﻿<?xml version="1.0" encoding="utf-8" standalone="yes"?>
<album>
  <review>To Whom It May Concern is the tenth album by the Bee Gees. Released in October 1972, it is the follow-up to, and continues the melancholic and personal sound of its predecessor, Trafalgar. The album was recognised as "a farewell to the old Bee Gees" as the album marked the end of an era for the group in several ways: it was their last album to be recorded solely at IBC Studios, in London, their last with conductor and arranger Bill Shepherd, who had guided them since 1967, and their last under their first contract with Robert Stigwood. Some of the songs were old ones finished or rewritten for the occasion (in the case of "I Can Bring Love").

Background and recording
After touring in 1971 to promote their previous album, Trafalgar, the Bee Gees worked quickly to complete another album. They recorded the song "Paper Mache, Cabbages and Kings" on 3 January 1972 which was the last song recorded with the Australian drummer Geoff Bridgford. He left the group before their tour of East Asia and was replaced on tour by Chris Karan. Recording resumed in April 1972 with a Robin song called "Never Been Alone" and a song Barry did on his fan club recording from 1971 called "I Can Bring Love". The drummer on the April sessions was a veteran session player, Clem Cattini. The first song recorded for this album was "You Know It's For You", a song written and performed by Maurice Gibb, on which he played guitar, bass, keyboard and mellotron. Karan did not participate with the Bee Gees on studio as Clem Cattini recalls:

On the album it's got a photograph of Chris Karan which is ridiculous really, because it wasn't Chris playing on the album, it was me!. As far as I'm concerned, I think they  have an unbelievable talent - I'd give anything just to have written one of the songs that they've written, especially the later stuff.

The album was primarily recorded between June 1971 and April 1972 (except for "We Lost the Road", recorded in January 1971 during the Trafalgar sessions). The Bee Gees saved a non-album single, "My World", from the sessions which was released in January 1972, becoming a UK/US Top 20 hit. Shepherd's arrangements are relatively toned down and the background vocals sometimes seem to take the place of what could have been string sections.</review>
  <outline>To Whom It May Concern is the tenth album by the Bee Gees. Released in October 1972, it is the follow-up to, and continues the melancholic and personal sound of its predecessor, Trafalgar. The album was recognised as "a farewell to the old Bee Gees" as the album marked the end of an era for the group in several ways: it was their last album to be recorded solely at IBC Studios, in London, their last with conductor and arranger Bill Shepherd, who had guided them since 1967, and their last under their first contract with Robert Stigwood. Some of the songs were old ones finished or rewritten for the occasion (in the case of "I Can Bring Love").

Background and recording
After touring in 1971 to promote their previous album, Trafalgar, the Bee Gees worked quickly to complete another album. They recorded the song "Paper Mache, Cabbages and Kings" on 3 January 1972 which was the last song recorded with the Australian drummer Geoff Bridgford. He left the group before their tour of East Asia and was replaced on tour by Chris Karan. Recording resumed in April 1972 with a Robin song called "Never Been Alone" and a song Barry did on his fan club recording from 1971 called "I Can Bring Love". The drummer on the April sessions was a veteran session player, Clem Cattini. The first song recorded for this album was "You Know It's For You", a song written and performed by Maurice Gibb, on which he played guitar, bass, keyboard and mellotron. Karan did not participate with the Bee Gees on studio as Clem Cattini recalls:

On the album it's got a photograph of Chris Karan which is ridiculous really, because it wasn't Chris playing on the album, it was me!. As far as I'm concerned, I think they  have an unbelievable talent - I'd give anything just to have written one of the songs that they've written, especially the later stuff.

