﻿<?xml version="1.0" encoding="utf-8" standalone="yes"?>
<album>
  <review>Donuts was made on a hospital bed and in a home studio on a stripped-down setup with a stack of vinyl. Released on its maker's 32nd birthday three days before he passed away, the album has a resonance deeper than anyone could've hoped for or even imagined. Some who were close to Dilla have said that there are hidden messages in the samples, track titles, and who knows where else. On Metacritic, Donuts received "universal acclaim" from critics based on an aggregate score of 84/100 from fifteen reviews.</review>
  <outline>Donuts was made on a hospital bed and in a home studio on a stripped-down setup with a stack of vinyl. Released on its maker's 32nd birthday three days before he passed away, the album has a resonance deeper than anyone could've hoped for or even imagined. Some who were close to Dilla have said that there are hidden messages in the samples, track titles, and who knows where else. On Metacritic, Donuts received "universal acclaim" from critics based on an aggregate score of 84/100 from fifteen reviews.</outline>
  <lockdata>false</lockdata>
  <dateadded>2023-07-15 12:02:10</dateadded>
  <title>Donuts</title>
  <rating>9.5</rating>
  <year>2006</year>
  <premiered>2006-02-07</premiered>
  <releasedate>2006-02-07</releasedate>
  <runtime>44</runtime>
  <genre>Hip Hop</genre>
  <genre>Instrumental</genre>
  <genre>Instrumental Hip Hop</genre>
  <audiodbartistid>127974</audiodbartistid>
  <audiodbalbumid>2201899</audiodbalbumid>
  <musicbrainzalbumid>d5f87adc-f67c-47e7-a8f5-f94a5b3d2ff5</musicbrainzalbumid>
  <musicbrainzalbumartistid>cbcbb22c-3a8d-46af-b4ba-09c98f0d7931</musicbrainzalbumartistid>
  <musicbrainzreleasegroupid>6b78c33a-64c4-3472-99e9-be45a392acb4</musicbrainzreleasegroupid>
  <art />
  <actor>
    <name>J Dilla</name>
    <type>AlbumArtist</type>
  </actor>
  <actor>
    <name>J Dilla</name>
    <type>Artist</type>
  </actor>
  <artist>J Dilla</artist>
  <albumartist>J Dilla</albumartist>
  <track>
    <position>1</position>
    <title>Donuts (outro)</title>
    <duration>00:12</duration>
  </track>
  <track>
    <position>2</position>
    <title>Workinonit</title>
    <duration>02:57</duration>
  </track>
  <track>
    <position>3</position>
    <title>Waves</title>
    <duration>01:38</duration>
  </track>
  <track>
    <position>4</position>
    <title>Light My Fire</title>
    <duration>00:35</duration>
  </track>
  <track>
    <position>5</position>
    <title>The New</title>
    <duration>00:49</duration>
  </track>
  <track>
    <position>6</position>
    <title>Stop</title>
    <duration>01:39</duration>
  </track>
  <track>
    <position>7</position>
    <title>People</title>
    <duration>01:23</duration>
  </track>
  <track>
    <position>8</position>
    <title>The Diff’rence</title>
    <duration>01:52</duration>
  </track>
  <track>
    <position>9</position>
    <title>Mash</title>
    <duration>01:31</duration>
  </track>
  <track>
    <position>10</position>
    <title>Time: The Donut of the Heart</title>
    <duration>01:38</duration>
  </track>
  <track>
    <position>11</position>
    <title>Glazed</title>
    <duration>01:21</duration>
  </track>
  <track>
    <position>12</position>
    <title>Airworks</title>
    <duration>01:44</duration>
  </track>
  <track>
    <position>13</position>
    <title>Lightworks</title>
    <duration>01:55</duration>
  </track>
  <track>
    <position>14</position>
    <title>Stepson of the Clapper</title>
    <duration>01:01</duration>
  </track>
  <track>
    <position>15</position>
    <title>The Twister (Huh, What)</title>
    <duration>01:16</duration>
  </track>
  <track>
    <position>16</position>
    <title>One Eleven</title>
    <duration>01:11</duration>
  </track>
  <track>
    <position>17</position>
    <title>Two Can Win</title>
    <duration>01:47</duration>
  </track>
  <track>
    <position>18</position>
    <title>Don’t Cry</title>
    <duration>01:59</duration>
  </track>
  <track>
    <position>19</position>
    <title>Anti‐American Graffiti</title>
    <duration>01:53</duration>
  </track>
  <track>
    <position>20</position>
    <title>Geek Down</title>
    <duration>01:19</duration>
  </track>
  <track>
    <position>21</position>
    <title>Thunder</title>
    <duration>00:54</duration>
  </track>
  <track>
    <position>22</position>
    <title>Gobstopper</title>
    <duration>01:05</duration>
  </track>
  <track>
    <position>23</position>
    <title>One for Ghost</title>
    <duration>01:18</duration>
  </track>
  <track>
    <position>24</position>
    <title>Dilla Says Go</title>
    <duration>01:16</duration>
  </track>
  <track>
    <position>25</position>
    <title>Walkinonit</title>
    <duration>01:15</duration>
  </track>
  <track>
    <position>26</position>
    <title>The Factory</title>
    <duration>01:23</duration>
  </track>
  <track>
    <position>27</position>
    <title>U‐Love</title>
    <duration>01:00</duration>
  </track>
  <track>
    <position>28</position>
    <title>Hi.</title>
    <duration>01:16</duration>
  </track>
  <track>
    <position>29</position>
    <title>Bye.</title>
    <duration>01:27</duration>
  </track>
  <track>
    <position>30</position>
    <title>Last Donut of the Night</title>
    <duration>01:39</duration>
  </track>
  <track>
    <position>31</position>
    <title>Welcome to the Show</title>
    <duration>01:11</duration>
  </track>
  <artistdesc>James Dewitt Yancey (February 7, 1974 – February 10, 2006), better known by the stage names J Dilla and Jay Dee, was an American record producer and rapper. He emerged during the mid-1990s underground hip hop scene in Detroit, Michigan, as a member of the group Slum Village. He was also a member of the Soulquarians, a musical collective active during the late 1990s and early 2000s.
Yancey died at the age of 32 from a combination of TTP and lupus. Although his life was short, he is considered one of the most influential producers in hip hop and popular music. J Dilla's music raised the artistic level of hip-hop production in Detroit. According to The Guardian, "His affinity for crafting lengthy, melodic loops peppered with breakbeats and vocal samples took instrumental hip-hop into new, more musically complex realms." In particular, his approach to drum programming, with its loose, or "drunk" style that experimented with non-standard quantization, has been influential on producers and drummers.</artistdesc>
  <label>Stones Throw Records</label>
</album>