﻿<?xml version="1.0" encoding="utf-8" standalone="yes"?>
<album>
  <review>Bettye LaVette gets classified as an R&amp;B singer, which she is, of course, but her newest album, the Craig Street-produced Thankful N' Thoughtful, finds her taking her blues, gospel, and soul-influenced singing style into deep, swampy, and edgy American roots territory, and she makes it all work with a sting and bite to her phrasing that ranks her as one of the best living soul singers. She gives Neil Young's "Everybody Knows This Is Nowhere" a little jump of joy, moving the song away from being plaintive and lonely to something closer to anxious homesickness. Tom Waits' "Yesterday Is Here," complete with brass and reeds, loses some of its clang and becomes a poignant blues. The most stunning track here is LaVette's reinvention of the old folk song "Dirty Old Town," best known in the version by the Pogues. She fills it with disgust and ominous menace -- there's also a slower version of "Dirty Old Town" that lets a measure of sadness creep back in at the close of the album. Thankful N' Thoughtful is a solid outing from an outstanding singer who knows how to growl, croon, grumble, praise, and jump for joy with her vocal phrasing -- whatever makes the song live and breathe. She is still a marvel.</review>
  <outline>Bettye LaVette gets classified as an R&amp;B singer, which she is, of course, but her newest album, the Craig Street-produced Thankful N' Thoughtful, finds her taking her blues, gospel, and soul-influenced singing style into deep, swampy, and edgy American roots territory, and she makes it all work with a sting and bite to her phrasing that ranks her as one of the best living soul singers. She gives Neil Young's "Everybody Knows This Is Nowhere" a little jump of joy, moving the song away from being plaintive and lonely to something closer to anxious homesickness. Tom Waits' "Yesterday Is Here," complete with brass and reeds, loses some of its clang and becomes a poignant blues. The most stunning track here is LaVette's reinvention of the old folk song "Dirty Old Town," best known in the version by the Pogues. She fills it with disgust and ominous menace -- there's also a slower version of "Dirty Old Town" that lets a measure of sadness creep back in at the close of the album. Thankful N' Thoughtful is a solid outing from an outstanding singer who knows how to growl, croon, grumble, praise, and jump for joy with her vocal phrasing -- whatever makes the song live and breathe. She is still a marvel.</outline>
  <lockdata>false</lockdata>
  <dateadded>2022-11-22 07:27:56</dateadded>
  <title>Thankful n' Thoughtful</title>
  <year>2012</year>
  <premiered>2012-09-21</premiered>
  <releasedate>2012-09-21</releasedate>
  <runtime>63</runtime>
  <genre>R&amp;B</genre>
  <genre>Soul</genre>
  <audiodbartistid>114863</audiodbartistid>
  <audiodbalbumid>2133712</audiodbalbumid>
  <musicbrainzalbumid>b2060118-4325-484b-b496-b2d9da8beecb</musicbrainzalbumid>
  <musicbrainzalbumartistid>af558762-abed-4f46-8324-34fc51f57b2b</musicbrainzalbumartistid>
  <musicbrainzreleasegroupid>1e59e653-d66e-4787-9721-da704ef2408d</musicbrainzreleasegroupid>
  <art>
    <poster>/media/data/media5/Music/Bettye LaVette/Thankful n' Thoughtful (2012)/folder.jpg</poster>
  </art>
  <actor>
    <name>Bettye LaVette</name>
    <type>AlbumArtist</type>
  </actor>
  <actor>
    <name>Bettye LaVette</name>
    <type>Artist</type>
  </actor>
  <artist>Bettye LaVette</artist>
  <albumartist>Bettye LaVette</albumartist>
  <track>
    <position>1</position>
    <title>Everything Is Broken</title>
    <duration>03:44</duration>
  </track>
  <track>
    <position>2</position>
    <title>I'm Not the One</title>
    <duration>03:34</duration>
  </track>
  <track>
    <position>3</position>
    <title>Dirty Old Town</title>
    <duration>03:55</duration>
  </track>
  <track>
    <position>4</position>
    <title>The More I Search (The More I Die)</title>
    <duration>04:21</duration>
  </track>
  <track>
    <position>5</position>
    <title>I'm Tired</title>
    <duration>03:18</duration>
  </track>
  <track>
    <position>6</position>
    <title>Crazy</title>
    <duration>05:47</duration>
  </track>
  <track>
    <position>7</position>
    <title>Yesterday Is Here</title>
    <duration>03:38</duration>
  </track>
  <track>
    <position>8</position>
    <title>Thankful n' Thoughtful</title>
    <duration>04:21</duration>
  </track>
  <track>
    <position>9</position>
    <title>Fair Enough</title>
    <duration>03:15</duration>
  </track>
  <track>
    <position>10</position>
    <title>Time Will Do the Talking</title>
    <duration>04:05</duration>
  </track>
  <track>
    <position>11</position>
    <title>Everybody Knows This Is Nowhere</title>
    <duration>03:20</duration>
  </track>
  <track>
    <position>12</position>
    <title>Dirty Old Town (Slow version)</title>
    <duration>06:59</duration>
  </track>
  <track>
    <position>13</position>
    <title>Old</title>
    <duration>04:35</duration>
  </track>
  <track>
    <position>14</position>
    <title>Welcome to the Good Times</title>
    <duration>03:53</duration>
  </track>
  <track>
    <position>15</position>
    <title>Whole Lotta Lonely</title>
    <duration>04:19</duration>
  </track>
  <artistdesc>Bettye LaVette (born Betty Jo Haskins, January 29, 1946) is an American soul singer who made her first record at sixteen, but achieved only intermittent fame until 2005, when her album I've Got My Own Hell to Raise was released to widespread critical acclaim, and was named on many critics' "Best of 2005" lists. Her next album, The Scene of the Crime, debuted at number one on Billboard's Top Blues Albums chart and was nominated for Best Contemporary Blues Album at the 2008 Grammy Awards. She received the Legacy of Americana Lifetime Achievement Award at the 2023 Americana Music Honors &amp; Awards.
LaVette's eclectic musical style combines elements of soul, blues, rock and roll, funk, gospel, and country music. In 2020, she was inducted into the Blues Hall of Fame.

</artistdesc>
  <label>Epitaph</label>
</album>