The album was primarily recorded between June 1971 and April 1972 (except for "We Lost the Road", recorded in January 1971 during the Trafalgar sessions). The Bee Gees saved a non-album single, "My World", from the sessions which was released in January 1972, becoming a UK/US Top 20 hit. Shepherd's arrangements are relatively toned down and the background vocals sometimes seem to take the place of what could have been string sections.</outline>
  <lockdata>false</lockdata>
  <dateadded>2023-12-26 19:20:34</dateadded>
  <title>To Whom It May Concern</title>
  <rating>10</rating>
  <year>1992</year>
  <premiered>1992-05-05</premiered>
  <releasedate>1992-05-05</releasedate>
  <runtime>43</runtime>
  <genre>Disco</genre>
  <genre>Pop</genre>
  <genre>Pop Rock</genre>
  <genre>Soft Rock</genre>
  <audiodbartistid>111264</audiodbartistid>
  <audiodbalbumid>2109973</audiodbalbumid>
  <musicbrainzalbumid>1500e217-851b-4311-92cc-2d585c9ddfd1</musicbrainzalbumid>
  <musicbrainzalbumartistid>bf0f7e29-dfe1-416c-b5c6-f9ebc19ea810</musicbrainzalbumartistid>
  <musicbrainzreleasegroupid>3b820c20-b37d-3136-bbf6-80ecceed804b</musicbrainzreleasegroupid>
  <art>
    <poster>/media/data/media5/Music/Bee Gees/To Whom It May Concern (1972)/folder.jpg</poster>
  </art>
  <actor>
    <name>Bee Gees</name>
    <type>AlbumArtist</type>
  </actor>
  <actor>
    <name>Bee Gees</name>
    <type>Artist</type>
  </actor>
  <artist>Bee Gees</artist>
  <albumartist>Bee Gees</albumartist>
  <track>
    <position>1</position>
    <title>Run to Me</title>
    <duration>03:11</duration>
  </track>
  <track>
    <position>2</position>
    <title>We Lost the Road</title>
    <duration>03:27</duration>
  </track>
  <track>
    <position>3</position>
    <title>Never Been Alone</title>
    <duration>03:11</duration>
  </track>
  <track>
    <position>4</position>
    <title>Paper Mache, Cabbages &amp; Kings</title>
    <duration>04:59</duration>
  </track>
  <track>
    <position>5</position>
    <title>I Can Bring Love</title>
    <duration>02:07</duration>
  </track>
  <track>
    <position>6</position>
    <title>I Held a Party</title>
    <duration>02:35</duration>
  </track>
  <track>
    <position>7</position>
    <title>Please Don’t Turn Out the Lights</title>
    <duration>02:00</duration>
  </track>
  <track>
    <position>8</position>
    <title>Sea of Smiling Faces</title>
    <duration>03:07</duration>
  </track>
  <track>
    <position>9</position>
    <title>Bad Bad Dreams</title>
    <duration>03:47</duration>
  </track>
  <track>
    <position>10</position>
    <title>You Know It’s for You</title>
    <duration>02:56</duration>
  </track>
  <track>
    <position>11</position>
    <title>Alive</title>
    <duration>04:03</duration>
  </track>
  <track>
    <position>12</position>
    <title>Road to Alaska</title>
    <duration>02:38</duration>
  </track>
  <track>
    <position>13</position>
    <title>Sweet Song of Summer</title>
    <duration>05:05</duration>
  </track>
  <artistdesc>The Bee Gees 
were a musical group formed in 1958 by brothers Barry, Robin, and Maurice Gibb. The trio were especially successful in popular music in the late 1960s and early 1970s, and later as prominent performers in the disco music era in the mid-to-late 1970s.
The group sang recognisable three-part tight harmonies: Robin's clear vibrato lead vocals were a hallmark of their earlier hits, while Barry's R&amp;B falsetto became their signature sound during the mid-to-late 1970s and 1980s. The group wrote all their own original material, as well as writing and producing several major hits for other artists, and are regarded as one of the most important and influential acts in pop-music history. They have been referred to in the media as The Disco Kings, Britain's First Family of Harmony, and The Kings of Dance Music.
Born on the Isle of Man to English parents, the Gibb brothers lived in Chorlton, Manchester, England, until the late 1950s. There, in 1955, they formed the skiffle/rock and roll group the Rattlesnakes. The family then moved to Redcliffe, in the Moreton Bay Region, Queensland, Australia, later to Cribb Island.  After achieving their first chart successes in Australia as the Bee Gees, they returned to the UK in January 1967, when producer Robert Stigwood began promoting them to a worldwide audience. The Bee Gees' Saturday Night Fever soundtrack (1977) was the turning point of their career, with both the film and soundtrack having a cultural impact throughout the world, enhancing the disco scene's mainstream appeal. They won five Grammy Awards for Saturday Night Fever, including Album of the Year.
The Bee Gees have sold over 120  million records worldwide (with estimates as high as over 200 million records sold worldwide), placing them among the best-selling music artists of all time, as well as the most successful trio in the history of contemporary music. They were inducted into the Rock and Roll Hall of Fame in 1997; the Hall's citation says, "Only Elvis Presley, the Beatles, Michael Jackson, Garth Brooks and Paul McCartney have outsold the Bee Gees." With nine number-one hits on the Billboard Hot 100, the Bee Gees are the third-most successful band in Billboard charts history behind only the Beatles and the Supremes.
Following Maurice's sudden death in January 2003 aged 53, Barry and Robin retired the group's name after 45 years of activity. In 2009 Robin announced he and Barry had agreed the Bee Gees would re-form and perform again. Robin died in May 2012, aged 62, after a prolonged period of failing health, leaving Barry and members Colin Petersen, Vince Melouney, and Geoff Bridgford as the surviving members of the group.

</artistdesc>
  <label>Polydor</label>
</album>