﻿<?xml version="1.0" encoding="utf-8" standalone="yes"?>
<album>
  <review>In between his run of gold in the first half of the '70s and a pre-comeback sabbatical in the '80s, Barry White produced this top-notch album in 1976 as one of a long line of releases on the 20th Century label. While not full of any Top Ten pop hits, the six tracks do feature minor successes in "Baby, We Better Try to Get It Together," "You See the Trouble with Me" (co-written with White's guitarist at the time, Ray Parker, Jr.), and the title track. White's disco arrangements are of the highest order here, full of sophisticated orchestrations and silky but solid funk-lite rhythm tracks. The lyrical content, though, does not speak of the endless nights of lovemaking and blossoming relationships addressed in earlier songs, but instead focuses on the hurdles and downside of love. White expertly couples his subtle vocal delivery with just the right amount of pathos to highlight the lover on the outs. Something of an overlooked gem, Let the Music Play is a must for Barry White fans and qualifies as a fine choice for listeners looking for something beyond the singer's base of hits.</review>
  <outline>In between his run of gold in the first half of the '70s and a pre-comeback sabbatical in the '80s, Barry White produced this top-notch album in 1976 as one of a long line of releases on the 20th Century label. While not full of any Top Ten pop hits, the six tracks do feature minor successes in "Baby, We Better Try to Get It Together," "You See the Trouble with Me" (co-written with White's guitarist at the time, Ray Parker, Jr.), and the title track. White's disco arrangements are of the highest order here, full of sophisticated orchestrations and silky but solid funk-lite rhythm tracks. The lyrical content, though, does not speak of the endless nights of lovemaking and blossoming relationships addressed in earlier songs, but instead focuses on the hurdles and downside of love. White expertly couples his subtle vocal delivery with just the right amount of pathos to highlight the lover on the outs. Something of an overlooked gem, Let the Music Play is a must for Barry White fans and qualifies as a fine choice for listeners looking for something beyond the singer's base of hits.</outline>
  <lockdata>false</lockdata>
  <dateadded>2025-11-07 22:35:59</dateadded>
  <title>Let the Music Play</title>
  <year>2012</year>
  <premiered>2012-02-14</premiered>
  <releasedate>2012-02-14</releasedate>
  <runtime>60</runtime>
  <country />
  <genre>Soul</genre>
  <studio />
  <audiodbartistid>111299</audiodbartistid>
  <audiodbalbumid>2248239</audiodbalbumid>
  <musicbrainzalbumid>1849c5df-8c07-4c7a-89eb-b7fd423814a6</musicbrainzalbumid>
  <musicbrainzalbumartistid>b904d624-9e05-4398-8f4f-88fbcf022f79</musicbrainzalbumartistid>
  <musicbrainzreleasegroupid>f3f4e10e-1ff7-3ca0-b494-171cae246374</musicbrainzreleasegroupid>
  <art>
    <poster>/media/data/media5/Music/Barry White/Let the Music Play/folder.jpg</poster>
  </art>
  <artist>Barry White</artist>
  <albumartist>Barry White</albumartist>
  <track>
    <disc>1</disc>
    <position>1</position>
    <title>I Don’t Know Where Love Has Gone</title>
    <duration>04:57</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>2</position>
    <title>If You Know, Won’t You Tell Me</title>
    <duration>05:05</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>3</position>
    <title>I’m So Blue and You Are Too</title>
    <duration>07:05</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>4</position>
    <title>Baby, We Better Try to Get It Together</title>
    <duration>04:25</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>5</position>
    <title>You See the Trouble With Me</title>
    <duration>03:29</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>6</position>
    <title>Let the Music Play</title>
    <duration>06:16</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>7</position>
    <title>Let the Music Play (single version)</title>
    <duration>03:30</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>8</position>
    <title>Let the Music Play (instrumental B‐side version)</title>
    <duration>05:48</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>9</position>
    <title>Let the Music Play (M+M Throwback mix)</title>
    <duration>09:07</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>10</position>
    <title>Let the Music Play (Funkstar’s club Deluxe mix)</title>
    <duration>05:50</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>11</position>
    <title>Let the Music Play (alternate version)</title>
    <duration>04:34</duration>
  </track>
  <artistdesc>Barry Eugene Carter (September 12, 1944 – July 4, 2003), better known by his stage name Barry White, was an American singer and songwriter. A two-time Grammy Award winner known for his bass-baritone voice and romantic image, his greatest success came in the 1970s as a solo singer and with The Love Unlimited Orchestra, crafting many enduring soul, funk, and disco songs such as his two biggest hits: "Can't Get Enough of Your Love, Babe" and "You're the First, the Last, My Everything".
White recorded 20 studio albums during the course of his career, but multiple versions and compilations were released worldwide that were certified gold, 41 of which also attained platinum status. White had 20 gold and 10 platinum singles, with worldwide record sales in excess of 100 million records, and is one of the best-selling music artists of all time. His influences included James Cleveland, Ray Charles, Aretha Franklin, The Supremes, The Four Tops and Marvin Gaye.</artistdesc>
  <label>Mercury Records</label>
</album>