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<album>
  <review>Brothers and Sisters, the Allman Brothers Band's first new studio album in two years, shows off a leaner brand of musicianship, which, coupled with a pair of serious crowd-pleasers, "Ramblin' Man" and "Jessica," helped drive it to the top of the charts for a month and a half and to platinum record sales. This was the first album to feature the group's new lineup, with Chuck Leavell on keyboards and Lamar Williams on bass, as well as Dickey Betts' emergence as a singer alongside Gregg Allman. The tracks appear on the album in the order in which they were recorded, and the first three, up through "Ramblin' Man," feature Berry Oakley -- their sound is rock-hard and crisp. The subsequent songs with Williams have the bass buried in the mix, and an overall muddier sound. The interplay between Leavell and Betts is beautiful on some songs, and Betts' slide on "Pony Boy" is a dazzling showcase that surprised everybody. Despite its sales, Brothers and Sisters is not quite a classic album (although it was their best for the next 17 years), especially in the wake of the four that had appeared previously, but it served as a template for some killer stage performances, and it proved that the band could survive the deaths of two key members.</review>
  <outline>Brothers and Sisters, the Allman Brothers Band's first new studio album in two years, shows off a leaner brand of musicianship, which, coupled with a pair of serious crowd-pleasers, "Ramblin' Man" and "Jessica," helped drive it to the top of the charts for a month and a half and to platinum record sales. This was the first album to feature the group's new lineup, with Chuck Leavell on keyboards and Lamar Williams on bass, as well as Dickey Betts' emergence as a singer alongside Gregg Allman. The tracks appear on the album in the order in which they were recorded, and the first three, up through "Ramblin' Man," feature Berry Oakley -- their sound is rock-hard and crisp. The subsequent songs with Williams have the bass buried in the mix, and an overall muddier sound. The interplay between Leavell and Betts is beautiful on some songs, and Betts' slide on "Pony Boy" is a dazzling showcase that surprised everybody. Despite its sales, Brothers and Sisters is not quite a classic album (although it was their best for the next 17 years), especially in the wake of the four that had appeared previously, but it served as a template for some killer stage performances, and it proved that the band could survive the deaths of two key members.</outline>
  <lockdata>false</lockdata>
  <dateadded>2023-01-25 23:02:12</dateadded>
  <title>Brothers and Sisters</title>
  <rating>8.3</rating>
  <year>1987</year>
  <premiered>1987-01-01</premiered>
  <releasedate>1987-01-01</releasedate>
  <runtime>38</runtime>
  <genre>Blues</genre>
  <genre>Blues Rock</genre>
  <genre>Country Rock</genre>
  <genre>Rock</genre>
  <genre>Southern Rock</genre>
  <genre>Roots Rock</genre>
  <genre>Jam Band</genre>
  <audiodbartistid>111433</audiodbartistid>
  <audiodbalbumid>2156091</audiodbalbumid>
  <musicbrainzalbumid>3a115102-02e1-3216-a22e-76746166050d</musicbrainzalbumid>
  <musicbrainzalbumartistid>72359492-22be-4ed9-aaa0-efa434fb2b01</musicbrainzalbumartistid>
  <musicbrainzreleasegroupid>e939fa86-d7bc-38a7-b6f9-d12fc3f9f22e</musicbrainzreleasegroupid>
  <art>
    <poster>/media/data/media4/Music/The Allman Brothers Band/Brothers and Sisters (1973)/folder.jpg</poster>
  </art>
  <actor>
    <name>The Allman Brothers Band</name>
    <type>AlbumArtist</type>
  </actor>
  <actor>
    <name>The Allman Brothers Band</name>
    <type>Artist</type>
  </actor>
  <artist>The Allman Brothers Band</artist>
  <albumartist>The Allman Brothers Band</albumartist>
  <track>
    <position>1</position>
    <title>Wasted Words</title>
    <duration>04:20</duration>
  </track>
  <track>
    <position>2</position>
    <title>Ramblin’ Man</title>
    <duration>04:48</duration>
  </track>
  <track>
    <position>3</position>
    <title>Come and Go Blues</title>
    <duration>04:55</duration>
  </track>
  <track>
    <position>4</position>
    <title>Jelly Jelly</title>
    <duration>05:46</duration>
  </track>
  <track>
    <position>5</position>
    <title>Southbound</title>
    <duration>05:10</duration>
  </track>
  <track>
    <position>6</position>
    <title>Jessica</title>
    <duration>07:31</duration>
  </track>
  <track>
    <position>7</position>
    <title>Pony Boy</title>
    <duration>05:51</duration>
  </track>
  <artistdesc>The Allman Brothers Band was an American rock band formed in Jacksonville, Florida, in 1969 by brothers Duane Allman (founder, slide guitar and lead guitar) and Gregg Allman (vocals, keyboards, songwriting), as well as Dickey Betts (lead guitar, vocals, songwriting), Berry Oakley (bass), Butch Trucks (drums), and Jai Johanny "Jaimoe" Johanson (drums). Subsequently, based in Macon, Georgia, they incorporated elements of blues, jazz and country music and their live shows featured jam band-style improvisation and instrumentals.
Their first two studio releases, The Allman Brothers Band (1969) and Idlewild South (1970) (both released by Capricorn Records), stalled commercially but their 1971 live release At Fillmore East was an artistic and commercial breakthrough. It features extended versions of their songs "In Memory of Elizabeth Reed" and "Whipping Post", showcasing the group's jamming style.
Group leader Duane Allman was killed in a motorcycle accident later that year – on October 29, 1971 – and the band dedicated Eat a Peach (1972) to his memory, a dual studio/live album that cemented the band's popularity and featured Gregg Allman's "Melissa" and Dickey Betts's "Blue Sky". Following the motorcycling death of bassist Berry Oakley one year and 13 days later on November 11, 1972, the group recruited keyboardist Chuck Leavell and bassist Lamar Williams for 1973's Brothers and Sisters. The album included Betts's hit single "Ramblin' Man" and instrumental "Jessica", which went on to become classic rock radio staples and placed the group at the forefront of 1970s rock music. Internal turmoil overtook them soon after as the group dissolved in 1976, reformed briefly at the end of the decade with additional personnel changes and broke up again in 1982.
The band re-formed once more in 1989, releasing a string of new albums and touring heavily. A series of personnel changes in the late 1990s was capped by the departure of Betts. The group found stability during the 2000s with bassist Oteil Burbridge and guitarists Warren Haynes and Derek Trucks (the nephew of their original drummer) and became renowned for their month-long string of shows at New York City's Beacon Theatre each spring. The band retired for good in October 2014 after their final show at the Beacon Theatre.
Butch Trucks died of a self-inflicted gunshot wound on January 24, 2017, in West Palm Beach, Florida at the age of 69. Gregg Allman died from complications arising from liver cancer on May 27, 2017, at his home in Georgia, also at 69. Dickey Betts died on April 18, 2024, at age 80, from cancer and chronic obstructive pulmonary disease. The band was awarded seven gold and four platinum albums, and was inducted into the Rock and Roll Hall of Fame in 1995. Rolling Stone ranked them 52nd on their list of the 100 Greatest Artists of All Time in 2004.</artistdesc>
  <label>PolydorPolydor</label>
</album>