp; 35" and "I Want You". Two further songs, "Just Like a Woman" and "Visions of Johanna", have been described as among Dylan's greatest compositions and were featured in Rolling Stone's 500 Greatest Songs of All Time list.</outline>
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  <dateadded>2022-09-08 18:12:57</dateadded>
  <title>Blonde on Blonde</title>
  <rating>8.4</rating>
  <year>2014</year>
  <premiered>2014-01-01</premiered>
  <releasedate>2014-01-01</releasedate>
  <runtime>73</runtime>
  <genre>Blues Rock</genre>
  <genre>Contemporary Folk</genre>
  <genre>Folk</genre>
  <genre>Folk Rock</genre>
  <genre>Rock</genre>
  <audiodbartistid>111326</audiodbartistid>
  <audiodbalbumid>2110905</audiodbalbumid>
  <musicbrainzalbumid>6cf0da93-9689-412d-b8ad-5c656c1ba970</musicbrainzalbumid>
  <musicbrainzalbumartistid>72c536dc-7137-4477-a521-567eeb840fa8</musicbrainzalbumartistid>
  <musicbrainzreleasegroupid>329fb554-2a81-3d8a-8e22-ec2c66810019</musicbrainzreleasegroupid>
  <art>
    <poster>/media/data/media5/Music/Bob Dylan/Blonde on Blonde (1966)/folder.jpg</poster>
  </art>
  <actor>
    <name>Bob Dylan</name>
    <type>AlbumArtist</type>
    <thumb>/config/metadata/People/B/Bob Dylan/folder.jpg</thumb>
  </actor>
  <actor>
    <name>Bob Dylan</name>
    <type>Artist</type>
    <thumb>/config/metadata/People/B/Bob Dylan/folder.jpg</thumb>
  </actor>
  <artist>Bob Dylan</artist>
  <albumartist>Bob Dylan</albumartist>
  <track>
    <position>1</position>
    <title>Rainy Day Women #12 &amp; 35</title>
    <duration>04:37</duration>
  </track>
  <track>
    <position>2</position>
    <title>Pledging My Time</title>
    <duration>03:50</duration>
  </track>
  <track>
    <position>3</position>
    <title>Visions of Johanna</title>
    <duration>07:34</duration>
  </track>
  <track>
    <position>4</position>
    <title>One of Us Must Know (Sooner or Later)</title>
    <duration>04:55</duration>
  </track>
  <track>
    <position>5</position>
    <title>I Want You</title>
    <duration>03:08</duration>
  </track>
  <track>
    <position>6</position>
    <title>Stuck Inside of Mobile With the Memphis Blues Again</title>
    <duration>07:06</duration>
  </track>
  <track>
    <position>7</position>
    <title>Leopard‐Skin Pill‐Box Hat</title>
    <duration>03:58</duration>
  </track>
  <track>
    <position>8</position>
    <title>Just Like a Woman</title>
    <duration>04:53</duration>
  </track>
  <track>
    <position>9</position>
    <title>Most Likely You Go Your Way (And I’ll Go Mine)</title>
    <duration>03:29</duration>
  </track>
  <track>
    <position>10</position>
    <title>Temporary Like Achilles</title>
    <duration>05:03</duration>
  </track>
  <track>
    <position>11</position>
    <title>Absolutely Sweet Marie</title>
    <duration>04:57</duration>
  </track>
  <track>
    <position>12</position>
    <title>Fourth Time Around</title>
    <duration>04:35</duration>
  </track>
  <track>
    <position>13</position>
    <title>Obviously Five Believers</title>
    <duration>03:35</duration>
  </track>
  <track>
    <position>14</position>
    <title>Sad‐Eyed Lady of the Lowlands</title>
    <duration>11:16</duration>
  </track>
  <artistdesc>Robert Dylan (born Robert Allen Zimmerman; May 24, 1941) is an American singer-songwriter. Often regarded as one of the greatest songwriters of all time, Dylan has been a major figure in popular culture during a career spanning more than 60 years. Much of his most celebrated work dates from the 1960s, when songs such as "Blowin' in the Wind" (1963) and "The Times They Are a-Changin'" (1964) became anthems for the civil rights and antiwar movements. His lyrics during this period incorporated a range of political, social, philosophical, and literary influences, defying pop music conventions and appealing to the burgeoning counterculture.Following his self-titled debut album in 1962, which comprised mainly traditional folk songs, Dylan made his breakthrough as a songwriter with the release of The Freewheelin' Bob Dylan the following year. The album features "Blowin' in the Wind" and the thematically complex "A Hard Rain's a-Gonna Fall". Many of his songs adapted the tunes and phraseology of older folk songs. He went on to release the politically charged The Times They Are a-Changin' and the more lyrically abstract and introspective Another Side of Bob Dylan in 1964. In 1965 and 1966, Dylan drew controversy among folk purists when he adopted electrically amplified rock instrumentation, and in the space of 15 months recorded three of the most important and influential rock albums of the 1960s: Bringing It All Back Home, Highway 61 Revisited (both 1965) and Blonde on Blonde (1966). His six-minute single "Like a Rolling Stone" (1965) expanded commercial and creative boundaries in popular music.In July 1966, a motorcycle accident led to Dylan's withdrawal from touring. During this period, he recorded a large body of songs with members of the Band, who had previously backed him on tour. These recordings were released as the collaborative album The Basement Tapes in 1975. In the late 1960s and early 1970s, Dylan explored country music and rural themes in John Wesley Harding (1967), Nashville Skyline (1969), and New Morning (1970). In 1975, he released Blood on the Tracks, which many saw as a return to form. In the late 1970s, he became a born-again Christian and released a series of albums of contemporary gospel music before returning to his more familiar rock-based idiom in the early 1980s. Dylan's 1997 album Time Out of Mind marked the beginning of a renaissance for his career. He has released five critically acclaimed albums of original material since then, the most recent being Rough and Rowdy Ways (2020). He also recorded a series of three albums in the 2010s comprising versions of traditional American standards, especially songs recorded by Frank Sinatra. Dylan has toured continuously since the late 1980s on what has become known as the Never Ending Tour.Since 1994, Dylan has published eight books of drawings and paintings, and his work has been exhibited in major art galleries. He has sold more than 125 million records, making him one of the best-selling musicians of all time. He has received numerous awards, including the Presidential Medal of Freedom, ten Grammy Awards, a Golden Globe Award and an Academy Award. Dylan has been inducted into the Rock and Roll Hall of Fame, Nashville Songwriters Hall of Fame and the Songwriters Hall of Fame. The Pulitzer Prize Board in 2008 awarded him a special citation for "his profound impact on popular music and American culture, marked by lyrical compositions of extraordinary poetic power". In 2016, Dylan was awarded the Nobel Prize in Literature "for having created new poetic expressions within the great American song tradition".</artistdesc>
  <label>Columbia</label>
</album>