Perhaps co-defining the future of heavy metal, White Zombie's major-label debut nearly equals fellow classics Guns N' Roses' Appetite for Destruction, the Cult's Electric, and Soundgarden's Badmotorfinger in significance. With a funky rap-metal undercurrent, these metal monsters combine Black Sabbath's riff sludge and Metallica's rhythmic intensity, a combination that would again resurface in the late '90s. On La Sexorcisto: Devil Music, Vol. 1, Zombie and co. take listeners on a hokey carnival ride capable of inducing vomit yet provide an exhilarating, heart-throbbing metal experience. Tactless and continuously shocking, lyricist Rob Zombie reveals blatant tales of muscle cars, sleazy encounters, and Fangoria-mustered fantasy, clearly paying homage to vintage trash culture. Complemented by Russ Meyer film soundbites and demonic aura, Zombie ridicules middle American Leave It to Beaver values and insolently challenges the politically correct. Diabolical manifestos such as the barbaric "Soul-Crusher," macabre "Spiderbaby (Yeah-Yeah-Yeah)," and sexually indiscreet "Thrust!" will intrigue those yearning for lewd explicitness but may offend traditional hard rock enthusiasts. "Thunder Kiss '65," an ode to Russ Meyer's 1965 busty B-movies Faster, Pussycat! Kill! Kill! and Mudhoney, remains this album's most listenable and enduring highlight. Along with perverted lyrics, Rob Zombie's vocal snarls and the band's muscular metal thunder produce the furious concoction that secures La Sexorcisto: Devil Music, Vol. 1's place in heavy metal history. Weak appetites for raunchy, tongue-in-cheek decadence need not apply. Perhaps co-defining the future of heavy metal, White Zombie's major-label debut nearly equals fellow classics Guns N' Roses' Appetite for Destruction, the Cult's Electric, and Soundgarden's Badmotorfinger in significance. With a funky rap-metal undercurrent, these metal monsters combine Black Sabbath's riff sludge and Metallica's rhythmic intensity, a combination that would again resurface in the late '90s. On La Sexorcisto: Devil Music, Vol. 1, Zombie and co. take listeners on a hokey carnival ride capable of inducing vomit yet provide an exhilarating, heart-throbbing metal experience. Tactless and continuously shocking, lyricist Rob Zombie reveals blatant tales of muscle cars, sleazy encounters, and Fangoria-mustered fantasy, clearly paying homage to vintage trash culture. Complemented by Russ Meyer film soundbites and demonic aura, Zombie ridicules middle American Leave It to Beaver values and insolently challenges the politically correct. Diabolical manifestos such as the barbaric "Soul-Crusher," macabre "Spiderbaby (Yeah-Yeah-Yeah)," and sexually indiscreet "Thrust!" will intrigue those yearning for lewd explicitness but may offend traditional hard rock enthusiasts. "Thunder Kiss '65," an ode to Russ Meyer's 1965 busty B-movies Faster, Pussycat! Kill! Kill! and Mudhoney, remains this album's most listenable and enduring highlight. Along with perverted lyrics, Rob Zombie's vocal snarls and the band's muscular metal thunder produce the furious concoction that secures La Sexorcisto: Devil Music, Vol. 1's place in heavy metal history. Weak appetites for raunchy, tongue-in-cheek decadence need not apply. false 2023-08-22 11:20:03 8 1992 1992-01-01 1992-01-01 58 Alternative Metal Death Metal Groove Metal Hard Rock Heavy Metal Rock 112896 2121368 c4c8b834-6a48-4b2f-ad82-5d48ad396951 cfe572bf-840f-4bed-934a-f69f4b1e90d4 1bdbee32-2410-304e-92d5-463e8e89d639 /media/data/media4/Music/White Zombie/La Sexorcisto_ Devil Music, Volume One/folder.jpg White Zombie AlbumArtist White Zombie Artist White Zombie White Zombie 1 06:23 2 00:26 3 03:56 4 04:51 5 05:06 6 05:16 7 05:04 8 05:11 9 00:26 10 05:07 11 00:24 12 04:07 13 05:04 14 06:44 White Zombie was an American heavy metal band that formed in 1985. Based in New York City, they started as a noise rock band, releasing three EPs and one studio album in that style before changing to a heavy metal-oriented sound that broke them into the mainstream. The albums La Sexorcisto: Devil Music Volume One (1992) and Astro-Creep: 2000 (1995) established them as an influential act in groove metal and industrial metal, respectively. Their best-known songs include "Thunder Kiss '65", "Black Sunshine" and "More Human than Human". The group officially disbanded in 1998. In 2000, White Zombie was included on VH1's 100 Greatest Artists of Hard Rock, ranking at No. 56. As of October 2010, the band has sold six million albums, according to Nielsen SoundScan. Geffen Records