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<album>
  <review>B.B. King made his debut as producer with Blues on the Bayou, released in October 1998. He employs the most basic of ideas for this project: record an album of B.B. King tunes, with B.B. King's regular road band, under B.B. King's supervision. Keeping it loose, relaxed, and focused, King cut this album in four days down at a secluded studio in Louisiana and came up with one of his strongest, modern-day albums in many years. No duets, no special guests, just King and his road warrior band, playing his songs with him producing the results -- no overdubs, just simple, no-nonsense blues done like he would do them on-stage. The result is a no-frills, straight-ahead session that shows that King might be have been 73 at the time of this date, but he still had plenty of gas left in the tank. Tracks like "I'll Survive," and the jumping "Shake It Up and Go," "Darlin' What Happened," the minor keyed "Blues Boy Tune," the instrumental "Blues We Like," and the closing "If That's It I Quit" show him stretching out in a way he has seldom done in a studio environment, and the result is one of his best albums in recent memory.</review>
  <outline>B.B. King made his debut as producer with Blues on the Bayou, released in October 1998. He employs the most basic of ideas for this project: record an album of B.B. King tunes, with B.B. King's regular road band, under B.B. King's supervision. Keeping it loose, relaxed, and focused, King cut this album in four days down at a secluded studio in Louisiana and came up with one of his strongest, modern-day albums in many years. No duets, no special guests, just King and his road warrior band, playing his songs with him producing the results -- no overdubs, just simple, no-nonsense blues done like he would do them on-stage. The result is a no-frills, straight-ahead session that shows that King might be have been 73 at the time of this date, but he still had plenty of gas left in the tank. Tracks like "I'll Survive," and the jumping "Shake It Up and Go," "Darlin' What Happened," the minor keyed "Blues Boy Tune," the instrumental "Blues We Like," and the closing "If That's It I Quit" show him stretching out in a way he has seldom done in a studio environment, and the result is one of his best albums in recent memory.</outline>
  <lockdata>false</lockdata>
  <dateadded>2023-08-08 22:21:58</dateadded>
  <title>Blues on the Bayou</title>
  <rating>8</rating>
  <year>1998</year>
  <premiered>1998-10-20</premiered>
  <releasedate>1998-10-20</releasedate>
  <runtime>64</runtime>
  <genre>Blues</genre>
  <genre>Blues Rock</genre>
  <genre>Electric Blues</genre>
  <audiodbartistid>114285</audiodbartistid>
  <audiodbalbumid>2130146</audiodbalbumid>
  <musicbrainzalbumid>e611f21a-eb93-4743-9133-08e124a7d704</musicbrainzalbumid>
  <musicbrainzalbumartistid>dcb03ce3-67a5-4eb3-b2d1-2a12d93a38f3</musicbrainzalbumartistid>
  <musicbrainzreleasegroupid>5a4f074f-2ed7-3e1b-b450-3ebfe25b6709</musicbrainzreleasegroupid>
  <art>
    <poster>/media/data/media5/Music/B.B. King/Blues on the Bayou (1998)/folder.jpg</poster>
  </art>
  <actor>
    <name>B.B. King</name>
    <type>AlbumArtist</type>
    <thumb>/config/metadata/People/B/B.B. King/folder.jpg</thumb>
  </actor>
  <actor>
    <name>B.B. King</name>
    <type>Artist</type>
    <thumb>/config/metadata/People/B/B.B. King/folder.jpg</thumb>
  </actor>
  <artist>B.B. King</artist>
  <albumartist>B.B. King</albumartist>
  <track>
    <position>1</position>
    <title>Blues Boys Tune</title>
    <duration>03:29</duration>
  </track>
  <track>
    <position>2</position>
    <title>Bad Case of Love</title>
    <duration>05:28</duration>
  </track>
  <track>
    <position>3</position>
    <title>I’ll Survive</title>
    <duration>04:52</duration>
  </track>
  <track>
    <position>4</position>
    <title>Mean Ole’ World</title>
    <duration>04:29</duration>
  </track>
  <track>
    <position>5</position>
    <title>Blues Man</title>
    <duration>05:19</duration>
  </track>
  <track>
    <position>6</position>
    <title>Broken Promise</title>
    <duration>03:34</duration>
  </track>
  <track>
    <position>7</position>
    <title>Darlin’ What Happened</title>
    <duration>05:26</duration>
  </track>
  <track>
    <position>8</position>
    <title>Shake It Up and Go</title>
    <duration>03:10</duration>
  </track>
  <track>
    <position>9</position>
    <title>Blues We Like</title>
    <duration>05:08</duration>
  </track>
  <track>
    <position>10</position>
    <title>Good Man Gone Bad</title>
    <duration>03:20</duration>
  </track>
  <track>
    <position>11</position>
    <title>If I Lost You</title>
    <duration>04:57</duration>
  </track>
  <track>
    <position>12</position>
    <title>Tell Me Baby</title>
    <duration>03:26</duration>
  </track>
  <track>
    <position>13</position>
    <title>I Got Some Outside Help I Don’t Need</title>
    <duration>04:37</duration>
  </track>
  <track>
    <position>14</position>
    <title>Blues in "G"</title>
    <duration>03:28</duration>
  </track>
  <track>
    <position>15</position>
    <title>If That Ain’t It I Quit</title>
    <duration>03:20</duration>
  </track>
  <artistdesc>Riley B. King (September 16, 1925 – May 14, 2015), known professionally as B.B. King, was an American blues singer-songwriter, guitarist, and record producer. He introduced a sophisticated style of soloing based on fluid string bending, shimmering vibrato, and staccato picking that influenced many later blues electric guitar players. AllMusic recognized King as "the single most important electric guitarist of the last half of the 20th century".King was inducted into the Rock and Roll Hall of Fame in 1987 and is one of the most influential blues musicians of all time, earning the nickname "The King of the Blues", and is considered one of the "Three Kings of the Blues Guitar" (along with Albert King and Freddie King, none of whom are related). King performed tirelessly throughout his musical career, appearing on average at more than 200 concerts per year into his 70s. In 1956 alone, he appeared at 342 shows.King was born on a cotton plantation of Berclair near the city of Itta Bena, Mississippi, and later worked at a cotton gin in Indianola, Mississippi. He was attracted to music and taught himself to play guitar and began his career in juke joints and local radio. He later lived in Memphis and Chicago; then, as his fame grew, he toured the world extensively. King died at 89 in Las Vegas on May 14, 2015.</artistdesc>
  <label>Geffen Records</label>
</album>