﻿<?xml version="1.0" encoding="utf-8" standalone="yes"?>
<album>
  <review>Legendary guitarist, gifted songwriter, master of rhythm, snappy dresser -- Bo Diddley is all these things and more, and this two-fer CD, which reissues Diddley's first two albums on one convenient compact disc, offers a solid introduction to this man's special brand of musical innovation. While anyone looking for a full overview of Diddley's career should obviously go elsewhere (His Best  is a great one-stop shopping place for beginners), these 23 tunes serve up a young Bo Diddley at his raw and primal best, and confirm that right out of the box the guy didn't sound like anyone else in rock &amp; roll. Between Diddley's hypnotic, rhythmic guitar lines; the implacable rattle of Jerome Green's maracas; the spacy echo that threatens to envelop everything around it; and the borderline surrealism of the lyrics (witness the updated "Mr. Bones" routine of "Say Man," the overpopulated family of "Say Bossman," or the supreme bad-ass-ism of "Who Do You Love"), this man's music existed in a world of its own, and while you might not want to live there, the one-hour tour offered on Bo Diddley/Go Bo Diddley makes it sound like a great place to take a vacation. In the interest of accuracy, this disc even includes the same take of "Dearest Darling" twice, since the tune managed to appear on both Bo Diddley and Go Bo Diddley; nice to know someone at Chess' reissue department was paying attention to the details.</review>
  <outline>Legendary guitarist, gifted songwriter, master of rhythm, snappy dresser -- Bo Diddley is all these things and more, and this two-fer CD, which reissues Diddley's first two albums on one convenient compact disc, offers a solid introduction to this man's special brand of musical innovation. While anyone looking for a full overview of Diddley's career should obviously go elsewhere (His Best  is a great one-stop shopping place for beginners), these 23 tunes serve up a young Bo Diddley at his raw and primal best, and confirm that right out of the box the guy didn't sound like anyone else in rock &amp; roll. Between Diddley's hypnotic, rhythmic guitar lines; the implacable rattle of Jerome Green's maracas; the spacy echo that threatens to envelop everything around it; and the borderline surrealism of the lyrics (witness the updated "Mr. Bones" routine of "Say Man," the overpopulated family of "Say Bossman," or the supreme bad-ass-ism of "Who Do You Love"), this man's music existed in a world of its own, and while you might not want to live there, the one-hour tour offered on Bo Diddley/Go Bo Diddley makes it sound like a great place to take a vacation. In the interest of accuracy, this disc even includes the same take of "Dearest Darling" twice, since the tune managed to appear on both Bo Diddley and Go Bo Diddley; nice to know someone at Chess' reissue department was paying attention to the details.</outline>
  <lockdata>false</lockdata>
  <dateadded>2025-11-08 09:40:02</dateadded>
  <title>Bo Diddley / Go Bo Diddley</title>
  <year>2008</year>
  <premiered>2008-01-01</premiered>
  <releasedate>2008-01-01</releasedate>
  <runtime>67</runtime>
  <genre>Blues</genre>
  <genre>Blues Rock</genre>
  <genre>Chicago Blues</genre>
  <genre>Doo-Wop</genre>
  <genre>Pop</genre>
  <genre>Rock</genre>
  <genre>Rock And Roll</genre>
  <studio />
  <audiodbartistid>111455</audiodbartistid>
  <audiodbalbumid>2251943</audiodbalbumid>
  <musicbrainzalbumid>6bd35b46-7ab3-4b9e-a7e1-d17053c32add</musicbrainzalbumid>
  <musicbrainzalbumartistid>bf659d74-0b61-488c-8a7d-594f43bed9e0</musicbrainzalbumartistid>
  <musicbrainzreleasegroupid>8dfbac86-ac5f-320a-8fea-2c4f41f98af9</musicbrainzreleasegroupid>
  <art>
    <poster>/media/data/media4/Music/Bo Diddley/Bo Diddley _ Go Bo Diddley/folder.jpg</poster>
    <fanart>/media/data/media4/Music/Bo Diddley/Bo Diddley _ Go Bo Diddley/backdrop1.jpg</fanart>
  </art>
  <artist>Bo Diddley</artist>
  <albumartist>Bo Diddley</albumartist>
  <albumartist>Various Artists</albumartist>
  <track>
    <disc>1</disc>
    <position>1</position>
    <title>Bo Diddley</title>
    <duration>02:31</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>2</position>
    <title>I'm a Man</title>
    <duration>02:47</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>2</position>
    <title>I’m Sorry</title>
    <duration>02:26</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>3</position>
    <title>Bo’s Guitar</title>
    <duration>02:35</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>3</position>
    <title>Bring It to Jerome</title>
    <duration>02:29</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>4</position>
    <title>Before You Accuse Me</title>
    <duration>03:07</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>5</position>
    <title>Hey!, Bo Diddley</title>
    <duration>02:13</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>5</position>
    <title>You Don’t Love Me (You Don’t Care)</title>
    <duration>02:45</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>6</position>
    <title>Dearest Darling</title>
    <duration>02:51</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>6</position>
    <title>Dearest Darling</title>
    <duration>02:51</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>6</position>
    <title>Say Man</title>
    <duration>03:12</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>7</position>
    <title>Hush Your Mouth</title>
    <duration>02:52</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>7</position>
    <title>The Great Grandfather</title>
    <duration>02:30</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>8</position>
    <title>Say Boss Man</title>
    <duration>02:31</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>9</position>
    <title>Diddley Daddy</title>
    <duration>02:29</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>10</position>
    <title>Diddy Wah Diddy</title>
    <duration>02:31</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>10</position>
    <title>Little Girl</title>
    <duration>02:32</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>11</position>
    <title>Dearest Darling</title>
    <duration>02:52</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>11</position>
    <title>Who Do You Love?</title>
    <duration>02:29</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>12</position>
    <title>The Clock Strikes Twelve</title>
    <duration>02:57</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>13</position>
    <title>Crackin' Up</title>
    <duration>02:07</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>16</position>
    <title>Willie and Lillie</title>
    <duration>02:17</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>20</position>
    <title>Oh Yeah</title>
    <duration>03:08</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>21</position>
    <title>Don't Let It Go (Hold On to What You Got)</title>
    <duration>02:42</duration>
  </track>
  <track>
    <disc>7</disc>
    <position>3</position>
    <title>Pretty Thing</title>
    <duration>02:46</duration>
  </track>
  <artistdesc>Ellas Otha Bates (December 30, 1928 – June 2, 2008), known professionally as Bo Diddley, was an American guitarist and singer who played a key role in the transition from the blues to rock and roll. He influenced many artists, including Buddy Holly, Elvis Presley, the Beatles, the Rolling Stones, the Animals, George Thorogood, Syd Barrett, and the Clash.
His use of African rhythms and a signature beat, a simple five-accent hambone rhythm, is a cornerstone of hip hop, rock, and pop music. In recognition of his achievements, he was inducted into the Rock and Roll Hall of Fame in 1987, the Blues Hall of Fame in 2003, and the Rhythm and Blues Music Hall of Fame in 2017. He received a Lifetime Achievement Award from the Rhythm and Blues Foundation and the Grammy Lifetime Achievement Award. Diddley is also recognized for his technical innovations, including his use of tremolo and reverb effects to enhance the sound of his distinctive rectangular-shaped guitars.

</artistdesc>
  <label>Rattle &amp; Roll Records</label>
</album>