All of Billy Squier's best material is dished out on 16 Strokes, from the simplistic contagiousness of "The Stroke" to the Van Halen-like fervency of "Tied Up." His rock & roll flamboyancy, a mix of hard but not heavy guitar riffs wrapped around spirited just-for-fun three-minute outpourings, was best established through his singles and not the entirety of his albums. Squier's wild, sexually inundated feistiness is best represented here on a compilation, where the sleekness of "Everybody Wants You" is found in the same place as the naughty "She Goes Down." Both "In the Dark" and "My Kinda Lover" from 1981's Don't Say No pop up here, as does his smoothest of songs, "Emotions in Motion" from the album of the same name. His later songs from the early '90s don't include the catchy grandeur or congenial rock hollowness of his first three albums, but their appearance on 16 Strokes is the best place to hear them. Efforts like the bombastic "Don't Say You Love Me" or the transparent sincerity of "Facts of Life" still harbor Squier's greasy vocal approach, but work better here as the conclusion to a singles anthology than as the end of an album's worth of this song type. The keyboard-drenched "Rock Me Tonite" is another highlight here, as is the breakneck pace of "All Night Long," the two best outcrops from 1984's Signs of Life album. This collection may not be as indulgent as his two-disc best-of, but it's more than enough for anyone who's interested.All of Billy Squier's best material is dished out on 16 Strokes, from the simplistic contagiousness of "The Stroke" to the Van Halen-like fervency of "Tied Up." His rock & roll flamboyancy, a mix of hard but not heavy guitar riffs wrapped around spirited just-for-fun three-minute outpourings, was best established through his singles and not the entirety of his albums. Squier's wild, sexually inundated feistiness is best represented here on a compilation, where the sleekness of "Everybody Wants You" is found in the same place as the naughty "She Goes Down." Both "In the Dark" and "My Kinda Lover" from 1981's Don't Say No pop up here, as does his smoothest of songs, "Emotions in Motion" from the album of the same name. His later songs from the early '90s don't include the catchy grandeur or congenial rock hollowness of his first three albums, but their appearance on 16 Strokes is the best place to hear them. Efforts like the bombastic "Don't Say You Love Me" or the transparent sincerity of "Facts of Life" still harbor Squier's greasy vocal approach, but work better here as the conclusion to a singles anthology than as the end of an album's worth of this song type. The keyboard-drenched "Rock Me Tonite" is another highlight here, as is the breakneck pace of "All Night Long," the two best outcrops from 1984's Signs of Life album. This collection may not be as indulgent as his two-disc best-of, but it's more than enough for anyone who's interested.false2025-11-07 21:39:4216 Strokes: The Best of Billy Squier19951995-01-011995-01-0182Hard RockRock1161422156123bd6245eb-c0fe-43d5-a363-3874214a312a3792dcb3-036e-45d6-8ee2-ff8d12c6c6c9eb9e7a98-2851-3a66-8167-803341850bdd/media/data/media5/Music/Billy Squier/16 Strokes_ The Best of Billy Squier/folder.jpgBilly SquierBilly SquierWilliam Haislip Squier (, born May 12, 1950) is an American rock musician and singer who had a string of arena rock and crossover hits in the early 1980s. His best-known songs include "The Stroke", "Lonely Is the Night", "My Kinda Lover", "In the Dark", "Rock Me Tonite", "Everybody Wants You", "Emotions in Motion", "Love Is the Hero", "Don't Say You Love Me" and "The Big Beat". Squier's best-selling album, 1981's Don't Say No, is considered a landmark release within the arena rock genre, bridging the gap between power pop and hard rock.
Described as a personification of early 1980s rock music, Squier's most successful period ranges from 1981 to 1984, during which he had five Top 10 Mainstream Rock hits (two of which were number ones), two Top 20 singles, and three consecutive platinum-selling albums, along with cyclic MTV rotation and radio airplay. Even after falling out from mainstream favor and chart success, which some say is because of the 1984 video for "Rock Me Tonite", Squier has maintained his presence on rock radio and his music used in many films and video games. Squier stepped out of the music business after the 1993 release of Tell the Truth, but he has occasionally continued performing smaller tours and one-off performances.
His 1980 song "The Big Beat" contains one of the most-sampled drum breaks, used by artists such as Run-DMC, Alicia Keys, Jay-Z, UTFO, and Dizzee Rascal. "The Stroke" has also had a fair amount of sampling, most notably in Eminem's 2013 hit "Berzerk".