﻿<?xml version="1.0" encoding="utf-8" standalone="yes"?>
<album>
  <review>The title Rewind suggests Rascal Flatts are ready to turn back the clock, perhaps to the start of their career or something even earlier, but the first song on this 2014 album drops an allusion to Instagram, so the trio is hardly unaware of the digital age. Throughout Rewind, Rascal Flatts reference other wonders of the modern age while also taking pains to position themselves as part of a lineage -- the title track casually mentions George Strait as a common thread between alienated lovers -- but there's never any indication that this Ohio band considers the past as more worthy than the present. This embrace of the now is one of the hallmarks of Rascal Flatts, a group that thoroughly inhabits the new suburban country, a country that resides not in the sticks but on the outskirts of a major urban center, the place where big box stores stretch as far as the eye can see. To that end, the trio brings in Howard Benson -- a producer better known for active rockers like 3 Doors Down, Saliva, Hoobastank, and DAUGHTRY who has also often worked with Kelly Clarkson -- to give Rewind a stainless gleam suited for the suburbs and this makes Rewind far livelier than any of its immediate predecessors, which by and large favored the softer, slower side of the trio. Certainly, that sweetness is evident on Rewind -- not so coincidentally, it surfaces strongly on the title track and the syrupy "I Have Never Been to Memphis" -- but the record thrives on its brighter moments, the times where it adopts either the sound or sentiment of "DJ Tonight," "Powerful Stuff," and "I Like the Sound of That," songs that consciously weave modern catch phrases into friendly, hooky songs designed to be heard everywhere a radio could be played. Occasionally, there are hints that Rascal Flatts are getting a little bit old to be pandering for big hits -- Gary LeVox does not easily drop references to phone apps -- but when the music is as carefully constructed as "I'm on Fire," a song that expertly fuses their arena-rock stomp and their waiting-room sentimentality, it's hard not to succumb to Rascal Flatts' smooth touch.</review>
  <outline>The title Rewind suggests Rascal Flatts are ready to turn back the clock, perhaps to the start of their career or something even earlier, but the first song on this 2014 album drops an allusion to Instagram, so the trio is hardly unaware of the digital age. Throughout Rewind, Rascal Flatts reference other wonders of the modern age while also taking pains to position themselves as part of a lineage -- the title track casually mentions George Strait as a common thread between alienated lovers -- but there's never any indication that this Ohio band considers the past as more worthy than the present. This embrace of the now is one of the hallmarks of Rascal Flatts, a group that thoroughly inhabits the new suburban country, a country that resides not in the sticks but on the outskirts of a major urban center, the place where big box stores stretch as far as the eye can see. To that end, the trio brings in Howard Benson -- a producer better known for active rockers like 3 Doors Down, Saliva, Hoobastank, and DAUGHTRY who has also often worked with Kelly Clarkson -- to give Rewind a stainless gleam suited for the suburbs and this makes Rewind far livelier than any of its immediate predecessors, which by and large favored the softer, slower side of the trio. Certainly, that sweetness is evident on Rewind -- not so coincidentally, it surfaces strongly on the title track and the syrupy "I Have Never Been to Memphis" -- but the record thrives on its brighter moments, the times where it adopts either the sound or sentiment of "DJ Tonight," "Powerful Stuff," and "I Like the Sound of That," songs that consciously weave modern catch phrases into friendly, hooky songs designed to be heard everywhere a radio could be played. Occasionally, there are hints that Rascal Flatts are getting a little bit old to be pandering for big hits -- Gary LeVox does not easily drop references to phone apps -- but when the music is as carefully constructed as "I'm on Fire," a song that expertly fuses their arena-rock stomp and their waiting-room sentimentality, it's hard not to succumb to Rascal Flatts' smooth touch.</outline>
  <lockdata>false</lockdata>
  <dateadded>2025-10-04 00:12:12</dateadded>
  <title>Rewind</title>
  <year>2014</year>
