﻿<?xml version="1.0" encoding="utf-8" standalone="yes"?>
<album>
  <review>In contrast to the movie's predecessors, very few "source" tracks are used in the movie. Aside from Don Davis' score, again collaborating with Juno Reactor, only one external track (by Pale 3) is used.
Although Davis rarely focuses on strong melodies, familiar leitmotifs from earlier in the series reappear. For example, Neo and Trinity's love theme-which briefly surfaces in the two preceding movies-is finally fully expanded into "Trinity Definitely"; the theme from the Zion docks in Reloaded returns as "Men in Metal", and the energetic drumming from the Reloaded tea house fight between Neo and Seraph opens "Tetsujin", as Seraph, Trinity and Morpheus fight off Club Hel's three doormen.
The climactic battle theme, named "Neodämmerung" (in reference to Wagner's Götterdämmerung), features a choir singing extracts (shlokas) from the Upanishads. The chorus can be roughly translated from Sanskrit as follows: "lead us from untruth to truth, lead us from darkness to light, lead us from death to immortality, peace peace peace". The extracts were brought to Davis by the Wachowski brothers when he informed them that it would be wasteful for such a large choir to be singing simple "ooh"s and "aah"s (according to the DVD commentary, Davis felt that the dramatic impact of the piece would be lost if the choir was to sing 'This is the one, see what he can do' in plain English). These extracts return in the denouement of the movie, and in Navras, the track that plays over the closing credits (which may be considered a loose remix of "Neodämmerung")</review>
  <outline>In contrast to the movie's predecessors, very few "source" tracks are used in the movie. Aside from Don Davis' score, again collaborating with Juno Reactor, only one external track (by Pale 3) is used.
Although Davis rarely focuses on strong melodies, familiar leitmotifs from earlier in the series reappear. For example, Neo and Trinity's love theme-which briefly surfaces in the two preceding movies-is finally fully expanded into "Trinity Definitely"; the theme from the Zion docks in Reloaded returns as "Men in Metal", and the energetic drumming from the Reloaded tea house fight between Neo and Seraph opens "Tetsujin", as Seraph, Trinity and Morpheus fight off Club Hel's three doormen.
The climactic battle theme, named "Neodämmerung" (in reference to Wagner's Götterdämmerung), features a choir singing extracts (shlokas) from the Upanishads. The chorus can be roughly translated from Sanskrit as follows: "lead us from untruth to truth, lead us from darkness to light, lead us from death to immortality, peace peace peace". The extracts were brought to Davis by the Wachowski brothers when he informed them that it would be wasteful for such a large choir to be singing simple "ooh"s and "aah"s (according to the DVD commentary, Davis felt that the dramatic impact of the piece would be lost if the choir was to sing 'This is the one, see what he can do' in plain English). These extracts return in the denouement of the movie, and in Navras, the track that plays over the closing credits (which may be considered a loose remix of "Neodämmerung")</outline>
  <lockdata>false</lockdata>
  <dateadded>2025-11-08 07:10:20</dateadded>
  <title>The Matrix Revolutions: Music From the Motion Picture</title>
  <year>2003</year>
  <premiered>2003-01-01</premiered>
  <releasedate>2003-01-01</releasedate>
  <runtime>63</runtime>
  <genre>Electronic</genre>
  <genre>Industrial</genre>
  <genre>Modern Classical</genre>
  <genre>Techno</genre>
  <studio />
  <audiodbartistid>112485</audiodbartistid>
  <audiodbalbumid>2118616</audiodbalbumid>
  <musicbrainzalbumid>02c1c410-875d-444c-a474-ffddbee5742f</musicbrainzalbumid>
  <musicbrainzalbumartistid>9d2dfa19-26a9-47ec-a45c-c354ae54b9cf</musicbrainzalbumartistid>
  <musicbrainzreleasegroupid>1747a485-106c-33e1-ad57-8ee55569f769</musicbrainzreleasegroupid>
  <art>
    <poster>/media/data/media4/Music/Don Davis/The Matrix Revolutions_ Music From the Motion Picture/folder.jpg</poster>
  </art>
  <artist>Don Davis</artist>
  <artist>Juno Reactor and Don Davis</artist>
  <artist>Pale 3</artist>
  <albumartist>Don Davis</albumartist>
  <track>
    <disc>1</disc>
    <position>1</position>
    <title>The Matrix Revolutions Main Title</title>
    <duration>01:21</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>2</position>
    <title>The Trainman Cometh</title>
    <duration>02:43</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>3</position>
    <title>Tetsujin</title>
    <duration>03:21</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>4</position>
    <title>In My Head</title>
    <duration>03:46</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>5</position>
    <title>The Road to Sourceville</title>
    <duration>01:25</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>6</position>
    <title>Men in Metal</title>
    <duration>02:18</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>7</position>
    <title>Niobe’s Run</title>
    <duration>02:48</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>8</position>
    <title>Woman Can Drive</title>
    <duration>02:41</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>9</position>
    <title>Moribund Mifune</title>
    <duration>03:47</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>10</position>
    <title>Kidfried</title>
    <duration>04:49</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>11</position>
    <title>Saw Bitch Workhorse</title>
    <duration>03:59</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>12</position>
    <title>Trinity Definitely</title>
    <duration>04:15</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>13</position>
    <title>Neodämmerung</title>
    <duration>05:59</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>14</position>
    <title>Why, Mr. Anderson?</title>
    <duration>06:10</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>15</position>
    <title>Spirit of the Universe</title>
    <duration>04:51</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>16</position>
    <title>Navras</title>
    <duration>09:08</duration>
  </track>
  <artistdesc>Donald Romain Davis (born February 4, 1957) is an American composer, conductor, and orchestrator known for his film and television scores. He has also composed opera, concert and chamber music.
Davis has collaborated with well-known directors including the Wachowskis, Ronny Yu, and Joe Johnston in genres ranging from horror, to action, to comedy. His best known works include music for the first three films of The Matrix franchise, and the television series Beauty and the Beast and seaQuest 2032.
Davis has been nominated for eight Primetime Emmy Awards, winning twice for Outstanding Music Composition for a Series. He has also won four BMI Film Music Awards.</artistdesc>
  <label>MaverickWMG SoundtracksWarner Sunset Records</label>
</album>