﻿<?xml version="1.0" encoding="utf-8" standalone="yes"?>
<album>
  <review>The film's score was composed by Don Davis. He noted that mirrors appear frequently in the movie: reflections of the blue and red pills are seen in Morpheus's glasses; Neo's capture by Agents is viewed through the rear-view mirror of Trinity's Triumph Speed Triple motorcycle; Neo observes a broken mirror mending itself; reflections warp as a spoon is bent; the reflection of a helicopter is visible as it approaches a skyscraper. (The film also frequently references the book Alice's Adventures in Wonderland, which has a sequel entitled Through the Looking-Glass.) Davis focused on this theme of reflections when creating his score, alternating between sections of the orchestra and attempting to incorporate contrapuntal ideas.
In addition to Davis' score, The Matrix soundtrack also features music from acts such as Rammstein, Rob Dougan, Rage Against the Machine, Propellerheads, Ministry, Deftones, Monster Magnet, The Prodigy, Rob Zombie, Meat Beat Manifesto, and Marilyn Manson. Other pieces from artists such as Duke Ellington, Django Reinhardt, and Massive Attack are included in the film, but not featured on the soundtrack.</review>
  <outline>The film's score was composed by Don Davis. He noted that mirrors appear frequently in the movie: reflections of the blue and red pills are seen in Morpheus's glasses; Neo's capture by Agents is viewed through the rear-view mirror of Trinity's Triumph Speed Triple motorcycle; Neo observes a broken mirror mending itself; reflections warp as a spoon is bent; the reflection of a helicopter is visible as it approaches a skyscraper. (The film also frequently references the book Alice's Adventures in Wonderland, which has a sequel entitled Through the Looking-Glass.) Davis focused on this theme of reflections when creating his score, alternating between sections of the orchestra and attempting to incorporate contrapuntal ideas.
In addition to Davis' score, The Matrix soundtrack also features music from acts such as Rammstein, Rob Dougan, Rage Against the Machine, Propellerheads, Ministry, Deftones, Monster Magnet, The Prodigy, Rob Zombie, Meat Beat Manifesto, and Marilyn Manson. Other pieces from artists such as Duke Ellington, Django Reinhardt, and Massive Attack are included in the film, but not featured on the soundtrack.</outline>
  <lockdata>false</lockdata>
  <dateadded>2022-11-05 10:39:02</dateadded>
  <title>The Matrix: Original Motion Picture Score</title>
  <rating>5.5</rating>
  <year>1999</year>
  <premiered>1999-01-01</premiered>
  <releasedate>1999-01-01</releasedate>
  <runtime>60</runtime>
  <genre>Contemporary Classical</genre>
  <genre>Electronic</genre>
  <genre>Modern Classical</genre>
  <studio />
  <audiodbartistid>112485</audiodbartistid>
  <audiodbalbumid>2118615</audiodbalbumid>
  <musicbrainzalbumid>e332743a-4a60-4704-a91a-c6862c3349f2</musicbrainzalbumid>
  <musicbrainzalbumartistid>9d2dfa19-26a9-47ec-a45c-c354ae54b9cf</musicbrainzalbumartistid>
  <musicbrainzreleasegroupid>0db759e0-170e-35fb-b30d-1f9c3ee4e58f</musicbrainzreleasegroupid>
  <art>
    <poster>/media/data/media4/Music/Don Davis/The Matrix_ Original Motion Picture Score/folder.jpg</poster>
  </art>
  <artist>Don Davis</artist>
  <albumartist>Don Davis</albumartist>
  <track>
    <disc>1</disc>
    <position>1</position>
    <title>Main Title / Trinity Infinity</title>
    <duration>03:54</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>1</position>
    <title>Main Title / Trinity Infinity</title>
    <duration>03:54</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>2</position>
    <title>Unable to Speak</title>
    <duration>01:15</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>2</position>
    <title>Unable to Speak</title>
    <duration>01:15</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>3</position>
    <title>The Power Plant</title>
    <duration>02:41</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>3</position>
    <title>The Power Plant</title>
    <duration>02:41</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>4</position>
    <title>Welcome to the Real World</title>
    <duration>02:28</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>4</position>
    <title>Welcome to the Real World</title>
    <duration>02:28</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>5</position>
    <title>The Hotel Ambush</title>
    <duration>05:23</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>5</position>
    <title>The Hotel Ambush</title>
    <duration>05:23</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>6</position>
    <title>Exit Mr. Hat</title>
    <duration>01:23</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>6</position>
    <title>Exit Mr. Hat</title>
    <duration>01:23</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>7</position>
    <title>A Virus</title>
    <duration>01:33</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>7</position>
    <title>A Virus</title>
    <duration>01:33</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>8</position>
    <title>Bullet-time</title>
    <duration>01:10</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>8</position>
    <title>Bullet-time</title>
    <duration>01:10</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>9</position>
    <title>Ontological Shock</title>
    <duration>03:32</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>9</position>
    <title>Ontological Shock</title>
    <duration>03:32</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>10</position>
    <title>Anything Is Possible</title>
    <duration>06:48</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>10</position>
    <title>Anything Is Possible</title>
    <duration>06:48</duration>
  </track>
  <artistdesc>Donald Romain Davis (born February 4, 1957) is an American composer, conductor, and orchestrator known for his film and television scores. He has also composed opera, concert and chamber music.
Davis has collaborated with well-known directors including the Wachowskis, Ronny Yu, and Joe Johnston in genres ranging from horror, to action, to comedy. His best known works include music for the first three films of The Matrix franchise, and the television series Beauty and the Beast and seaQuest 2032.
Davis has been nominated for eight Primetime Emmy Awards, winning twice for Outstanding Music Composition for a Series. He has also won four BMI Film Music Awards.</artistdesc>
  <label>Varèse Sarabande</label>
</album>