  <premiered>2014-01-01</premiered>
  <releasedate>2014-01-01</releasedate>
  <runtime>48</runtime>
  <genre>Country</genre>
  <studio />
  <audiodbartistid>111509</audiodbartistid>
  <audiodbalbumid>2207914</audiodbalbumid>
  <musicbrainzalbumid>b2a27046-a80c-4d75-87a1-465e92d55791</musicbrainzalbumid>
  <musicbrainzalbumartistid>6e0ae159-8449-4262-bba5-18ec87fa529f</musicbrainzalbumartistid>
  <musicbrainzreleasegroupid>a3f73bc8-1dec-4cf1-a305-8086dfcf02e4</musicbrainzreleasegroupid>
  <art>
    <poster>/media/data/media2/Music/Rascal Flatts/Rewind/folder.jpg</poster>
  </art>
  <artist>Rascal Flatts</artist>
  <albumartist>Rascal Flatts</albumartist>
  <track>
    <disc>1</disc>
    <position>1</position>
    <title>Payback</title>
    <duration>03:00</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>2</position>
    <title>Rewind</title>
    <duration>03:24</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>3</position>
    <title>I Have Never Been To Memphis</title>
    <duration>04:08</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>4</position>
    <title>DJ Tonight</title>
    <duration>03:47</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>5</position>
    <title>Powerful Stuff</title>
    <duration>03:15</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>6</position>
    <title>Riot</title>
    <duration>03:50</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>7</position>
    <title>Night Of Our Lives</title>
    <duration>03:28</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>8</position>
    <title>I Like The Sound Of That</title>
    <duration>03:30</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>9</position>
    <title>Aftermath</title>
    <duration>03:39</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>10</position>
    <title>I’m On Fire</title>
    <duration>03:56</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>11</position>
    <title>Life’s A Song</title>
    <duration>04:08</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>12</position>
    <title>Honeysuckle Lazy</title>
    <duration>04:02</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>13</position>
    <title>The Mechanic</title>
    <duration>03:34</duration>
  </track>
  <artistdesc>Rascal Flatts was an American country music band founded in 1999. The band members were Gary LeVox (lead vocals), Jay DeMarcus (bass guitar, background vocals), and Joe Don Rooney (lead guitar, background vocals). DeMarcus is LeVox's second cousin, a brother-in-law of country music singer James Otto, and a former member of the contemporary Christian music duo East to West.
From 2000 to 2010, they recorded for Disney Music Group's former Lyric Street Records division. While on that label, they released six studio albums, all of which have been certified platinum or higher by the Recording Industry Association of America (RIAA). In order of release, they are Rascal Flatts (2000), Melt (2002), Feels Like Today (2004), Me and My Gang (2006), Still Feels Good (2007), and Unstoppable (2009). After Lyric Street closed in 2010, they moved to Big Machine Records for five more studio albums: Nothing Like This (2010), Changed (2012), Rewind (2014), The Greatest Gift of All (2016), and their final studio album, Back to Us (2017).
Rascal Flatts has released more than forty singles, sixteen of which have reached number one on the Billboard Hot Country Songs, Country Airplay, and/or Canada Country charts. Their longest-lasting number-one single, a cover of Marcus Hummon's "Bless the Broken Road", spent five weeks in that position in 2005. Through 2006–07, "What Hurts the Most" was number one on both the Hot Country Songs and Adult Contemporary charts, and their highest peak on the Billboard Hot 100 at number six. The band also had commercial success with a cover of Tom Cochrane's "Life Is a Highway", which they recorded for the soundtrack of the Pixar animated movie Cars. Their music is defined by country pop influences. In addition to their own songs, DeMarcus has produced albums for Chicago, Jennette McCurdy, and Brooks &amp; Dunn member Kix Brooks.
On January 7, 2020, Rascal Flatts announced that they would be disbanding following a farewell tour after 22 years together. However, this farewell tour was canceled due to the COVID-19 pandemic; the group's disbandment was not officially confirmed until October 2021.

</artistdesc>
  <label>Big Machine Records</label>
</album>