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  <review>In between his run of gold in the first half of the '70s and a pre-comeback sabbatical in the '80s, Barry White produced this top-notch album in 1976 as one of a long line of releases on the 20th Century label. While not full of any Top Ten pop hits, the six tracks do feature minor successes in "Baby, We Better Try to Get It Together," "You See the Trouble with Me" (co-written with White's guitarist at the time, Ray Parker, Jr.), and the title track. White's disco arrangements are of the highest order here, full of sophisticated orchestrations and silky but solid funk-lite rhythm tracks. The lyrical content, though, does not speak of the endless nights of lovemaking and blossoming relationships addressed in earlier songs, but instead focuses on the hurdles and downside of love. White expertly couples his subtle vocal delivery with just the right amount of pathos to highlight the lover on the outs. Something of an overlooked gem, Let the Music Play is a must for Barry White fans and qualifies as a fine choice for listeners looking for something beyond the singer's base of hits.</review>
  <outline>In between his run of gold in the first half of the '70s and a pre-comeback sabbatical in the '80s, Barry White produced this top-notch album in 1976 as one of a long line of releases on the 20th Century label. While not full of any Top Ten pop hits, the six tracks do feature minor successes in "Baby, We Better Try to Get It Together," "You See the Trouble with Me" (co-written with White's guitarist at the time, Ray Parker, Jr.), and the title track. White's disco arrangements are of the highest order here, full of sophisticated orchestrations and silky but solid funk-lite rhythm tracks. The lyrical content, though, does not speak of the endless nights of lovemaking and blossoming relationships addressed in earlier songs, but instead focuses on the hurdles and downside of love. White expertly couples his subtle vocal delivery with just the right amount of pathos to highlight the lover on the outs. Something of an overlooked gem, Let the Music Play is a must for Barry White fans and qualifies as a fine choice for listeners looking for something beyond the singer's base of hits.</outline>
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  <dateadded>2025-11-08 09:17:43</dateadded>
  <title>Let the Music Play</title>
  <year>1976</year>
  <premiered>1976-01-02</premiered>
  <releasedate>1976-01-02</releasedate>
  <runtime>6</runtime>
  <genre>Soul</genre>
  <studio />
  <audiodbartistid>111299</audiodbartistid>
  <audiodbalbumid>2248239</audiodbalbumid>
  <musicbrainzalbumid>034aa5b7-4b99-4f86-8fb5-8641ab4654a5</musicbrainzalbumid>
  <musicbrainzalbumartistid>b904d624-9e05-4398-8f4f-88fbcf022f79</musicbrainzalbumartistid>
  <musicbrainzreleasegroupid>f3f4e10e-1ff7-3ca0-b494-171cae246374</musicbrainzreleasegroupid>
  <art>
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  </art>
  <artist>Barry White</artist>
  <albumartist>Barry White</albumartist>
  <track>
    <disc>1</disc>
    <position>6</position>
    <title>Let the Music Play</title>
    <duration>06:14</duration>
  </track>
  <artistdesc>Marcia Elaine Hines AM (born July 20, 1953) is an American-born Australian singer and TV personality. Hines made her debut, at the age of 16, in the Australian production of the stage musical Hair and followed with the role of Mary Magdalene in Jesus Christ Superstar.
She achieved her greatest commercial successes as a recording artist during the late 1970s with several hit singles, including cover versions of "Fire and Rain", "I Just Don't Know What to Do with Myself", "You" and "Something's Missing (In My Life)"; and her Top Ten albums Marcia Shines, Shining and Ladies and Gentlemen. Hines was voted "Queen of Pop" by TV Week's readers for three consecutive years from 1976.
Hines stopped recording in the early 1980s until she returned with Right Here and Now in 1994, the same year she became an Australian citizen. She was the subject of the 2001 biography Diva: the life of Marcia Hines, which coincided with the release of the compilation album Diva. From 2003 to 2009 and again in 2024, she was a judge on Australian Idol, and her elevated profile led to a renewed interest in her as a performer. Her 2006 album, Discotheque, peaked at number 6 on the Australian Recording Industry Association (ARIA) albums chart. Hines was inducted into the ARIA Hall of Fame on July 18, 2007.
Hines is the mother of singer Deni Hines, with whom she performed on the duet single "Stomp!" (2006). Hines has sold 2.6 million albums and was the first Australian female artist to have a platinum-selling album, as well as the first female to have seven consecutive top 20 album releases.

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