﻿<?xml version="1.0" encoding="utf-8" standalone="yes"?>
<album>
  <review>One World isn't the first album Billy Ocean has cut since his 1980s peak -- he continued to record, albeit sporadically, in the '90s and beyond -- but this 2020 LP does mark the first time he and producer Barry Eastman have collaborated on new material since their salad days of "Caribbean Queen." Wisely, the pair don't attempt to re-create the splashy, snazzy snap of Ocean's '80s hits. Instead, they settle into an impeccably smooth and mellow groove on One World, sometimes ratcheting up the tempo enough so the proceedings can be called breezy (in the case of "Mystery," it's busy enough to qualify as a club chill-out cut) but usually opting for relaxation instead of celebration. The title nods at the album's unifying theme: Ocean spends much of the album's 12 songs celebrating love and shared bonds. It has a sweet, positive spirit that dovetails nicely with the slick, melodic tunes on One World, music that has just enough of an R&amp;B undercurrent so it could be called soulful but it's otherwise mature pop -- cheerful, good-natured music that's settled, not stuffy.</review>
  <outline>One World isn't the first album Billy Ocean has cut since his 1980s peak -- he continued to record, albeit sporadically, in the '90s and beyond -- but this 2020 LP does mark the first time he and producer Barry Eastman have collaborated on new material since their salad days of "Caribbean Queen." Wisely, the pair don't attempt to re-create the splashy, snazzy snap of Ocean's '80s hits. Instead, they settle into an impeccably smooth and mellow groove on One World, sometimes ratcheting up the tempo enough so the proceedings can be called breezy (in the case of "Mystery," it's busy enough to qualify as a club chill-out cut) but usually opting for relaxation instead of celebration. The title nods at the album's unifying theme: Ocean spends much of the album's 12 songs celebrating love and shared bonds. It has a sweet, positive spirit that dovetails nicely with the slick, melodic tunes on One World, music that has just enough of an R&amp;B undercurrent so it could be called soulful but it's otherwise mature pop -- cheerful, good-natured music that's settled, not stuffy.</outline>
  <lockdata>false</lockdata>
  <dateadded>2025-11-07 23:56:58</dateadded>
  <title>One World</title>
  <year>2020</year>
  <premiered>2020-04-17</premiered>
  <releasedate>2020-04-17</releasedate>
  <runtime>57</runtime>
  <country />
  <genre>Pop</genre>
  <genre>Pop Soul</genre>
  <studio />
  <audiodbartistid>114204</audiodbartistid>
  <audiodbalbumid>2350328</audiodbalbumid>
  <musicbrainzalbumid>df2d71aa-3bff-4114-ba4a-20c59cb045c9</musicbrainzalbumid>
  <musicbrainzalbumartistid>0e422e91-a42a-4b4d-8413-9baff67350f2</musicbrainzalbumartistid>
  <musicbrainzreleasegroupid>a37e1991-34d6-4058-89b3-166586d6737e</musicbrainzreleasegroupid>
  <art>
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  </art>
  <artist>Billy Ocean</artist>
  <albumartist>Billy Ocean</albumartist>
  <track>
    <disc>1</disc>
    <position>1</position>
    <title>We Gotta Find Love</title>
    <duration>04:46</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>2</position>
    <title>Love You More</title>
    <duration>04:27</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>3</position>
    <title>Feel the Love</title>
    <duration>04:40</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>4</position>
    <title>One World</title>
    <duration>04:10</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>5</position>
    <title>When I Saw You</title>
    <duration>04:53</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>6</position>
    <title>Mystery</title>
    <duration>04:57</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>7</position>
    <title>Missing You Everyday</title>
    <duration>04:57</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>8</position>
    <title>Can’t Stand the Pain</title>
    <duration>04:54</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>9</position>
    <title>Betcha Don’t Know</title>
    <duration>04:55</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>10</position>
    <title>All Over the World</title>
    <duration>04:56</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>11</position>
    <title>Daylight</title>
    <duration>05:09</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>12</position>
    <title>Nothing Will Stand in Our Way</title>
    <duration>04:04</duration>
  </track>
  <artistdesc>Leslie Sebastian Charles,  (born 21 January 1950), known professionally as Billy Ocean, is a Trinidad and Tobago-born British recording artist who had a string of R&amp;B international pop hits in the 1970s and 1980s. He was the most popular British R&amp;B singer-songwriter of the early to mid-1980s. After scoring his first four UK Top 20 singles including two No. 2 hits in 1976 and 1977, seven years passed before he accumulated a series of transatlantic successes, including three US No.1's. His 1985 hit "When the Going Gets Tough, the Tough Get Going" reached No. 1 in the UK and No. 2 in the US. In 1985, Ocean won the Grammy Award for Best Male R&amp;B Vocal Performance for his worldwide hit "Caribbean Queen (No More Love on the Run)" and in 1987 was nominated for the Brit Award for Best British Male Artist. His 1988 hit "Get Outta My Dreams, Get into My Car" reached No. 1 in the US and No. 3 in the UK. His 1986 hit "There'll Be Sad Songs (To Make You Cry)" also reached No. 1 in the US.In 2002, the University of Westminster, London, awarded Ocean an honorary doctorate of music. In 2010, Ocean was presented with the Lifetime Achievement Award at the MOBO Awards. On 29 July 2011, Ocean became a Companion of the Liverpool Institute for Performing Arts, presented to him by Sir Paul McCartney. He is a member of the Rastafari movement.</artistdesc>
  <label>Aqua Music</label>
</album>